Hard rock/heavy metal suergroup The End Machine, which features guitarist George Lynch (Dokken/Lynch Mob), bassist Jeff Pilson (Dokken), vocalist Robert Mason (Warrant/Lynch Mob), and newcomer Steve Brown on drums (in place of his recently retired father, Mick, also from Dokken) are back with the follow up to their 2018 debut. And this time the group has had a chance to perfect their sound just right.
Instrumental piece “The Rising” starts things off with a hauntingly familiar tone before breaking into the album’s first single (and without a doubt one of it’s strongest tracks), “Blood & Money.” From then on, there’s hints of multiple genres spread out along the way on the record’s twelve tracks; “Devil’s Playground” and “Born of Fire” contain some blues-ly riffs from Lynch, while “Prison or Paradise” and the album’s latest single, “Crack the Sky,” contain some borderline thrash elements.
But without a doubt the biggest highlights come in the form of the anthems “Shine Your Light,” and especially, “Dark Divide.” With their in-your-face, sing-along choruses, I found myself turning up the volume even louder, especially with the latter track, which no doubt features Mason screaming his heart out on possibly one of the strongest performances of his entire career.
Phase2 is hands down the album the rock community needed at this moment in time. Don’t pass this one up, it’s worth giving the time of day (and then some).
With renewed interest in the decade of decadence continually growing each year, there’s no shortage of various media information on ’80s hard rock (a.k.a. ‘hair’ or ‘glam’ rock) and heavy metal out there these days. But this new book by rock journalists Tom Beaujour and Richard Bienstock (with a brief forward by Slipknot frontman Corey Taylor) is truly the new bible on ’80s hard rock and heavy metal.
Largely tracing it’s roots back to the influence Van Halen had on the movement in the mid to late ’70s, here the two authors put together a collection of interviews that includes numerous musicians, producers, promoters, magazine editors, and the like, to help tell the tale of arguably one of rock’s greatest eras. Various key members of such staple acts as Motley Crue, Ratt, Guns N’ Roses, Quiet Riot, Dokken, L.A. Guns, W.A.S.P., Poison, Cinderella, and Warrant, – as well as numerous Rewind It Magazine interviewees from over the years – including Jay Jay French of Twisted Sister, Jack Russell of Great White, Brian Forsthye of Kix, and Rachel Bolan of Skid Row (among many others), are just some who help recall the foundation of the genre that changed it all in great detail.
The perspective is unique and fresh, despite some of the stories already found in other published works (many of those involved have previously published their own individual biographies). There’s even a brief but brilliant collection of many never-before-seen photos included as well. In short, Nothin’ But a Good Time is a rollercoaster ride of literature from start to finish, and one of the best of it’s kind currently available on the subject. It simply ‘don’t get better than this.’