Special Edition: The Lynn Family Stadium Gets the Biggest ’80s Weekend Since…The ’80s! By Jesse Striewski

Typically Rewind It Magazine have stayed a fairly regional Florida-based publication, covering events everywhere from Daytona Beach to Tampa/St. Pete since the get-go. However, the upcoming Stadium Rock ’80s Festival in Louisville, KY on August 3rd and 4th is an exception we couldn’t pass up! This event features a killer lineup of ’80s acts (many of which we’ve covered over the years) including Florida rockers and our friends Nova Rex. So this unique occasion called for a special write-up (no matter what the distance might be!)!

Hosted by comedian and beloved metalhead Don Jamieson (formerly of That Metal Show), the event was first announce in May, and will coincide in what the major of Louisville has officially declared as “80s Week” from August 1st to 7th. In addition to live music, the festival will also feature everything from ’80s merchandise, fan zones, trivia, classic arcade games, and even a DeLorean straight out of Back to the Future! Below we provide a detailed break down of each act to play over the course of the festival in consecutive order.

Don Jameison (seen here at The Lynn Family Stadium on May 8) of That Metal Show fame will host the upcoming event this August in Louisville, KY.

Nova Rex:

Going strong since 1985, Nova Rex have been bringing the party with them wherever they go for nearly four decades. Anthems like “Bring the House Down Tonight” and “Turn It Up Loud” will no doubt be heard blaring throughout the stadium to kick things off at the massive festival. Check them out on stage, and in their new documentary, Nova Rex: Ain’t Easy Staying Cheesy.

Kenny Wilkerson, Nova Rex bassist/co-founder and star of the film Nova Rex: Ain’t Easy Stayin’ Cheesy, at The Lynn Family Stadium on Wednesday, May 8.

Pretty Boy Floyd:

Good old Pretty Boy Floyd are one of those bands who emerged from the late ’80s that never lets down. And speaking of Nova Rex, I actually saw both bands live for the first time together on the same bill in Daytona Beach back in 2018. Their hits “Rock and Roll (Is Gonna Set the Night on Fire)” and the power ballad “I Wanna Be With You” are enough to get any crowd moving no matter the location.

Enuff Z’Nuff:

One of the many bands playing I have still yet to cross off the old bucket list (though I did manage to catch and even meet former guitarist Tony Fennell – who has served two terms with the band since 2016 – at a When In Rome II show in Orlando back in 2020). Yet, hearing such classics as “New Thing” and “Fly High Michelle” live has still alluded me all of these years (but hopefully not for much longer!).

Trixter:

Hailing from my home state of New Jersey at the tail end of the wave of ’80s metal, Trixter were notable for such infectious hits as “One In A Million” and “Give It To Me Good,” which no doubt the band will soon unleash on Louisville for sure. Just last year I was able to catch bassist P.J. Farely on stage with Fozzy, and if the rest of the band’s energy is anything like his, they surely will not disappoint!

Ron Keel Band:

In my book, Ron Keel and his band Keel were a criminally underrated act at the height of the ’80s heyday, and I’d still love to catch him live in concert some day. I actually revisited the first couple of Keel albums recently, and there’s a lot of great material still to be found within. Audiences can be sure to hear such classics as “Don’t Say You Love Me” and Keel’s version of “Because the Night” over the course of this rocking weekend!

Vixen:

Without a doubt this is one of the most talked-about acts on the bill right now; after recently announcing via their social media platforms that they had parted ways with singer Lorraine Lewis, Vixen are keeping things extremely “hush hush” about who their new “mystery” vocalist might be. But one thing’s for sure, these ladies will have nothing to worry about as long as they maintain the same dedicated level of high energy they did when Rewind It covered them back in 2019!

Vixen performing in Orlando, FL on 10/30/19 (Photo by Brooke Striewski).

John Corabi:

When Motley Crue released their one and only album with John Corabi on vocals in place of Vince Neil in 1994, many fans didn’t quite grasp it at the time…but I was fully there for every minute of it! To this day it remains one of the heaviest albums the Crue have ever put out, and I would love to hear Corabi’s raspy voice singing tracks from both it, and his solo catalog as well. (Side note: if you’ve never actually listened to the self-titled Crue album, start with the track “Hammered;” not only does it feature some of Corabi’s best vocal work ever, but it remains my favorite track from the album to this very day). Aside from his previously-mentioned work with the Crue and solo work, Corabi has also done time with The Scream and Ratt over the years as well (among many others).

L.A. Guns:

What more can be said about L.A. Guns that hasn’t already been said before? Without them, there’d simply be no Guns N’ Roses, and the entire ’80s Sunset Strip scene as a whole might have looked much differently. Earlier this year I was finally able to catch the band live for the first time after many previous missed opportunities, and I can confirm they were definitely worth the wait. Tracks like “Never Enough,” “Rip and Tear,” and “The Ballad of Jayne” are just a few staples of theirs worth noting, and any true fan of ’80s hard rock and heavy metal should try to see the band at least once in their lifetime.

L.A. Guns performing in Mt. Dora, FL on 3/8/24 (Photo by Jacob Striewski).

Aldo Nova:

Here’s one of those unique acts on the bill that often gets overlooked, Aldo Nova. This Canadian guitar virtuoso has been knocking out hits like “Foolin’ Yourself” and “Fantasy” since the early ’80s, and is a must-see for any serious fan of rock guitar. Nova is also an award-winning producer and songwriter who has collaborated with the likes of Blue Oyster Cult to Celine Dion over the years.

Slaughter:

Who wasn’t rocking along to some Slaughter in the late ’80s/early ’90s? It was nearly impossible to escape such anthems as “Up All Night” and “Fly to the Angels,” as well as their track from the 1991 Bill and Ted’s Bogus Journey soundtrack, “Shout It Out Loud” (a completely infectious number!). Mark Slaughter and company have been going strong for a long time now, and show no signs of slowing down anytime soon.

Great White:

Another sorely underrated act, Great White have earned second-billing on the festival bill at The Lynn Family Stadium. Largely remembered for their 1989 cover of Ian Hunter’s “Once Bitten, Twice Shy,” the band also has a host of other notable hits in the form of “Save Your Love,” “Rock Me,” and “House of Broken Love” that will surely get fans moving from their seats. I’ve been lucky enough to both see the band live, and even interview former frontman Jack Russell over the years. Definitely make some time for these guys if you haven’t yet by now!

Queensryche:

There’s simply no mistaking the distinctive sound of Queensryche (no matter what era of theirs it might be), nor is there any overlooking the band’s achievements over the years. I’ve been fortunate enough to see the band twice (three times if counting a solo performance by former lead vocalist Geoff Tate just earlier this year) since 2013, even covering the band’s Orlando show for Rewind It back in 2019. From “Queen of the Reich,” “Jet City Woman,” and “I Don’t Believe in Love,” to the timeless power ballad “Silent Lucidity,” there is no shortage of epic music to be heard at any given Queensryche show; don’t pass this one up if you haven’t already seen them before!

Queensryche performing in Orlando, FL on 3/2/19 (Photo by Brooke Striewski).

To wrap things up, The Lynn Family Stadium is a state-of-the-art venue primarily used for sporting events. Opened in 2020, it serves as the home for the Louisville City FC and Racing Louisville FC. The stadium boasts a seating capacity of over 15,000 and features modern amenities, including premium seating options, hospitality suites, and a fan-friendly design. Its central location and advanced facilities make it a prime destination for sports events and concerts, and is located at 350 Adams St., Louisville, Ky. USA.

Sebastian Bach and Vixen at the Hard Rock Live Orlando on 10/30/19 By Jesse Striewski/Photos by Brooke Striewski

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Last year Rewind It Magazine was there to bring you coverage of former Skid Row front man Sebastian Bach’s show at The Plaza Live. This past Wednesday night, October 30, at the Hard Rock Live in Orlando, Bach seemed to be full of a sense of rejuvenation as he plowed through a set that consisted entirely of his former band’s music, and the crowd ate up every minute. It was no small feat for him to pull off such an epic show, either, considering he was dealing with personal issues, having just learned of his family’s home in California being under evacuation due to wildfires shortly before going on stage.

Newcomers Kobra and the Lotus kicked off the night with the appropriate amount of enthusiasm expected from a lesser-experienced act. Front woman Kobra Paige was easily the center of attention as she slinked around on stage in a blue jump suit, belting out numbers like “Burn!” and “Let me Love You.” It also didn’t hurt she had immense talent backing her, including the dual guitar work of Jasio Kulakowski and Ronny Gutierrez.

Vixen were up next, and have been on my radar of bands to see for awhile now. Although something did feel like it was missing without former vocalist Janet Gardner and of course founding guitarist Jan Kuehnemund (R.I.P.), former Femme Fatale singer Lorraine Lewis and Jaded guitarist Britt Lightning did more than admirable jobs in their shoes (especially Lightning, whose looks first caught my eye when I saw her play with Jaded back in 2005). The band opened their set with a number from Lewis’ previously mentioned former band, “Waiting on the Big One.” More songs from throughout the band’s career followed, including “Cryin’,” “Runnin’ with the Devil/I Want You to Rock Me” and “You Ought to Know,” before of course ending it with their most recognizable hit, “Edge of a Broken Heart.”

Finally Bach hit the stage, opening his set curiously with a more obscure Skid Row number, “Forever,” before going into the first Skid Row album in it’s entirety as promised. And as soon as the familiar riffs of “Big Guns” kicked into gear, it was clear it was on! The rest of the album’s first side – “Sweet Little Sister,” “Can’t Stand the Heartache,” “Piece of Me,” “18 & Life,” and “Rattlesnake Shake” – relentlessly followed.

Before going to “Side 2,” a turntable was actually wheeled out on stage, and the band even briefly segued into the theme song of “WKRP in Cincinnati” before Bach literally dropped the record’s needle to signify the start of “Youth Gone Wild.” Pandemonium quickly ensued, as that lead to two more of the album’s heavier tracks in the form of “Here I Am” and “Makin’ a Mess.” Things of course slowed down a bit for “I Remember You” before closing the album portion of the set out with “Midnight.”

Of course the band wasn’t quite finished yet, and came back for an encore of tracks from the Slave to the Grind album, including “Slave to the Grind,” “The Threat,” “In a Darkened Room,” “Monkey Business,” and even ending with the once-controversial “Get the Fuck Out.”

It was definitely a treat to hear so many songs that normally would not have been included in his set list, and about the only other thing Bach could’ve possibly done to make the night even more complete would have been invite his former Madam X bandmate and Vixen drummer Roxy Petrucci on the stage to jam “We Reserve the Right to Rock.” Still, I’ve seen Bach live multiple times on his own, and I’ve seen his former band Skid Row play without him as well. I can honestly say that watching Bach perform a full set of Skid Row music, with photos and videos of his former band being displayed the whole time on screens on all sides of the stage, was by far the best night of Skid Row music from start to finish I’ve ever witnessed so far. 

Vixen performing before Sebastian Bach.