Interview with Foreigner/Revolution Saints/The End Machine/ex-Dokken/Dio Bassist Jeff Pilson By Jesse Striewski

For many years now, bassist Jeff Pilson has been someone I’ve held much respect for (as one bass player to another), and has been on my radar to interview for quite some time now. But with someone with as many fires consistently burning as Pilson has, that is not always an easy feat. Currently, Pilson is still rocking stages with classic rockers Foreigner, and has two new albums soon to drop with both “supergroups” Revolution Saints, and The End Machine.

My patience finally paid off this past Tuesday, January 30, when I was finally able to sit down and speak with Jeff regarding all of the previously-mentioned projects of his, as well as touch upon other aspects of his storied career, including playing in such other legendary acts as Dokken and Dio.

With new music from Revolution Saints looming on the horizon, I wanted to jump right on the subject of that group right away, and asked a little about how his involvement with them initially came about. He explained; “It was a project originally conceived by (Frontiers President and mastermind) Serafino Perugino, and just one of those things that I just couldn’t resist. I had already met and worked with (Whitesnake guitarist) Joel Hoekstra over the years, and (Journey drummer) Deen Castronovo is just a total powerhouse in everything he does. It’s all come together fairly organically, and definitely looking forward to the new album.” (Against the Winds will be dropping via Frontiers Music s.r.l. on February 9.)

Having a chance to already preview said upcoming album, I personally had a favorite track from it in mind already, and wondered if Jeff possibly had one as well. He told me; “I wouldn’t say I necessarily have a favorite track per se, since I tend to gauge things as a whole. I’d say the entire record is really solid overall.”

As previously alluded to, Pilson has also been busy once more with The End Machine, a project he started with former Dokken bandmate George Lynch in 2018. I asked him what could be expected with their upcoming third album, The Quantum Phase (set to be released in March), and he explained; “Well, it’s our first album with our new singer Girish Pradhan, who’s just such an amazing young talent that brings so much to the table. His vocal styles really compliment the band, and we’re extremely excited for everyone to hear the end results!”

2024 also marks twenty solid years for Pilson as a member of Foreigner, and I had to know what it was like for him when he first joined a band of such stature. He told me; “It’s been nothing short of phenomenal, having grown up listening to so many of those classic songs over the years and then having the chance to be up there actually playing them live has been such a joy. And we’re definitely excited to be getting out there this year and doing one last major stretch of the whole nine-months-out-of-the-year touring cycle.”

I was also curious what it was like playing quite possibly one of the greatest power ballads of all time every night in the form of “I Want to Know What Love Is” (which actually turns forty years old this year), and Pilson stated; “To this day I still get goosebumps from playing it and hearing the crowd sing it back to us. It’s just one of those timeless songs that everyone knows and loves, I’ve always personally loved it, along with “Waiting For a Girl Like You.”‘

And speaking of power ballads, I also wanted to know if he felt “Alone Again,” the very first ballad he had ever co-written while a member of Dokken, still holds up to this day. Pilson explained; “Don (Dokken, lead singer) already had the bare bones for that song for quite some time, and I just came in and helped complete it. I’d say it definitely holds up though – being told from the perspective of someone longing for something they cannot have will always no doubt be a fairly universal theme.”

Of course I wouldn’t be a good journalist if I didn’t at least inquire if the chance for a reunion (or even possibly a one-off show or two) with Dokken could someday be a possibility in the distant horizon. Pilson stated; “I wouldn’t ever rule anything out entirely (because there’s always a chance), but I know he currently has his new album out that he’s still promoting at the moment, and I’m definitely busy with all of the projects I currently have going on right now as well, so it’s definitely not a necessity at this given time.”

I also couldn’t resist to ask what it was like filming the video for “Dream Warriors” (from 1987’s A Nightmare on Elm Street 3: Dream Warriors), and if he was a fan of horror films prior to that moment. He told me; “I wouldn’t say I was a huge fan of horror films before that, but I always liked the Nightmare on Elm Street movies, and working with Robert (Englund) and being around him as Freddy was a ton of fun, and just a total blast on set!”

As if being a member of each of the previously-mentioned bands was not enough already, Pilson also spent some time on-and-off with the legendary Dio in the ’90s and early 2000’s. I asked him to tell me a little about what that experience was like for him, and, of the three albums he recorded with them, if he had a personal favorite. He enlightened me; “That was another dream come true, to be up there alongside someone like Ronnie James Dio – what more can you ask for?! But I’d have to say (1993’s) Strange Highways was probably my favorite to record; I’d say I was definitely more involved with that one over the others, and truly captured where the band was at at the time the most.”

Last but not least, I had to ask about his involvement with the 2001 Mark Wahlberg film Rock Star (one of my personal favorites), where he played the part of Jorgen in the fictional band Steel Dragon. He informed me; “Well, I was already involved with working on the music for the film at the time, so it seemed only a natural fit to play in the band on screen. I still had to audition for the role like anyone else, but I must’ve done something right…though I’m still not holding my breath for Hollywood to knock down my door again to this day” (Laughs).

Album Review: The End Machine – Phase2 (Frontiers Music s.r.l.)

By: Jesse Striewski

Hard rock/heavy metal suergroup The End Machine, which features guitarist George Lynch (Dokken/Lynch Mob), bassist Jeff Pilson (Dokken), vocalist Robert Mason (Warrant/Lynch Mob), and newcomer Steve Brown on drums (in place of his recently retired father, Mick, also from Dokken) are back with the follow up to their 2018 debut. And this time the group has had a chance to perfect their sound just right.

Instrumental piece “The Rising” starts things off with a hauntingly familiar tone before breaking into the album’s first single (and without a doubt one of it’s strongest tracks), “Blood & Money.” From then on, there’s hints of multiple genres spread out along the way on the record’s twelve tracks; “Devil’s Playground” and “Born of Fire” contain some blues-ly riffs from Lynch, while “Prison or Paradise” and the album’s latest single, “Crack the Sky,” contain some borderline thrash elements.

But without a doubt the biggest highlights come in the form of the anthems “Shine Your Light,” and especially, “Dark Divide.” With their in-your-face, sing-along choruses, I found myself turning up the volume even louder, especially with the latter track, which no doubt features Mason screaming his heart out on possibly one of the strongest performances of his entire career.

Phase2 is hands down the album the rock community needed at this moment in time. Don’t pass this one up, it’s worth giving the time of day (and then some).

Rating: 4/5 Stars

Album Review: The End Machine – Self-Titled (Frontiers Music s.r.l.)

EndMachine

By: Jesse Striewski

This first effort from rock “supergroup” The End Machine sounds as though it came straight from the same era as the members that make up the band. Current Warrant/ex-Lynch Mob singer Robert Mason fronts the group, while ex-Dokken members George Lynch and Jeff Pilson team up with former bandmate Mick Brown (the only of the 3 still actually in Dokken at the moment) to round out the band. But before you start thinking this is just Dokken without Don at the mic, few of the tracks found here resemble anything that might’ve been recorded with that band…which isn’t always necessarily a good thing.

There’s a few tracks that actually spark some interest; “No Game,” “Ride It,” and “Sleeping Voices” aren’t band at all. And Lynch’s guitar work is on point as always. But overall the majority of the album is just “eh” at best, causing for an uneven listening experience (though I imagine many of these songs would sound way better live). Not a bad effort, but definitely not the best work from any of it’s talented members.

Rating: 2.5 Stars