Photos By Brooke Striewski

Those who know me well, know what a pivotal role Megadeth have played in my developing years as a young musician/bass player. First jumping on board around the Countdown to Extinction era (middle school days for me), I instantly gravitated towards bassist David Ellefson’s style the same way I had the likes of Steve Harris and Geezer Butler.

It would take several years before I would finally see the band live for the first of several times (in 2006), and a few more years until it would actually be with Ellefson back on stage with them finally by 2010. But it would be worth the wait indeed – not only was I able to meet him that very same day at a bass clinic in Orlando, FL, but just one year later I would find myself face-to-face (well, over the phone anyway) with Ellefson yet again, interviewing one of my bass idols for a nationally-published magazine at the time in 2011.

Fourteen years since that last encounter, I knew as soon as I heard Ellefson would be coming to The Brass Mug in Tampa, FL with his latest band, Kings of Thrash (which also features former Megadeth guitarist Jeff Young from the So Far, So Good…So What! era) that it was a show for Rewind It Magazine through and through.

What I did not know upon originally setting up coverage, however, is that I’d once again be put back on IV medications shortly before it thanks to the never-ending bone infection I’m still fighting right now (always a blast!), so it came as a bit of a surprise to find out after arriving at the Mug (with my usual photography crew/wife and son Brooke and Jacob Striewski in tow) this past Saturday, October 11 (each their first time hearing any Megadeth performed live), that there would be a whooping six bands to endure prior to the headliners (a lot for an old dog like me to take in right now indeed!).

The first act of the night, Killproof, were already mid-set upon entering the venue, and no doubt held their own on the stage. The follow-up group, The Hand of Reason, had their own unique indie-influenced sound that I did my best to watch all of. But for most of their set, as well as the following two bands Love Pit and Kalas, I found myself trying to stay off of my leg on the back porch area.

I paid a little more attention to Gravel from Colorado Springs, whose down-and-dirty style found them covering not only Airbourne’s “Runnin’ Wild,” but also an amped-up version of “I Think We’re Alone Now,” the pop hit originally from the ’60s before Tiffany got her hands on it in the late ’80s.

Local Florida rockers Deth FX (sometimes stylized DETHFX) were up next, and finally started scratching that thrash metal itch with tracks like “War Morality” and “Unnatural Reign” from their debut album. The guys truly gave it their all with each and every note that night, showcasing their talents for surely many a new follower.

Deth FX performing at The Brass Mug in Tampa, FL this past Saturday, October 11 (Photo by Brooke Striewski).

And last but not least, the Kings of Thrash (which is rounded out by vocalist/guitarist Chaz Leon of Black Daze, and Fred Aching, who has served some time with BulletBoys) finally took the stage just before midnight, instantly living up to their name with the intro to the said So Far… album, “Into the Lungs of Hell.” Not one member of the crowd was sitting down at this point, and rightfully so.

“Rattlehead” from the band’s 1985 debut Killing Is My Business…and Business Is Good! was up next before “Hook in Mouth,” “Train of Consequences,” “Victory,” “The Skull Beneath the Skin,” and “502” all kept the momentum going.

A brief drum solo segued into “In My Darkest Hour” and the haunting “Bad Omen” before the band started with their original track, “Lockdown,” which by then felt like the perfect stopping point for the night.

But not before briefly meeting legendary music producer/recording engineer Max Norman, who was there in the crowd that night. Not only has Norman worked with Megadeth on several of their ’90s-era releases ranging from Rust in Peace to the Hidden Treasures EP, he also had a hand in several of the late Ozzy Osbourne’s early solo albums, but also efforts from the likes of Y&T, Grim Reaper, and Armored Saint (among many others), so it was an absolute honor to actually shake his hand!

The author Jesse Striewski (right) with said recording engineer/producer Max Norman at The Brass Mug in Tampa, FL this past Saturday night, 10/11. (Photo by Brooke Striewski)

Of the numerous times I’ve seen Megadeth live over the years, not once can I recall them performing the majority of the songs heard this past Saturday night (sans of course the likes of “In My Darkest Hour”), especially any of the extremely earlier material from that first album. The Kings of Thrash show brought things back to exactly how I’d imagine a Megadeth club show to be “back in the day,” celebrating the music the way it indeed should be; I’m forever grateful to have witnessed it firsthand.

Nine Inch Nails at Benchmark International Arena in Tampa, FL on 9/10/25 Words and Photos By Shawn McKee

Throughout his nearly 40-year career, Trent Reznor has produced an enormous catalog of music. After 15 albums (including EPs) and numerous tours since 1988, Nine Inch Nails launched their ongoing “Peel It Back Tour” across Europe, the U.S., and Canada. I was fortunate to catch them at the Benchmark International Arena (formerly the Amalie Arena) in Tampa, FL.

The arena show spotlighted a lengthy list of iconic songs from nearly every album, a real treat for fans. This was my second Nine Inch Nails concert after catching them in Orlando for their “Twenty Thirteen Tour” in, you guessed it, 2013. It was an impressive show that the recent tour has only improved upon. I can’t recall a moment when I wasn’t captivated throughout their 2.5-hour performance (which felt like an hour at most).

The “Peel It Back Tour” includes Trent Reznor and frequent collaborator Atticus Ross, with a lineup featuring Robin Finck (guitar), Alessandro Cortini (bass), and Josh Freese (drums). The arena was structured with two performance spaces, a main stage for the band, and a smaller “B-stage” in the middle of the packed floor.

Opening DJ act Boys Noize kept things lively for the most part, playing over an hour’s worth of electronic music as the stadium crowd expanded, eagerly awaiting the main event. We waited as the lights dimmed and a single spotlight illuminated the B-stage, revealing Reznor before a grand piano. An eclectic set list began with the subdued “Right Where it Belongs” and then charged into a memorable evening of sound and fury.

After the opener, the band took center stage, switching gears with pulse-pounding “Wish” from their ’92 Broken EP, “March of the Pigs,” (an obvious crowd please-er), and epic rock ballad, “Reptile.”

Reznor frequently switched between the two stages to deliver some of the band’s well-known rock songs on the main stage and quieter, piano-based melodies on the small stage. It was effective in not only highlighting the versatility of the music but also keeping things fresh and engaging.

Nine Inch Nails seated at the piano in Tampa, FL on 9-10-25 (Photo by Shawn McKee).

The main stage radiated an electric light show of moody colors, visuals of rain, moving silhouettes, and video projection against the translucent curtain, which was frequently lowered throughout. Certain songs seemed to bathe the stage in deep reds or shadowy greens as the band pounded through one fan favorite after another.

The show captured the full force of their extensive work, resonating with a generation of fans now grown from their high school days. The set list unfolded in a mostly chronological order, featuring recent tracks like “Find My Way,” “Copy of A,” and “Vessel” before surging into a rapid-fire run of fan favorites, including “Piggy,” “Closer,” “Come Back Haunted,” “Mr. Self Destruct,” and “The Perfect Drug.”

They also performed the electro-synth rock “As Alive as You Need Me to Be” from the upcoming Tron: Ares soundtrack—their first film score to include the band’s moniker and not credited solely to Trent Reznor and Atticus Ross.

The artistry was at its peak during a finale that felt like a time capsule of electrifying closing numbers. Strobes and flares lit the stage through the searing intensity of “Burn” from the Natural Born Killers soundtrack.

The propulsive “The Hand That Feeds” throbbed with machine-like riffs before giving way to the inevitable “Head Like a Hole.” And then the band closed with a hauntingly beautiful rendition of “Hurt,” delivered in all its dark, melancholy glory.

I’ve long outgrown the morose teenage angst so emblematic of the ’90s (thankfully), but the music has never left me. Seeing Nine Inch Nails again was a memorable experience—a powerful tribute to their storied legacy and to the generations of fans, both young and old, who still carry it with them.

There may be more albums and tours ahead, but for now I’m satisfied with the enduring gift of rock and roll in all its forms.

Album Review: Midnight Vice – Self Titled EP (RPM-ROAR)

By: Jesse Striewski

It’s happening less and less frequently these days, but every so often I’ll have an “A-ha!” moment when coming across new music. Tampa, FL’s Midnight Vice manage to have that effect, much as many of the bands who came before them that so obviously influenced them (namely Enforcer).

They waste no time here on their debut effort, instantly starting things off with the adrenaline-fueled “Strike in the Night.” “Baptized by Fire” is another strong number, but the real highlights are the slightly cryptic “Mysteria,” and the epic “Spellcaster” (it’s bridge and eventual breakdown midway is truly something to behold).

I might be “getting up there” as they say age-wise. But this is the type of music that makes one still feel alive and (almost) ready to roam just about any dark alley late at night, or take on an army completely solo (take your pick). Either way, this is what heavy metal is, was, and always will be about in my book.

Rating: 3.5/5 Stars

Ladytron and Danz CM at The Orpheum in Tampa, FL on 8/28/24 Words and Photos By Shawn McKee

I had never been to The Orpheum in Tampa before, and I don’t usually drive far for concerts on weekdays, but this time, there was good reason. UK-based electronic/rock band Ladytron was in town as part of their North American tour with synthpop prodigy Danz CM (formerly Computer Magic) opening.

Both artists could be described as electronically driven, multi-layered, new-wave indie rock. Or something like that. I was excited to catch Ladytron but even more thrilled to finally see Danz CM, having been a fan since around 2015, following the release of her album Davos.

The late afternoon drive from Orlando to Tampa was no picnic, especially during rush hour. I picked up my wife from work, hoping to make it by 7:00 pm when the doors opened. Despite the stress of getting there, the concert remained a chance to decompress and enjoy two great bands—a simple prospect and experience worth remembering.

The Orpheum resides in a college town near the University of Tampa. We arrived just past seven to find a steadily growing crowd inside. There were people of all ages, many with tattoos and piercings, dressed in black or donning concert shirts. Some had already gathered at the front of the darkened stage. Beyond the open floor were several glossy wooden tables with stools stretched to the back alongside the bustling bar.

Band merchandise was set up near the entrance. There was also an outside area with a bar, food truck, and plenty of space to walk around. I ordered a drink and strolled about not quite ready to stand in the merchandise line. Before too long, we designated our spot within the crowd at a moderate distance from the stage. The show was about to begin.

Danz CM is a self-taught musician and founder of Synth History (a collective) and her label, Channel 9 Records. In addition to her music, she composes soundtracks and recently partnered with the Criterion Channel to deliver a series on the history of synth-based movie soundtracks. She’s industrious, to say the least, and an inspiration to any artistically driven person with their passions still intact.

Sometime after 8:00 pm, Danz entered the stage as her banner projected onto the screen behind her. Under the dark glow of orange and blue lighting, she flawlessly delivered a brief set that strongly represented her prolific talent. She performed as a one-person band, operating keyboards and MIDI consoles while singing.

The thrill of seeing a NY-based artist I had long admired so close to home deeply resonated. The pulsating beats enveloped my senses. Catchy hooks layered with her fantastic vocals unleashed an infectious groove. Danz often switched between two different microphones for effect, while moving from one end of the stage to the other.

I was excited to hear “Idea of You,” “Low,” “Don’t Stop,” “Breaking Point,” and “I Don’t Need a Hero,” from her latest album The Absurdity of Human Existence (read my review here). Within a set largely relegated to that album, she also performed her magnum opus “Fuzz” from Davos.

Early on, she introduced some family members in attendance. Her mother lived in Tampa, and the tour provided the opportunity to visit. I was later able to meet Danz and get my record signed, making the trip even more worth it.

Rewind It’s Shawn McKee with Danz CM at The Orpheum in Tampa, FL on 8/28/24 (Photo by Jhen McKee).

I also spoke briefly with her mother near the vendor displays. “Thanks so much for bringing Danz to Tampa,” I said, with whatever ridiculous fandom that followed. She was equally gracious and as a mother, immensely proud.

Ladytron played to a packed room with a dazzling rear projection of vibrant colors that matched their equally sprawling sound. The band delivered loud, hypnotic thumping nearly deafening in execution. With most band members shrouded in the shadows, lead vocalist Helen Marine emerged under the spotlights and belted evocative lyrics in her typically ethereal fashion.

Her distinctive vocals were accompanied by heavy guitars, blasting beats, heart-stopping bass, and an effervescent, multilayered synth that formed a trance-like wave of sound. Guitarist Daniel Hunt ranged between playing clean, bluesy, and grunge-like chords with deft precision. Keyboardist and co-lead vocalist Mira Aroyo delivered beautiful harmonies, powerful beats, and layered synths.

Their combined electronic spectacle unleashed a heightened, up-tempo energy for some songs and a slower, methodical groove for others. They opened with the rock anthem “Ghost” followed by the infectious “City of Angels” from their latest album Time’s Arrow (2023).

Ladytron remains a unique blend of indie rocker Mazzy Star and goth band Switchblade Symphony but with a sound all their own.

Throughout their performance, they covered a lot of ground chronicling their 25-year career. Their set included songs from 604 (2001), Light & Magic (2002), Witching Hour (2005), Velocifero (2008), Gravity the Seducer (2011), and their self-titled 2019 album. The song “International Dateline” (a personal favorite) was one of the show’s many highlights.

It’s hard to believe these synth-pop pioneers have been around so long. But as life goes on, the music we love always grows with us. It’s a special thing to see live regardless of time or distance.

Train, REO Speedwagon, and Yacht Rock Revue at the MIDFLORIDA Credit Union Amphitheatre in Tampa, FL on 8/20/24 Words By Jesse Striewski/Photos By Jacob Striewski

Over the years I’ve been lucky enough to witness a number of historic rock and metal acts grace the stage at the MIDFLORIDA Credit Union Amphitheatre in Tampa, FL; a reunited Black Sabbath and Judas Priest at Ozzfest in 2004. STP/GN’R offshoot Velvet Revolver along with grunge masters Alice In Chains in 2007. And the mighty KISS and Motley Crue together on the same bill in 2012 (just to name a few).

But I never expected to cram in so many shows in such a short time there as I had this summer; Sammy Hagar’s Best of All Worlds Tour on July 14, Styx and Foreigner on July 20, and, as of this past Tuesday, August 20, Yacht Rock Revue, REO Speedwagon, and Train (the latter of which I definitely never thought I would ever be seeing live). The one difference between those two recent shows and this one though was Rewind It were actually there on official business this time, with a photo pass in hand to cover the entire show in full detail.

The show kicked off with young Anchorheads Yacht Rock Revue, and judging by the amount of followers in Captain’s hats that had clearly come specifically to see them, they would prove to no doubt be a like-able act. The band opened with the 1980 Christopher Cross hit “Ride Like the Wind” to much applause, and had me “hooked” from that point forward.

Other soft rock staples like “Lowdown” by Boz Scaggs, “So Into You” by Atlanta Rhythm Section, “You Make Loving Fun” by Fleetwood Mac, “Heart to Heart” by Kenny Loggins, and of course, “Brandy (You’re a Fine Girl)” by Looking Glass helped keep the spirit of these tracks alive and well before the band launched into an original song of theirs, “Tropical Illusion.”

Yacht Rock Revue gave their best renditions of ’70s/’80s soft rock classics on Tuesday night in Tampa, FL (Photo by Jacob Striewski).

But the guys weren’t done just yet; Toto’s “Africa,” Gerry Rafferty’s “Baker Street,” and Boston’s “More Than a Feeling” all made their way in their set before the band finally set sail and left port, winning over many a new fan along the way I’m sure.

REO Speedwagon was no doubt the band that got myself and teenage son Jacob through the gates that night, and one that I had missed out on seeing several times over the years despite many chances to catch them. To say I was determined to finally check them off the bucket list would be an understatement.

“Don’t Let Him Go” and “Take It on the Run” was the perfect one-two punch to open it with, while “Keep Pushin’,” “Live Every Moment,” “Tough Guys,” “I Wish You Were There,” and “Music Man” found Kevin Cronin and company keeping the momentum going before getting back to the real heavy-hitters (also to note, I hadn’t realized until the show began that longtime bassist Bruce Hall was M.I.A. for this show, though former David Lee Roth/Electric Light Orchestra bassist Matt Bissonette seemed a fitting substitute in his place).

The timeless power ballad “Can’t Fight This Feeling” found cell phones across the venue aglow before “Son of a Poor Man,” “Time For Me to Fly,” and “Ridin’ the Storm Out” segued into the classic love song “Keep on Loving You” to close things out on an epic high note.

Lastly, there was Train. As I had alluded to earlier, Train is no doubt a band I can’t say I’ve ever gone out of my way to listen to. But I was indeed surprised by the amount of energy displayed by both band and crowd once they hit the stage, opening with the 2003 hit “Calling All Angels.”

Band founder and frontman Pat Monahan had the crowd in the palm of his hands as the group went through tracks like “If It’s Love,” “Get to Me,” and “Save Me, San Francisco,” casually taking selfies on cell phones handed to him via audience members near the front of the stage along the way.

Train frontman Pat Monahan was in the zone this past Tuesday, August 20 in Tampa, FL (Photo by Jacob Striewski).

But alas, by the time the band got to “Meet Virginia/The Joker,” Jacob had long finished shooting his final song of the night in the photo pit, and the two of us were hanging on by a thread after a grueling long day leading up to the event. Knowing we still had that two hour drive ahead of us, we packed up our gear and headed out to the highway (hitting a McDonnald’s drive thru on the way home too of course just for good measure).

Through it all, it was a night of music worth documenting, and memories worth making with my newest Photographer, and one and only child that should no doubt last a lifetime for the both of us.

Styx and Foreigner at the MIDFLORIDA Credit Union Amphitheatre in Tampa, FL on 7/20/24 Words and Photos By Jesse Striewski

I really was not anticipating making two separate trips to Tampa to see concerts with the family this past week, but sometimes opportunities present themselves that you’ve just got to run with. And while the previous weekend’s Sammy Hagar show was filled with nonstop rain that found us all drenched to the bone, classic rockers Styx and Foreigner at the MIDFLORIDA Credit Union Amphitheatre this past Saturday, 7/20 was a relatively dry (albeit humid) night in comparison.

Traffic did however cause Brooke, Jacob and I to be late enough to miss the entirety of John Waite’s set, although we could still hear the faint echos of what sounded like a cover of Led Zeppelin’s “Whole Lotta Love” closing out his set on our way into the venue (thankfully I had already seen Waite once before back in 2012).

For as long as I can remember, Foreigner have been an American (and technically also British) institution, and we were ready for the very first notes of opener “Double Vision” on what is likely the band’s “farewell” tour of sorts (dubbed the Renegades & Juke Box Heroes Tour on paper). Classics like “Head Games,” “Cold as Ice,” “Waiting For a Girl Like You,” “Dirty White Boy,” “Feels Like the First Time,” and “Urgent” (which it’s very possible I’ve done at least one of these at karaoke at some point in my life) all filled the evening air.

An admirable drum solo by former Eddie Money, Steve Vai, and Whitesnake drummer Chris Frazier signaled a brief reprieve (although not for the one obnoxious drunk girl directly in front of us – on her feet and dancing the entire show – even during the drum solo! That’s a new one indeed) before the band stormed back with “Juke Box Hero.”

Foreigner getting the crowd primed properly in Tampa, FL on 7/20/24 (Photo by Jesse Striewski).

Lead singer Kelly Hansen brought the crowd to its feet and had them singing along (with the assistance of the Plant High School Chorus behind him to boot) on arguably still one of the greatest power ballads ever written and performed, 1984’s “I Want to Know What Love Is,” before finally ending the night with the classic hard-hitting anthem “Hot Blooded”

Seeing the likes of the previously-mentioned Hansen and Frazier, as well as former Dokken bassist/Rewind It Magazine interviewee Jeff Pilson, all performing these timeless classics on stage together was no doubt a moment in time that I’m glad was not missed. Perhaps the only other thing I would’ve really liked to have seen would’ve been at least a brief appearance from lone original guitarist Mick Jones, but I won’t complain too much after a set as stellar as theirs!

Styx is another one of those bands that have just always been there too, whether at the forefront or in the background, making up the soundtracks of our lives for decades. If memory serves me correctly I’ve danced (or tried to anyway) with at least one girl to one of their songs in my lifetime, most likely at a school function (or was that just an episode of Freaks and Geeks?).

After numerous missed chances to catch the band live over the years, that finally ended once the band took stage with “The Grand Illusion.” Tommy Shaw’s “Too Much Time on My Hands” had the crowd eating out of his before the band slowed things down for 1973’s “Lady,” largely regarded to be the first true rock power ballad of all time.

“Lorelei,” “Crash of the Crown,” “Miss America,” and “Rockin’ in Paradise” all kept the crowd going well enough prior to them finally breaking out the big guns. “Blue Collar Man (Long Nights),” “The Best of Times,” “Fooling Yourself (The Angry Young Man)” and of course, “Come Sail Away” gave the audience the biggest bang for their bucks that night.

After exiting the stage in typical fashion, the band returned for an encore that included the unmistakable “Mr. Roboto” before finally closing it out with “Renegade.” To say all these songs mentioned here have stood the test of time would be a gross understatement; don’t miss the chance to hear them live if you haven’t already at least once in your lifetime (you’ll be hard-pressed to regret it).

Sammy Hagar at the MIDFLORIDA Credit Union Amphitheatre in Tampa, FL on 7/14/24 Words By Jesse Striewski/Photos By Chuck Davis

The one and only time I was lucky enough to see Van Halen live in Orlando back in 2008 was monumental for me; I knew I was watching total greatness on stage that night, grinning from ear-to-ear from start to finish, especially while watching the late Eddie Van Halen perform his guitar solo. To this day, those concert tickets were one of the best gifts anyone has ever given to me, and I’m forever grateful to have seen such sheer raw talent and brilliance in my lifetime (thanks again, Dad).

Yet I still felt at the time like there was something missing that night. As much respect as I have for Eddie’s talented son Wolfgang, as a bass player at heart, it was the riffs of Michael Anthony from the band’s “classic” lineup that I had actually grown up playing along to, and I couldn’t help but feel a certain sense of disappointment that he was not there that night. And as exciting as a reunion with original frontman David Lee Roth seemed at the time, I’ve always felt Sammy Hagar has been miles above him talent-wise.

So I was of course elated when my wife Brooke actually won tickets last December to the Red Rocker’s show at the MIDFLORIDA Credit Union Amphitheater this past Sunday, July 14. The tour not only features fellow Van Halen alumni Michael Anthony on bass and a VH-heavy set list, but guitar extraordinaire Joe Satriani and drummer Jason Bonham (who Rewind It actually just caught last year with Jason Bonham’s Led Zeppelin Evening at Welcome to Rockville).

Of course our luck would change on the actual day of show, as we battled our way through rain storms to get to the venue on time, only to remain water-logged throughout its entire duration. It was so bad that even openers Loverboy decided not to take part; thankfully the wife and I had already seen them once before back in 2014, though our teenaged son Jacob (who is perpetually playing catch up with us!) was actually looking forward to hearing such classics as “Turn Me Loose” and “When It’s Over” (among many others) for the first time.

But the minute the entrance video featuring various clips throughout Hagar’s five-plus decade long career began to play, all worries went to the wayside (for the most part), and it was time to finally rock. Opening with “Good Enough” from Van Halen’s 5150 album from 1986 was not quite the initial “jolt” one might be hoping for right off the bat, but fortunately numbers like “Poundcake,” “Runaround,” “There’s Only One Way to Rock,” and “Judgement Day” were all admirable follow-ups possible of transporting a person back to a specific time and place almost immediately.

Hagar then surprisingly went into “Panama” from the Roth-era 1984 record before launching in to “5150” and “Summer Nights.” After this Sammy graciously stepped aside to let Anthony sing the lead on “Ain’t Talkin’ ’bout Love” from VH’s classic 1978 debut album (one of the definite highlights of the night for sure).

Longtime bandmates Michael Anthony (left) and Sammy Hagar performing in Tampa, FL on 7/14/24 (Photo By Chuck Davis).

“Top of the World,” “Best of Both Worlds,” the Satriani-lead “Satch Boogie,” and “The Seventh Seal” (the only track played from VH’s last full-length album with Hagar at the lead, 1995’s Balance), all followed prior to performing the iconic “Right Now” – without a doubt one of the biggest rock hits of the early ’90s and a major part of my own youth (the band’s 1991 effort For Unlawful Carnal Knowledge was actually the first album I ever owned on CD).

By the time Sammy and co. got to their fifteenth track of the night, “Why Can’t This Be Love,” we had had more than enough of our share of rain, and decided it was time to hit the exits and call it a night. We could still hear the tracks “Eagles Fly” and “Mas Tequila” as we made our rounds through the venue, but with a two hour trek still to get home, missing hits like “Heavy Metal” and “I Can’t Drive 55” did not feel like such a loss at the time.

Regardless of what songs we may or may not have missed that night, the fact remains we made it through it, and the family and I were able to actually share a night of hearing the music of Van Halen together for once (special thanks to Photographer Chuck Davis for donating a couple of the awesome shots he obtained that night to Rewind It Magazine, too!), making every bit of it worthwhile.

Scorpions at Amalie Arena in Tampa, FL on 9/14/22 By Jesse Striewski/Photos By Brooke Striewski

Last night, the Rewind It Magazine family took an unexpected road trip to catch classic rockers the Scorpions perform at the Amalie Arena in Tampa, FL. But not even traffic delays and copious amounts of of rain could dampen the mood when we arrived (fashionably) late to the event.

To see such legends as vocalist Klaus Meine and guitarist/band founder Rudolf Schenker, not to mention former Motorhead/King Diamond drummer Mikkey Dee (I always felt somewhat cheated when he was actually absent the one and only time I saw Motorhead back in 2009, although former Guns N’ Roses drummer Matt Sorum in his place was was a more than worthy fill-in) was worth every bit of stress it took to get there.

Although Whitesnake were originally on the tour with them, they unfortunately had to opt out due to frontman David Coverdale’s ongoing health issues. As disappointing as this may be, the all-female group Thundermother were still pegged as the openers. But, due to said road and weather conditions, we missed their set completely too (though we were able to finally see the girls doing an autograph signing session at the end of the night).

In fact, The Scorpions were actually already in the middle of their second song, “Make It Real” (“Gas in the Tank” served as the opener) by the time we even arrived. The laid back vibes of “The Zoo” and the instrumental “Coast to Coast” followed before a couple more-than admirable new tracks in the form of “Seventh Sun” and “Peacemaker.”

The band took things back to the ’80s for a bit with “Bad Boys Running Wild” and “Send me an Angel,” throwing in another instrumental, “Delicate Dance,” in between. This was followed up by the massive 1990 power ballad “Wind of Change,” which was no doubt a collective emotional moment for everyone in attendance last night.

“Tease Me Please Me” and the title track to their latest album, “Rock Believer” proceeded before a bass/drum solo between Dee and bassist Pawel Maciwoda commenced. After which, the guys started breaking out the big guns in the form of “Blackout” and “Big City Nights.” A short reprieve brought the band back for an encore of “No One Like You,” and finally the massive hit anthem “Rock You Like a Hurricane,” which sent everyone there home breathless.

There’s no denying the sheer rock greatness that graced the stage in Tampa last night, and the memory of it all will no doubt last a lifetime.