Interview with Skid Row Bassist Rachel Bolan By Jesse Striewski (Photo By Gary Wolstenholme)

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It’s not unheard of for musicians to occasionally branch out into other, often similar or related fields. Skid Row bassist Rachel Bolan is already known to broaden his horizons with extracurricular activities; since co-founding the band in New Jersey in 1986, Bolan has kept himself busy with hobbies both in and out of music, being involved in everything from side projects, to competing in high performance car races. Bolan’s most recent venture in the soap business (appropriately titled Dirty Rocker Soap) might not be the most obvious of choices to some, but makes sense when considering the amount of miles musicians like Bolan average a year in travel time. I was recently able to catch up with Bolan regarding said foray into the world of hygienics, as well as take a trip down memory lane and revisit some of the many highlights of his tenure with Skid Row.

Before we got in to any serious talk regarding music or soap, and knowing Bolan originally hails from the same state as yours truly (New Jersey), I was curious what ties he still had to the Garden State, if any. He informs me; “I moved out of New Jersey in 2000, then lived to Atlanta for maybe 14 years before coming to Nashville a little over 5 years ago. All my friends were moving out here, and there’s really no music scene in Atlanta so to speak, so I came here.” I was also wondering if his parent’s house in Tom’s River, NJ, where the band spent their earliest days rehearsing, was still standing. He tells me; “That house is still there! The road’s a lot wider, so the front yard’s a lot more narrow and closer to the street than it was when I was a kid, but it’s still there.” He also notes that he does still have plenty of friends and family residing in the NJ/PA areas to this day as well.

Regarding just how he got things going with Dirty Rocker, he says; “It was about a year and a half ago now that I basically came up with the concept. Every band seems to be putting out their own hot sauce or coffee these days, so it was an idea that kind of culminated with another necessity. With traveling so much, you come across a lot of hotels that just have mass-produced soap that just doesn’t feel good, and already being prone to skin irritations, I thought, ‘let me try making my own soap.’ No one in rock music has ever put out a soap before to my knowledge, so I just took it from there. I have a friend who actually makes soap, and she gave me the lessons on what to do and what not to do. With her help, I was able to start selling soap, and it’s the craziest thing because it just kind of took off! (laughs). The response has been overwhelming though, and it still is.”

As far as how his new venture has been effected so far by the pandemic, Bolan informs me; “The timing has been completely coincidental – no one could have seen everything coming that has so far this year. But now I have time to dedicate to it, along with writing and all that stuff. But it just happened very organically, and now here we are talking about it.”  Bolan also shares his personal preferences with me; “I’m a big fan of the Lemongrass Green, Mother Earth, and Lavendorwood. I like all the other ones too, but those are my top three, and they seem to be the ones I go through quickest online.” I also wanted to know if the other guys in Skid Row had tried Dirty Rocker yet, to which he tells me; “It’s funny that you mention that, because just yesterday I was thinking, ‘man, I got to send some out to these guys!’ (laughs) I haven’t seen them in awhile, but yeah, I’ll send them some soon for sure.”

The current Skid Row lineup with former DragonForce vocalist ZP Theart has been intact for just over four years now.  I asked Bolan what it’s been like since having Theart enter the fold, and he states; “ZP’s band I Am I came out on the road with Skid Row at one point, and our friendship just grew stronger from that. Then when it was time for us to find a new singer, we called him. He came in, and it was just effortless for him. He had been listening to us since he was a kid; when we put out the first record, he was just 12 or 13! But he came in and just knocked it out of the park, and here we are nearly five years later. He’s a great frontman, great singer, and overall just a really great dude.”

Having been continually (and meticulously) working on a biography of Skid Row for the past two-plus years, I was already well versed on the band’s history prior to our interview (and judging by his reactions, Bolan was even impressed by my knowledge a time or two throughout). Still, there were some fuzzy details about the band’s formation, including the original lineup (which often incorrectly lists a former school mate of Bolan’s as the original drummer) that I wanted to clarify. I started by revisiting how Bolan and co-founder/guitarist Dave “The Snake” Sabo had met while the latter was working at the Garden State Music Center in the mid-80s. He explains; “Scotti (Hill, Skid Row guitarist) and I had a band before Skid Row that we were thinking of disbanding. At the same time I had just met Snake – and there was a point where all three of us worked at that store (Garden State Music Center) at the same time, which was just freaking chaos all the time! (laughs). I realized I had actually met Snake years before when he mentioned he lived in Sayerville and was previously in a band called Steel Fortune. We got to talking, and he told me he needed a bass player for this new band he had. He already had Matt (Fallon, also ex-Steel Fortune, as well as Anthrax) on vocals, Jim (Yuhas) on guitar, and Charlie (Mills) on drums – those were all Snake’s ‘crew.’ And then once Scotti came in and we shifted some people around (eventually adding drummer Rob Affuso and vocalist Sebastian Bach to complete the band’s ‘classic’ lineup), it started taking on a new life and ended up working out really well, obviously” (laughs). As soon as Snake and I started writing songs together, it just turned in to dropping everything, and focusing on Skid Row.”

I also inquired if he remembered just what that first song the band ever composed together was. He points out; “It was a song called ‘Telephone.” I remember the riff and chorus, and I know there’s a demo of it on cassette around in a box somewhere that I’ve got to find!” Skid Row have obviously produced many great songs since those early days, and hits like “I Remember You” and “Youth Gone Wild” will always remain staples in their set lists. But I wanted to know if there were any possible obscure tracks Bolan would ever consider resurrecting, such as the forgotten “Walk Like A Stranger” off of their original 1986 demo. His reaction; “I haven’t even heard or thought about that song in years! (laughs) Our buddy’s in Trixter actually did a really good cover of it a few years back. We have brought back “Forever” from that first demo a couple of times recently though, and it seems to have gone over well.”

And as far as how the band is holding up with all of the uncertainties of today’s world, Bolan proclaims; “Everyone’s keeping it together. We’re still making music, or at least sending each other ideas. It’s a new way of doing things that we’re totally not used to, but I think everyone’s kind of going through that no matter what line of work they’re in. But whenever everything ‘rights’ itself and we all go back to ‘normal life,’ I think everyone’s going to be a lot stronger for it.” While on the subject, I saw this as a good chance to ask if there might be some new music materializing soon. He replied; “I’m hoping so. If we don’t get the songs out all at once, maybe we’ll release just a song or two or something. But yeah, we’re hoping to have something out (if not the whole thing) in the not-too-distant future…and I can confidently say it shouldn’t be too much longer.”

Film Review: The Go-Go’s (Polygram Entertainment/Showtime Networks)

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By: Jesse Striewski

The Go-Go’s may forever be remembered as the first group made up entirely of females to pen their own music while reaching the top of the Billboard charts in the early 1980’s. But despite their squeaky clean mainstream image that brought the world such pop staples as “We Got the Beat” and “Vacation,” the band’s punk roots (lead singer Belinda Carlisle was even briefly an early member of The Germs) are often far overlooked. This recently-released Showtime documentary delves deep into those early days, giving each member a chance to recall their own individual accounts the way they remember them.

Director Alison Ellwood paints an immaculate picture of the band’s gritty origins, and the interviews from not only the members of the “classic” lineup, but more obscure ones such as original bassist Margot Olavarria and drummer Ellissa Bello, and one-time bassist Paula Jean Brown, are equally fascinating. Various other musicians, managers, producers, and music writers also lend their insight throughout, and all the typical internal stories of drugs, drama, and debauchery are included, yet somehow still feel uniquely fresh, even to those already fairly familiar with their story.

While the band’s earliest period may be detailed thoroughly, the latter half of the film feels somewhat rushed, and key moments (such as the band’s 1990 reunion) are quickly glossed over or omitted entirely. Still, Ellwood brings the story of the band full circle, ending on an optimistic note that finds the core members performing a brand new song together. Even if The Go-Go’s aren’t your type of thing per se (I don’t claim to be a huge ‘fan’ by any means), the story is more than engaging enough to get lost in it for just over an hour and a half.

Rating: 3.5/5 Stars

Interview with Actor/Musician Ari Lehman By Jesse Striewski

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It’s been forty years now since the world was first introduced to the infamous Jason Voorhees via the original Friday The 13th, when it was originally released in May of 1980. Since then, the series has influenced a plethora of related pop culture across various media platforms, one of the latest being the Chicago-based First Jason, lead by none other than the original Jason himself, Ari Lehman, who was the first in a long line of actors to play the notorious killer Jason himself (hence the band name). Lehman was gracious enough to recently answer a few questions about First Jason, as well as his time portraying him on the big screen before anyone else.

In addition to Lehman fronting the band on vocals and heavy metal keytar, First Jason also consists of guitarist Eddie Machete, drummer Prince Fabian Arroyo, and bassist Johnny Danger. The band released their first album, Jason is Watching!, on February 13, 2009 – the same day the F13 remake was actually released. Ari described their sound to me as “A heavy metal band with an eclectic range of styles from upbeat hardcore to thrash-y metal; there are influences of punk, metal, funk, and reggae on every album.”

Lehman explained the band’s sound even further; “Since my main instrument is keytar, it has a profound effect on the writing, giving me the capability to draw upon a wide range of rock motifs. The focus is on a high-energy performance with Jason-themed lyrics that also speak to a wide range of emotions and viewpoints. To paraphrase my musical hero Duke Ellington, ‘limitations enhance creativity.’ Drawing on the dark sources of horror and metal, the possibilities are endless…”

Of course I had to ask Lehman what it’s like looking back now on playing the one and only Jason Voorhees four decades later. He tells me; “I will never take it for granted that I was lucky enough to get cast in a role that fans love so much that they continue to demand more and more Jason and Friday The 13th each and every day worldwide. It is the imagination of the fans that has kept Jason alive these 40 years, and there will be many more decades to come.” He continues; “Not the same as horror films today, but I think it holds up well because of (F13 Director) Sean S. Cunnigham’s attention to not allowing the actors to overdo their roles in an effort to make it as real as possible. Also, Tom Savini’s use of practical effects and the often overlooked camera work of Director of Photography Barry Abrams created an environment that lured the viewer into a sense of safety – and then SHATTERED that completely. Together they transformed a usually bucolic setting – a summer camp – into a place of sheer terror, much like Jaws did the same way for sunny beaches in the summertime. And the fans never forgot!”

I also wanted to know just how much interaction Lehman had with the other actors on the set. He explains; “I did get to meet Adrienne King of course as well as most of the actors on the set including Kevin Bacon and Harry Crosby. It was ironically the actress who played my mom, Betsy Palmer, that I did not get to meet until years later, when we bonded as friends and she took me under her wing as a confidant and advisor. Betsy and my real mom shared the same birth date, November 1st, the day after Halloween! If I could have gotten her into a music video WOW!!! What I did do and you can see it in the “Voorhees is the Name” video is to commemorate what she would say to me when she knew that I had a rock show with First Jason – ‘mama said Knock ’em DEAD, and leave ’em writhing in the aisles!!!’ I love her forever…” Having actually met Palmer myself (at the same convention along with Tom Savini and Kane Hodder as well, albeit briefly) back in 2007, I can attest to Lehman’s sentiments of her kindness firsthand (though regrettably I did not get a photo to mark the occasion).

Lehman also shared with me what he took from working on the film so long ago; “Working with Tom Savini and Taso Stavrakis for four months and creating the FX for the film gave me a sense of camaraderie, and taught me that hard work can be fun and rewarding. Also I learned from being on the set how to make the most out of the resources that are at hand – this has served me well as a leader of a touring band, and when doing independent films like The Barn & Clown Motel.”

I was also curious what Lehman’s thoughts were on the later films of the F13 series. He states; “Honestly, I feel that each Jason actor and every production team brought a new perspective to the mythology. One of my favorites is Friday The 13th Part VII: The New Blood (1988), which was directed by John Buechler and starred Kane Hodder as Jason (for the first time). I feel that this episode does the most to recollect all of the sagas and bring it all together. Plus I enjoy that Jason is opposed by Tina (played by Lar Park Lincoln), a young psychic girl; that provides for great moments, like when she tears his mask off and sets the roof on fire!!!”

“The First Jason INTERSLASHIONAL album is the top priority now. Clown Motel 2 is shooting soon and I will return to play Psycan the deranged clown. The Barn 2 is completing now and my role as Dr. Dock was greatly expanded from the original. I am particularly proud of the work I did in this film and the team that created it for director Justin Seaman. And my weapon of choice to kill zombies in that film is even a KEYTAR!!!”

You can keep track of what’s going on with Lehman and First Jason on YouTube and Spotify, as well as Facebook (at the time of this writing, the band still has some tour dates set, with the first starting next month in Kenosha, WI on Sat., Aug 1).

Film Review: Onward (Walt Disney Pictures/Pixar Animation Studios)

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By: Jesse Striewski

Disney/Pixar’s Onward was unfortunately overshadowed by the pandemic when it was released to theaters earlier this year. But despite the brief appearance in actual cinemas, it quickly found a new life on home video and streaming services.

The story centers around brothers Ian (voiced by Tom Holland) and Barely (Chris Pratt), two elves who embark on a road trip to bring back their deceased father via a magical artifact. It might sound a little far-fetched on paper, but in terms of computer-animated films set in fantasy worlds, it really is at the top of the line. Julia-Louis Dreyfus and Octavia Spencer round out the main voice cast, while veteran voice actors like John Ratzenberger and Wimer Valderrama also lend their talents along the way.

Safe for the whole family, yet still appealing enough to hold adult attention as well, it’s a fun, welcomed piece of escapist entertainment despite it’s somewhat standard storybook plot. Ultimately it’s a trip worth taking for those raised on Toy Story and the like. 

Rating: 3.5/5 Stars

 

Interview with Survivor Guitarist Frankie Sullivan By Jesse Striewski

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Last month, Rocky III, and it’s mega-hit theme song “Eye of the Tiger” by the band Survivor, both turned 38 years old. Originally released in late May of 1982, they’ve each endured the test of time in their own respective rights, with the latter remaining one of the biggest arena anthems and classic radio staples of all time to this day.  Recently, I was able to speak with Survivor guitarist Frankie Sullivan (who was taking a stroll around his neighborhood at the time) via phone about just what the song’s legacy means to him, as well as what’s in store for the band in the near future.

Sullivan co-wrote said track “Eye of the Tiger” along with former Survivor member Jim Peterik (the duo co-penned the majority of the band’s material together), and is literally the lone ‘survivor’ of the band’s original lineup. One of the first things I asked Sullivan was whether or not he felt the song would go down as the one he’s most remembered for. He says; “Well, I don’t really think any one song can define character. It defines a moment in somebody’s life, maybe, but not the person themselves. But some really great relationships came out of that whole thing, though.”

I wanted to know if Sullivan still felt the same he did when performing live not only songs like “Tiger…,” but many of the band’s other classics such as “The Search is Over” or “I Can’t Hold Back” as he once did when those songs were all still brand new. He tells me; “The first couple notes, that’s when the magic happens, and you can really see it in people! It’s all awesome!”

I also asked what Sullivan’s been keeping himself busy doing with all of his recent down time, and he tells me,”Interviews! I don’t normally do a lot of them, but I said ‘I’m gonna do this,’ and it turned out to be a lot of great fun. Usually we’d be out on the road working right now, but I think people are paying more attention to what’s going on in the country right now than what bands are doing.”

With the passing of former lead singer Jimi Jamison in 2014, and, more recently former bassist Stephan Ellis in 2019, I asked what he wanted people to remember them for; “I think they remember exactly what they saw of them. Sometimes it was energy, sometimes presence. I think the world already knows that. If they don’t, then they’re not thinking about them enough, anyway. That’s why I don’t always comment much on the guys who have passed.”

I was also curious if Frankie kept in touch with any other former members, such as original lead singer Dave Bickler, and former drummer Marc Droubay. He tells me; “Well, I don’t keep in touch with Dave, but that’s not unusual. We’ve never really kept in touch from day one. I’ve known Marc since around ’75 though, and he’s a great drummer, man. Marc always followed the guitar riffs and ignored the bass, but that’s a whole other thing. It was kind of like how Jimmy Page felt about John Bonham.” And as far as having his own son (current Survivor drummer Ryan Sullivan) in the band with him now, Frankie says, “As long as he’s a good drummer, it’s great! He was Marc’s tech before he was in the band, too, so he always called him Uncle Marc.”

And when asked if Survivor has any plans for new music in the works, Sullivan simply states; “If it happens, it happens. but Survivor has such a rich catalogue of original material and stuff people haven’t even heard yet. We have demos from sessions that I don’t think some of the guys who have been in the band have ever even heard. But at this time with what’s going on in the world and country right now, I haven’t even considered going and recording new music.”

Sullivan left with this sentiment; “I was young when I started, and was recording during the best years of music history; analog tape recording. After that it was all digital, and before that it wasn’t ready for prime time. These days kids can make records in their bedrooms, and God bless them for it. But I came from a different school, and like the stuff that came before all that. I lived through the greatest years in recording history…and it’s still the best!”

Interview with Kix Guitarist Brian Forsythe By Jesse Striewski

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It’s not a far stretch of the imagination to say that nearly every major band across the globe has felt the effects of 2020 in some way, shape, or form (at the very least financially). But despite the uncertainty of the still-lingering pandemic, bands like ’80s rockers Kix have been waiting on the sidelines to rock audiences again, and – as long as given the green light – are preparing to do just that sooner that you might think. I recently spoke with Kix guitarist and co-founder Brian “Damage” Forsythe from his home in Nashville, TN about what the band has been doing to keep themselves busy, and when we might just see them take the stage again.

While Kix does currently have some upcoming shows listed on their site, I asked Brian how concrete they were, to which he says; “It’s definitely weird. We haven’t played since mid-March, so this is pretty much the longest we’ve gone between gigs I think. And the scary thing is, we don’t even know when our next gig is going to be for sure. There’s still some shows on our calendar right now, but we’ve had so many of them already pushed ahead or postponed completely until next year, so we never really know what’s up…we’re just trying to hang in there though!”

Being one of the very few notable bands to emerge out of the state of Maryland during the ’80s hair metal scene, I asked if any particular moments in the band’s hometown stuck out for Brian; “I remember in ’89 when we were doing our first real big, full-length tour with Ratt. We were usually the openers on that tour, then Britny Fox were after us, and then Ratt were the headliners. But when we got to our hometown gig, we flipped it so that Britny Fox went on first that night, and we went on second, which meant we were able to have a longer set. And I just remember the crowd went crazy when we went out there, I never heard anything like that before! People were holding up their lighters and singing along to every single lyric, and to make it even more special, my parents were there that night!”

I was also curious what made him decide to relocate to Nashville, and if any other members of Kix still resided in Maryland. He informs me; “Most of the guys still live in that area of either Maryland or Virginia, and are pretty much within a 25 mile radius of each other. I’m the only lone wolf living here in Nashville now, and I just moved here about a year ago after being out in L.A. for about 25 years.”

Forsythe was also recently featured in our pal/long time supporter Kenny Wilkerson’s cookbook, Rockin’ Recipes For Autism, so naturally I had to ask him about his selection for the book. Brian says, “I’m a big foodie guy and love to cook. The funny thing is, that recipe (a beet medley over wild rice) is actually a couple years old, and since then I’ve stopped eating it (laughs). I mean, don’t get me wrong, it’s still  a good recipe, but since then I’ve sort of changed my diet around, and there’s stuff in it that I don’t eat anymore, so it’s kinda funny how that worked out!”

Kix will perhaps always be best remembered for their 1988 hit power ballad “Don’t Close Your Eyes,” so I wanted to get a little into the song’s backstory, as well as how it is to still perform the cut today. He explains; “The way Kix worked back then was, we’d work on new stuff at our rehearsal space in between tours, and we’d pretty much have it completed before we got into the actual studio to record it. As far as playing it live goes…sometimes people will complain about having to do the same songs every night, but the way I look at it is kind of like someone in a play might, so I try to put everything I have into playing it every single time. The one difference between playing it now versus in the ’80s though is, back in those days, (former Kix bassist) Donnie would play the keyboards on stage, and I would play a Roland synth bass.  I had to use that guitar every night, and I hated it (laughs)! But now when we play it live, we have samples of the keyboards instead of having anyone actually playing them on stage, so now I can just play straight guitar through it, and it’s a lot easier for me.”

Staying on the topic of recording and knowing that it’s been several years now since the last studio release from Kix (2014’s Rock Your Face Off), I had to ask Brian if we might see any new material from the band in the near future. He tells me; “We’ve talked about it, and everybody has their own ideas they’ve been working on here and there, so I’m sure something will come together sooner than later. We have had all these other little things released in the meantime though since Rock…, like the Blow My Fuse live set/DVD.”

Knowing that Brian was also a member of Rhino Bucket for many years, I asked if he still had anything other than Kix that he was currently working on, and says; “Well, I was still playing in Rhino Bucket up until we disbanded a couple years ago, and that was a lot of fun. I get a lot of emails from people asking me to play on tracks here and there too that I’ll sometimes do. I did one recently for a band called Streetlight Circus, and also played solo on a song written by Frank Meyer and produced by Bruce Duff about the pandemic called “Flatten the Curve” that had like 30 some odd musicians on it, many of them from the L.A. scene (including Cherie Curry of The Runaways and Mike Watt of the Minutemen, among many others).”

Before we ended our conversation, I was curious to know if Forsythe might throw his hat in the mix of the numerous rock bios becoming more and more frequently released. Brian states; “I used to be in a relationship with Janiss Garza, who was the senior editor of RIP Magazine back in the ’80s (and eventually co-wrote Lemmy Kilmister’s book, White Line Fever), and I actually ran the idea by her a long time ago, but it just never happened. It would’ve been fun to do with her, but I guess it’s never too late to do it in general. The good thing is though, I actually saved all of my calendars that I have notes written on going back to the ’80s, so it shouldn’t be too hard!”

Interview with Former Misfits Singer Michale Graves By Jesse Striewski

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There was once a time when punk rock was actually all-inclusive and welcoming to any and all walks of life – a haven of sorts for outcasts living on the fringes of society. Now, it’s nothing more than a beacon for close-minded conformity, casting out anyone who dare goes against what’s considered “right” in their shared, group-think mentalities. It has become a parody in and of itself, denouncing the same “fascism” it so feverishly claims to be against while simultaneously creating it’s own ignorant fraction of it (much like Johnny Rotten warned against so many years ago during it’s first wave).

Case in point; Michale Graves. The former frontman for horror punk legends the Misfits (and son of a retired police officer), has never been shy to admit his conservative views. Yet with cancel (or perhaps more appropriately, “cancer”) culture hell-bent on shutting down anyone and everyone refusing to adhere to it’s ridiculous belief system, Graves has been ridiculed and ostracized by fans, promoters, and even musicians (including former band mates) and seemingly cast out of his own scene for his involvement with such programs as InfoWars. I was recently able to speak to Graves regarding the fallout he’s been experiencing, and where he’s at right now musically.

Regarding his now-former solo band members, Graves tells me; “My bass player Howie and drummer Adam basically decided they could’t associate themselves with me anymore. And (Former Misfits drummer) Dr. Chud actually reached out to me about re-releasing the (Graves album) Web of Dharma, which we all agreed would be a good thing since it’s such a great record. We were making steps towards making that happen, and then since Chud is apparently this entrenched leftist activist and had seen what I had been saying online lately – which is really nothing different than what I have in the past – he absolutely refuses to talk to any of us now, and told my manager not to reach out to him ever again. I actually reached out to him last year as well before the South American tour and asked him to come play drums because I thought it’d be tremendous for everyone (especially the fans) to see half of that ’90s lineup of the Misfits again, but he basically told me to go take a hike.”

I asked Graves if this shutting down of anyone who doesn’t follow the strict liberal narrative these days was the same across the board everywhere in the music world, and he tells me; “That’s absolutely how it is, yes. The same thing happened to me with Gotham Road. We had European and U.S. dates get cancelled, and no magazines would talk to me, nobody wanted anything to do with me, all because of my outspokenness on certain issues. There was even an instance once years ago when I did an appearance on the show Much Music, and when they got to me, I commented my opinion the way I always do, and was told afterwards that they would live up to their contract as far as payment goes, but wouldn’t allow me to come back on their show again. So it’s nothing new to me, it’s all happened before, it’s just more prevalent now, more ferocious. But the horror punk scene that I’m such a cornerstone in, such a big part of, they hated me way back when, and now they hate me even more. You look out across rock music, and you might be able to name a couple bands with conservative beliefs, but as far as in my world right now…I’m all alone. In the past week, between the band quitting on me and promoters refusing to work with me, it’s really just making my point.”

Of course I had to talk to Michale about his time with the Misfits, and, being someone who was actually on hand to witness when the Graves-era of the band disintegrated on stage at the House of Blues in Orlando (on October 25, 2000), I had to ask if he knew his time would soon be up prior to that show. He tells me; “I knew the end was coming. I just wanted to be in a band and make music with my friends, and those guys didn’t care about me, and they still don’t. I wasn’t very business savoy back then at all. Any advice I was ever given by any of the ‘inside’ people surrounding me at the time – whether it be Jerry, his brother Kenny, or one of the most manipulative people I have ever met, (Misfits manager) John Cafiero – never had my best interest in mind. I knew they were just taking advantage of me, and If I ever brought up that I was unhappy or anything, I was told there was a long line of people that would love to be in my place.”

He goes on; “I always tell this story of when Jerry (Only, Misfits bassist) and I were doing this ‘big’ interview once, and the person asked us where the song content comes from, for example, for “American Psycho.” I’m thinking in my head, ‘I wrote this song. I read the book, I’m tapped into this…here we go.’ And Jerry, just filibusters as he usually does, and ultimately just says that ‘the songs just write themselves once we get going,’ and then on to the next question. Try to find interviews of me from back then, and they’re few and far between because I wasn’t allowed to say anything against the narrative and image that Jerry wanted to put out. And they still don’t know what those songs are even about! (laughs). We were a great band, but we were constantly derailed by the decision making process really of Jerry and Kenny. I’ll give you another example; Rob Zombie wanted to make our first videos off American Psycho. He was just starting to make that charge towards getting into film, and somewhere along the way, everybody decided that John (Cafiero) would be better suited to make our videos than Rob Zombie. It’s just ridiculous.”

When asked if he still spoke with any of his of his other former Misfits bandmates though, he says; “I keep up with (Misfits guitarist) Doyle as best as I can. We communicate back and forth every now and then and check in on each other. Out of everyone, Doyle was like my big brother, and really took me under his wing. But to be honest, I wouldn’t even pursue working with him again right now cause I wouldn’t wanna bring any sort of difficulties to him (laughs). Jerry is a big star now and still treats me like I’m still a 20-year-old kid, so any communication between us has been few and far between. Seeing this as the perfect segue to my next question, I inquired his honest opinions on when Jerry took over the lead vocal position after his departure from the band; “Absolutely horrible. People like Jerry surround themselves with ‘yes men.’ I don’t remember coming across any honest appraisal of the music he tried to make. That Misfits album is just awful.”

Of course I had to ask Michale what his thoughts were when the band re-united with original singer Glen Danzig recently as well. “Well I was really happy for the fans that after all of these years of private and public feuding, Jerry and Glen were able to finally get to that point. As far as the music is concerned, I personally feel like it’s hard to translate songs like “Bullet” and “Halloween” in these big giant spaces. They’re not stadium songs. So I probably would’ve advocated to have those shows performed in more smaller venues, where I think the music would’ve sounded better sonically.”

Before we ended our conversation, I asked Michale to share a more positive memory from his time with the Misfits as well; “I remember just being in the vocal booth and recording – we recorded both American Psycho and Famous Monsters in this old church that was converted into a studio, not far from Woodstock, NY – and seeing everyone’s faces during the takes, how everyone was working together and being so creative. One of my most favorite memories that my mind always goes back to that makes me both very happy, and really sad, was working on “Fiend Without a Fiend.” That song – which I had composed and for the first time played acoustic guitar on – was so out in left field and different from anything else we had done before. It was really exciting at that point, because it had opened up all new doors for us, gave us all confidence both individually and collectively that we could now do songs like that. We knew we had evolved as a band, and soon after, everything fell apart.”

Although he wouldn’t go into too much detail, Michale assures me there is new music in the works. And if you want to catch Graves live, he has some shows lined up towards the end of the summer, which, when asked how concrete they are, he informs me; “Everything that I have up on the website as of right now is still on. There’s a handful of acoustic dates that are still supposed to pick up starting July 31, and some European shows next year. But there’s promoters and things being canceled behind the scenes, so while everything on there is still confirmed as of right now, you never know if it may change.”

Book Review: Rockin’ Recipes For Autism Vol. 1 By Kenny Wilkerson (Story Farm)

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By: Jesse Striewski

This collection of culinary specialties from some of hard rock’s heaviest hitters is cleverly put together by Nova Rex bassist Kenny Wilkerson. I was initially reminded of the more metal-based 2010 cookbook Mosh Potatoes by Steve Seabury; but unlike that said edition, Rockin’ Recipes For Autism is more carefully put together, with impressive, (mostly) full-page glossy photos to go along with most of the musicians found within.

I won’t give away too many of the actual recipes themselves, but some of the rockers involved include Poison’s Rikki Rokket, Dokken’s Don Dokken, and previous Rewind It Magazine interviewees Phil Soussan (of Last in Line and formerly Ozzy Osbourne’s band) and Phil Varone (ex-Skid Row, Saigon Kick). But one of my personal favorites hands down goes to Toto’s Steve Lukather, whose Snickers bar recipe is no doubt something that’s near and dear to my own heart!

Perhaps the only complaint I’d have would be the diversity in recipes (it could have used more dessert/breakfast items s well). But other than that, there’s really not much to complain about here; this book literally delivers everything its title promises, and its net proceeds even go to benefit the foundation We Rock For Autism. As a lover of rock music for the majority of my life, and the uncle to an autistic nephew for eighteen years, there’s really very few cons I can find here. Regardless if ’80s rock is at the top of the food chain for you or not, there’s still surely something for everyone to enjoy on the menu that’s offered up here.

Rating: 4.5/5 Stars

 

Album Review: Paradise Lost – Obsidian (Nuclear Blast Records)

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By: Jesse Striewski

While I must admit I haven’t paid as close attention in recent years to bands like Paradise Lost (although I did briefly revisit them in 2015 to review their new effort at the time, The Plague Within), the band still holds a special place for me. Almost immediately after putting on Obsidian (their sixteenth full-length overall), I was propelled back to listening to such brilliant albums as Draconian Times or Icon while I was still in high school.

“Darker Thoughts” starts off the album hauntingly, and provides appropriate insight for what’s to follow. “The Devil Embraced” and “Hear the Night” are two of the album’s definite strongest tracks, while  “Fall From Grace” and “Ghosts” make up the rest of the singles released so far.

With so many mainstream options being constantly produced for the masses on a daily basis, it’s easy to overlook much of the unknown/underground bands out there. But if you can open your mind enough to try something new, you might find actually discover something truly worthwhile.

Rating: 3.5/5 Stars

Album Review: Dennis DeYoung – 26 East, Vol. 1 (Frontiers Music srl)

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By: Jesse Striewski

Former Styx frontman Dennis DeYoung is back with his long-awaited latest solo album, (his first of new material in over a decade). And although the title states “Vol. 1,” it almost feels like a “goodbye” of sorts (hopefully I’m way off on that one, though).

In all honesty, 26 East, Vol. 1 doesn’t start off as strong as it could; album opener “East of Midnight” is more or less just there, while “With All Due Respect” manages to be catchy, yet reaches near cring-worthy levels lyrically in an attempt to be timely. But things quickly turnaround, with tracks like “A Kingdom Ablaze,” “You My Love,” and “Damn That Dream” all invoking the true spirit of DeYoung’s usual m.o. There’s even a brief throwback to Styx classic “The Best of Times” in the form of “A.D. 2020” thrown in for good measure.

But the album reaches its definite peak with “To the Good Old Days,” a bittersweet duet with Julian Lennon that’s as much a tribute to The Beatles as it is a look back on DeYoung’s entire life/career. Whether you’re a die hard fan of his music or not, DeYoung has undoubtedly left a legacy in that’s nothing short of amazing. And if this is to be his swan song, there’s definitely worse ways to go out.

Rating: 3.5/5 Stars