Train, REO Speedwagon, and Yacht Rock Revue at the MIDFLORIDA Credit Union Amphitheatre in Tampa, FL on 8/20/24 Words By Jesse Striewski/Photos By Jacob Striewski

Over the years I’ve been lucky enough to witness a number of historic rock and metal acts grace the stage at the MIDFLORIDA Credit Union Amphitheatre in Tampa, FL; a reunited Black Sabbath and Judas Priest at Ozzfest in 2004. STP/GN’R offshoot Velvet Revolver along with grunge masters Alice In Chains in 2007. And the mighty KISS and Motley Crue together on the same bill in 2012 (just to name a few).

But I never expected to cram in so many shows in such a short time there as I had this summer; Sammy Hagar’s Best of All Worlds Tour on July 14, Styx and Foreigner on July 20, and, as of this past Tuesday, August 20, Yacht Rock Revue, REO Speedwagon, and Train (the latter of which I definitely never thought I would ever be seeing live). The one difference between those two recent shows and this one though was Rewind It were actually there on official business this time, with a photo pass in hand to cover the entire show in full detail.

The show kicked off with young Anchorheads Yacht Rock Revue, and judging by the amount of followers in Captain’s hats that had clearly come specifically to see them, they would prove to no doubt be a like-able act. The band opened with the 1980 Christopher Cross hit “Ride Like the Wind” to much applause, and had me “hooked” from that point forward.

Other soft rock staples like “Lowdown” by Boz Scaggs, “So Into You” by Atlanta Rhythm Section, “You Make Loving Fun” by Fleetwood Mac, “Heart to Heart” by Kenny Loggins, and of course, “Brandy (You’re a Fine Girl)” by Looking Glass helped keep the spirit of these tracks alive and well before the band launched into an original song of theirs, “Tropical Illusion.”

Yacht Rock Revue gave their best renditions of ’70s/’80s soft rock classics on Tuesday night in Tampa, FL (Photo by Jacob Striewski).

But the guys weren’t done just yet; Toto’s “Africa,” Gerry Rafferty’s “Baker Street,” and Boston’s “More Than a Feeling” all made their way in their set before the band finally set sail and left port, winning over many a new fan along the way I’m sure.

REO Speedwagon was no doubt the band that got myself and teenage son Jacob through the gates that night, and one that I had missed out on seeing several times over the years despite many chances to catch them. To say I was determined to finally check them off the bucket list would be an understatement.

“Don’t Let Him Go” and “Take It on the Run” was the perfect one-two punch to open it with, while “Keep Pushin’,” “Live Every Moment,” “Tough Guys,” “I Wish You Were There,” and “Music Man” found Kevin Cronin and company keeping the momentum going before getting back to the real heavy-hitters (also to note, I hadn’t realized until the show began that longtime bassist Bruce Hall was M.I.A. for this show, though former David Lee Roth/Electric Light Orchestra bassist Matt Bissonette seemed a fitting substitute in his place).

The timeless power ballad “Can’t Fight This Feeling” found cell phones across the venue aglow before “Son of a Poor Man,” “Time For Me to Fly,” and “Ridin’ the Storm Out” segued into the classic love song “Keep on Loving You” to close things out on an epic high note.

Lastly, there was Train. As I had alluded to earlier, Train is no doubt a band I can’t say I’ve ever gone out of my way to listen to. But I was indeed surprised by the amount of energy displayed by both band and crowd once they hit the stage, opening with the 2003 hit “Calling All Angels.”

Band founder and frontman Pat Monahan had the crowd in the palm of his hands as the group went through tracks like “If It’s Love,” “Get to Me,” and “Save Me, San Francisco,” casually taking selfies on cell phones handed to him via audience members near the front of the stage along the way.

Train frontman Pat Monahan was in the zone this past Tuesday, August 20 in Tampa, FL (Photo by Jacob Striewski).

But alas, by the time the band got to “Meet Virginia/The Joker,” Jacob had long finished shooting his final song of the night in the photo pit, and the two of us were hanging on by a thread after a grueling long day leading up to the event. Knowing we still had that two hour drive ahead of us, we packed up our gear and headed out to the highway (hitting a McDonnald’s drive thru on the way home too of course just for good measure).

Through it all, it was a night of music worth documenting, and memories worth making with my newest Photographer, and one and only child that should no doubt last a lifetime for the both of us.

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