By: Jesse Striewski
It may have taken him some time, but the Godfather of Metal himself, Ozzy Osbourne, has finally unleashed his twelfth studio album. To say it was worth the wait would be an understatement.
It was apparent last November when the world received first listen to the album via the cryptic “Under the Graveyard,” that old Ozzy had put something truly special together here. Granted, most of the singles released since haven’t been as impressive; “Straight to Hell” is somewhat generic, the ballad “Ordinary Man” (featuring Elton John) a tad predictable, and “It’s a Raid” (with Post Malone) somewhat of a strain itself.
But it’s the non-single tracks that pack the heaviest punches (isn’t that usually the way though?) – “Scary Little Green Men,” “All My Life,” and “Holy For Tonight” all echo the epic levels of forgotten classics in Ozzy’s catalog such as “Devil’s Daughter (Holy Wars)” or “No Bone Movies.”
Although longtime guitarist Zakk Wylde might be missing in action here, there’s plenty of other rock icons that more than make up for his absence; Chad Smith of the Red Hot Chili Peppers and Duff McKagan and Slash of Guns N’ Roses (among others) all make appearances throughout.
I don’t mean to get too sappy, but for as long as I can remember, Ozzy has been there almost like a second father of sorts to me; the first riff I ever learned to play on bass was “Crazy Train,” and the second concert I ever attended was Ozzy, both doing a solo set, and performing with a reformed Black Sabbath, in 1997. I can’t remember a time when his music was not deeply ingrained in my mind, and I’m glad he’s still making music comparable to his most classic of material.
Rating: 4/5 Stars