23 Words and Photos By Shawn McKee

Spooky Empire recently celebrated its 20th year of delivering horror fandom to the masses with a monstrous weekend extravaganza that stared on Friday, October 27, and concluded on Sunday, October 29, 2023.

The renowned convention dominated the Hyatt Regency Orlando with a star-studded guest list of horror icons. And for the first time, Jason Vorhees (Kane Hodder), Freddy Krueger (Robert England), and Pinhead (Doug Bradley) were in the same room together! I don’t know if that’s true, but it sounds cool.

The long-running convention bills itself as the “Dark Side of Comic Con.” It was my first time ever attending, and the event didn’t disappoint. The 3-day weekend featured an extensive list of panels with actors, creators, and industry insiders, a horror film festival, an onslaught of vendors, a massive tattoo festival, special effects exhibitions, and costumes galore from staff and attendees. Of course, the event’s biggest draw was the sheer amount of horror icons in attendance.

The convention boasted a roster of over sixty guests from various decades of horror films and television. Their top draws were Kiefer Sutherland, Robert Englund, and Cassandra Peterson of Elvira, Mistress of the Dark fame. Having recently read her memoir, I was excited to meet the queen of haunts, but the list didn’t stop there.

In addition to the aforementioned greats, they had Jason Patric, Lou Diamond Phillips, special effects legends Greg Nicotero and the Chiodo Brothers, A Nightmare on Elm Street’s Heather Langenkamp, The Texas Chainsaw Massacre 2‘s Bill Moseley and Bill Johnson, An American Werewolf in London‘s David Naughton, Alex Vincent from Child’s Play, the voice of the Crypt Keeper himself, John Kassir, Nick Frost, Danielle Harris, Rose McGowan, Freddy Rodriguez, and many more.

The catch was that you’d have to be a millionaire to get all their autographs (more on that later). Admittedly, I wasn’t all that prepared for the big event. I didn’t attend Friday and opted for the weekend. The entire three days, I soon learned, were a necessity to make headway.

I arrived close to noon on Saturday and contended with a large crowd. The staff, however, kept the lines orderly and moving. Once inside the Hyatt resort and through the festival entrance, I witnessed a barrage of sights and sounds. Massive monster inflatables, an empty stage adorned with banners and blasting music, and a gaggle of lines were my introduction.

Countless eye-catching costumes were on display, some more impressive than others (the less said about the guy wearing the foam Lego brick the better). Jason, Michael Myers, and Leatherface were everywhere, and it was interesting to see all their different variations. There were a lot of Elviras there as well.

Perhaps most interesting were the couples costumes. I saw Beetlejuice and Lydia, Edward Scissorhands and Kim (both of which the female characters were portrayed by Winona Ryder), Candyman and Helen, and even a spot-on Hellraiser duo with Pinhead and female Cenobite.

Gore galore was displayed in many costumes. I felt under-dressed in my regular, boring non-costume attire. But I didn’t have time to sit around admiring costumes all day. I had a noon panel to attend with John Kassir, the Crypt Keeper.

They had no shortage of exciting panels on the schedule, but no matter how well I tried to plan, most of my time was spent waiting in lines for celebrity autographs. Out of the six panels I planned for that weekend, I only made it to two.

The John Kassir panel featured an insightful Q&A, where he detailed his early career and breaking into the business as a comedian “with no act” but lots of impressions. Growing up with HBO’s Tales from the Crypt, I felt my childhood come to life. And when it came time for audience questions, I wasted no time getting in line.

Panel on 10/28/23 featuring John Kassir of Tales From the Crypt fame.

I asked Mr. Kassir about the evolution of the Crypt Keeper from a restrained, quiet ghoul in the first season to the wisecracking, pun-making maniac in the later seasons. Kassir explained that advancements in the animatronic puppet over the years allowed for a more animated and expressive host. He also stated that showrunners wanted to explore what else the Crypt Keeper might do outside of living in a Crypt, hence the gleefully cartoonish persona he evolved into. To talk to an actor from a cherished show was worth the price of admission alone. But my day was only getting started.

I ventured into the vast autograph room, fully adorned with tables, banners, and celebrities. Some friends of mine were there who knew the general layout and had already done a bunch of stuff on Friday. The lines for Robert Englund, Cassandra Peterson, and Kiefer Sutherland wrapped outside the doors and were up to two hours long.

As I tried to take in the flurry of celebrity tables encircling me, I saw Greg Nicotero of The Waking Dead fame seated nearby. He was on my list. I asked him to sign my Blu-ray copy of Creepshow 2, a film he did special effects for before the establishment of KNB EFX Group. I thanked him forkeeping the Creepshow legacy alive with the current Shudder series, which I genuinely enjoy.

Author Shawn McKee (right) with Special F/X wiz Greg Nicotero.

Next up was a panel featuring cast members of 1987’s The Lost Boys. Kiefer Sutherland, Jason Patric, and Billy Wirth addressed the packed room, recounting insightful behind-the-scenes stories, including paying tribute to their late great director, Joel Schumacher.

The Lost Boys panel on 10/28/23 featuring (from left to right), host Riki Rachtman, Jason Patric, Kiefer Sutherland, and Billy Wirth.

I scheduled a photo op on a whim with Rose McGowan, Freddy Rodriguez, and Marley Shelton from Planet Terror, the first half of the Robert Rodriguez/Quentin Tarantino magnum opus Grindhouse (2007). The photo cost me about what I had left to spend that day, so I proceeded to tour the vendor room for the remainder of the time with my delicious Nightmare on Elm Street rum and ginger beer mix in hand.

By Sunday, I arrived early with hopes of meeting Elvira and Kiefer Sutherland. Most of everyone else, however, had the same plan. Neither celebrity had arrived yet, which freed me up some time to see Doug Bradley, who just set up. I also had a busy panel list of separate Q&As with Kane Hodder, Rose McGowan, Robert Englund, and others. It all seemed doable…until it wasn’t.

Meeting someone of Doug Bradley’s stature was a bit unnerving. Even without the extensive Pinhead makeup, you could see the character in his startling, gray eyes. He was ever the English gentleman though, calm, and friendly.

I mentioned Anthony Hickox, director of the Waxwork films and Hellraiser III: Hell on Earth who recently passed away. Bradley seemed to recall him with fondness. I felt thrilled upon getting a signed 8×10 Pinhead glossy and a picture with the actor. That was what it was all about. All the lines, expense, and planning came down to those brief moments where it was just you and the star of the films you love.

My excitement soon turned to trepidation when I learned that Elvira and Kiefer Sutherland had arrived. Their lines were long, their autographs cost $100, and they weren’t taking selfies. Pictures were, in fact, another commodity to be paid for separately in the designated photo op room. I passed both out of principle and financial necessity.

Besides, I had already scheduled a photo op with Danielle Harris, Jamie Lloyd from Halloween 4 and 5. I also knew Harris from her role as Bruce Willis’s smartass kid in The Last Boy Scout (1991) and many movies or TV shows she popped up in back then. She was incredibly kind in person and equally reciprocal when I thanked her for being there.

McKee with actress Danielle Harris, best known for her involvement in the Halloween franchise, including Halloween 4 (1988), Halloween 5 (1989), and Rob Zombie’s Halloween (2007).

During The Lost Boys panel, Kiefer Sutherland made similar appreciative remarks toward the fans. “We’re only here because of you,” he said. “We owe all of our success to you and your interest in our work.” For such a big star, he showed the utmost humility. It was those moments that suggested it wasn’t just work for them. Some of them actually wanted to be there.

As the day ended, I had only the time and money to meet one more celebrity. Why not Kane Hodder? The actor and legendary stuntman who portrayed Jason Vorhees an unprecedented four times had me nervous in line. Would he crush my skull if I asked for a selfie?

He was candid, friendly, and funny despite being clearly exhausted by the end of the long weekend. When most others had packed up, Hodder remained even as his line grew. We all watched, starry-eyed and infatuated, as the supernatural serial killer from our youth sat only a few feet away. Our words exchanged with Hodder and the signed Jason picture said it all, we love these damn movies.

Author McKee with actor/stuntman Kane Hodder, best known for his portrayal of Jason Voorhees.

Spooky Empire and similar conventions have their fair share of headaches. At times, my impatience at long lines and disappointment of missing panels grew, along with anxiety toward my diminishing finances. Ultimately, the experience gave me a deeper appreciation for horror films and the talent behind them.

It is both a community and an art form for people to express themselves through. To truly enjoy these conventions is to immerse yourself in your surroundings. Next time, I’ll be more prepared.

Special Edition: Kmart – And then there were Three By Jesse Striewski

This past Saturday, April 16, yet another Kmart met it’s demise as the Avenel, NJ location shuttered its doors for good. Being a New Jersey native originally myself, the news struck a nerve for me personally, causing me to reflect on my own childhood memories of the once giant corporation, as well as its history.

The roots of Kmart can be traced as far back as 1899, when Pennsylvania-born business man Sebastian Spering Kresge founded the S.S. Kresge Corporation, which would ultimately evolve into Kmart in 1962 (four years before Kresge’s death in 1966), opening it’s first location in Grand City, Michigan. During the ’60s and ’70s, the Kmart brand became one of the dominant retail forces in the United States and Canada, with the phrase “Attention Kmart shoppers” etching its place in pop culture history after the Blue Light Special was first introduced in 1965.

By 1977 the S.S. Kresge Corporation had officially become the Kmart Corporation, and the company continued to thrive throughout the 1980’s. Many store locations already had cafeterias inside them, but by 1985 Kmart began co-branding with major fast food companies, beginning with adding a Wendy’s to their Canton, Michigan location that same year. These would continue to expand with other big-name restaurants, Little Caesars being one of the more prominent ones used.

Daytona Beach, FL Kmart location on 1/26/16 during its final store closing days (photo by Brooke Striewski).

During this time frame of the mid-to-late ’80s, Kmart became one of the places to be. As a kid myself during the ’80s, there were few places I looked forward to stopping at more (other than maybe MacDonald’s) than Kmart. Our specific location in Clementon, NJ had a cafeteria that sold Churros, soft pretzels, and Icee’s, and there seemed to always be kids just “hanging out.” And for a moment, the toy aisle, lined from top to bottom with G.I. Joe’s, Transformers, and Ninja Turtles, seemed like the most magical place on Earth to me. And in my teens, Kmart (along with Blockbuster) was one of the first places I ever drove to on my own after first getting a driver’s license.

Kmart thrived throughout the ’90s, reaching its peak by 1994 with 2,486 store locations open worldwide. But seemingly overnight things began to wane, with competitors like Wal Mart, Target, and eventually Amazon, dominating the retail world. Kmart filed for chapter 11 bankruptcy in January 2002, and only continued to decline from there on out.

A lone Kmart shopping cart sits outside of what used to be a Kmart (now an Ollie’s) in Orange City, FL on 4/18/22 (Photo by Jesse Striewski).

In late 2004, Kmart began the process of purchasing Sears, and by 2005, both Sears and Kmart stores would be operated under the new Sears Holdings Corporation. Over the years, more and more stores began liquidating assets and closing their doors, even with later CEO Eddie Lampert promising to bring these stores back to their prime, something that indeed still yet to come to fruition.

At the start of 2022, Kmart still had ten locations operating in the U.S. But with this past weekend’s most recent closure, there is merely three stores left in New York, New Jersey, and Florida. The last time I was in a Kmart myself was over six years ago when the Daytona Beach, FL location was in the process of closing. It was a nostalgic trip down memory lane, and a clear reminder of what once was. Hopefully one day I can again walk through the doors of a Kmart store and hear the words “Attention Kmart shoppers” uttered again. Until then, I think I’ll go order something off of Kmart’s site, just to keep them around a little bit longer.

Avenel, NJ Kmart location closed its doors for good this past Saturday, April 16, leaving just three stores in the U.S. (AP Photo/Seth Weing).

Special Edition: The 25 Greatest Non-Traditional Christmas Movies of All Time By Jesse Striewski

What really constitutes a ‘classic’ Christmas movie? Is the term limited strictly to the holiday specials of yesteryear, like Rudolph the Red Nosed Reindeer, Frosty the Snowman, or Santa Claus is Coming to Town? Or does it refer only to the same films played to death on cable television every year, such as A Christmas Story, Home Alone, and National Lampoon’s Christmas Vacation?

Over the years, there’s been many a film with Christmas either on the side or in the background all together, some more obvious than others, some more off-the-cuff. I tried to find twenty-five movies (for December 25th) for those with “alternative” tastes that prefer something slightly less than typical, and once and for all end the debate what exactly classifies as a Christmas movie (and of course, once and for all declare that Die Hard IS in fact a Christmas movie!).

It was not easy narrowing it down; as much as I wanted to include the likes of Maniac Cop 2, Robocop 3, or Jaws: The Revenge, they just did not fit the mold. Other films that also came to mind that deserve an honorable mention include Mean Girls (pictured, above), Fast Times at Ridgemont High, Can’t Buy Me Love, Vice Versa, and even the original Karate Kid, all featured some Christmas in them, but not quite enough to make the list. And as tempting as it was to include some horror films like Black Christmas or Silent Night, Deadly Night, they indeed still fall under the Christmas banner in their own demented ways. So, compiled here for you now, I present the ultimate misfits guide of not-so-obvious Christmas movies…

25. Reindeer Games (2000): What better way to start things off than with an uber over-the-top, early 2000’s action flick starring Ben Affleck, who plays a recently-released ex-con who gets tied up with the wrong people and finds himself in the middle of a casino heist dressed as Santa? A recent viewing proved the plot is still just as bad as it sounds, but if you like a good dose of violence with your holiday cheer, than this one’s for you.

24. Night of the Comet (1984): Okay, I know I just said I was not going to include horror on this list, but I’ll make an exception for Night of the Comet since this mid-80s flick starring Catherine Mary Stewart and Kelli Maroney is not only more of a Sci Fi/comedy feature, but there’s no killer Santa in sight. Instead, the main protagonists here are zombies after a comet hits the Earth just days before Christmas.

23. Trapped in Paradise (1994): Nicholas Cage, Jon Lovitz, and Dana Carvey star as three bumbling brothers who rob a small town bank. The plot is predictable, and the jokes few and far between, but the winter scenery is on point and enough to put anyone in the holiday spirit.

22. Invasion U.S.A. (1985): Die Hard was far from the first action film to incorporate yuletide carnage in it. This mid-’80s Chuck Norris romp features plenty of exploding Christmas trees as Norris tears his way through shopping malls (among numerous other suburban settings).

21. Light of Day (1987): Michael J. Fox and Joan Jett star as brother and sister and bandmates in a struggling Ohio rock group trying to “make it.” Sure, the actual Christmas side of things are few and far between, but the amount of white snow seen throughout is enough of a holiday reminder, despite the dreary atmosphere.

20. Screwed (2000): When chauffeur Willard (Norm Macdonald) gets a lousy pair of cuff links from his boss for Christmas, he snaps and devises a plan with his friend Rusty (Dave Chappelle) to kidnap her dog and hold it for ransom. Everything that can go wrong, does, as the two bumbling anti-heroes scramble to keep their heads above water.

Dave Chappelle (left) and Norm Macdonald enjoying some holiday cocktails in *Screwed* (2000).

19. Daddy’s Home 2 (2017): The two co-dads (Mark Wahlberg, Will Ferrell) from the original Daddy’s Home take their respective families to a ski resort for Christmas vacation, with their own fathers (Mel Gibson, John Lithgow) in tow as well. One mishap after the other leads to a few memorable moments, with the film even culminating complete with an epic sing-a-long of “Do They Know It’s Christmas?.”

18. Paul Blart: Mall Cop (2009): Paul Blart (Kevin James) is a harmless New Jersey mall security officer who must rise to the occasion when thieves disguised as Santa’s Village employees attempt to heist the mall on Black Friday. The majority of the film takes place within the mall itself, something once as synonymous with Christmas as mistletoe.

17. Dumb and Dumber (1994): Pals Lloyd Christmas (Jim Carrey) and Harry Dune (Jeff Daniels) take a cross-country trip to Aspen, Co. to return a briefcase to the girl of Christmas’ dreams. Along the way, there’s visions of snowy ski resorts and even snowman building, all adding to the holiday vibes.

16. Diner (1982): This early ’80s buddy film who center around a group of friends (played by Steve Guttenberg, Kevin Bacon, and Mickey Rourke, among others) hanging out and experiencing adulthood for the first time in late 1950’s Maryland. Almost every frame is dark and filled with frigid cold, often with Christmas decorations appearing.

15. Less Than Zero (1987): Andrew McCarthy, Jami Gertz, and Robert Downy, Jr. play rich kids lost in the decadence of 1980’s Los Angeles. Scenes of Christmas parties include plenty of “snow” despite the film’s western setting.

14. First Blood (1982): The true O.G. of the Christmas action film, Sylvester Stallone’s first time portraying John Rambo contains more festive cheer than one might realize at first glance. From the sheriff’s office in the beginning, to the big in town shoot up ending, there’s plenty of Christmas decor to spot throughout.

13. Grumpy Old Men (1993): Walter Matthau and Jack Lemon play two bickering old neighbors in Minnesota. Snow covers nearly everything the eye can see in exterior shots (many centering around the two men ice fishing), while interior settings center around the holidays when family comes to visit.

12. Eyes Wide Shut (1999): Stanley Kubrick’s odd masterpiece of cults and cheating spouses starring Tom Cruise and Nicole Kidman immediately starts off at a Christmas party in New York. The film maintains a cold, dark tone throughout, with the Christmas elements contrasting the material perfectly.

11. Down and Out in Beverly Hills (1986): Long before there was “The Dude,” there was Nick Nolte’s brilliant portrayal of a homeless man who is reluctantly taken in by Beverly Hills elitists (Richard Dreyfus, Bette Midler) during the holiday season. Things eventually get so out of hand, even Little Richard shows up at the family’s Christmas party.

10. Rocky IV (1985): Going back to the 1976 original, the Rocky films were no strangers to holiday atmosphere. But by the time the Italian Stallion (Sylvester Stallone) got to the fourth entry, it was full-on, with the film’s final fight taking place on Christmas day in Russia. The trend would continue further five years later with Rocky V (1990), which also featured plenty of Christmas, but lacked much of the heart.

9. Harry Potter and the Sorcerer’s Stone (2001): I can’t say I’m a Harry Potter aficionado (to this day I still don’t think I’ve even seen all of the films), but I do remember seeing the first movie and equating it to a Christmas film with much of its festive scenery. For many years the original film was even kept on the Disney Channel’s annual rotation of holiday films.

8. Ghostbusters II (1989): From ghostbusting in Santa hats on the streets of New York, to an outdoor sing-a-long on New Year’s Eve, this 1989 sequel to the original Ghostbusters no doubt contained the Christmas spirit.

7. Hook (1991): This early ’90s take on the classic animated Disney film Peter Pan (which contained Christmas itself) starring the late Robin Williams only featured Christmas in the beginning and ending of the film, but contains enough magic to qualify here. Williams would appear in another similar fantasy film just a few years later in Jumanji (1995), which also featured some Christmas in it.

6. Edward Scissorhands (1990): Tim Burton was hitting his stride as a director by the time he reached Edward Scissorhands in the early ’90s. Johnny Depp stars as the Frankenstein-like titular character trying to fit in in a pristine suburbia, and Winnoa Ryder appears as his love interest. Again, the Christmas season doesn’t appear until near the end of the film, but the snowy flurries from Edward’s ice sculpting throughout the film adds to the seasonal feel.

5. Batman Returns (1992): In this entry, Batman (Michael Keaton) takes on the sleazy Penguin (Danny Devito) and slinky Catwoman (Michelle Pfeiffer) in sub zero temperatures. Children are kidnapped, and Christmas parties are crashed in this final Batman entry with Keaton and directed by Tim Burton.

Mel Gibson gets more than he bargained for while shopping for a Christmas tree in *Lethal Weapon* (1987).

4. Lethal Weapon (1987): One of the greatest of its kind, the original Lethal Weapon with Mel Gibson and Danny Glover blended fast-paced action over a Christmas backdrop flawlessly. Perhaps the most memorable festive moment comes when a bullet goes through Tom Atkins’ torso into a glass of egg nog (I was thoroughly pleased to see Atkins actually had stills of this to sign when I met him this past October). It’s great to see Lethal Weapon is finally getting the recognition it deserves as a Christmas classic.

3. Trading Places (1983): Dan Aykroyd and Eddie Murphy brilliantly portray an upper class broker and a small time street hustler whose lives are swapped at the whim of two millionaires making a bet. Much of the film takes place in the frigid temps of winter in Philadelphia with Christmas decor in aubundance. Very few on screen Santa’s before or since have compared to Aykroyd’s boozed-up, show-stopping performance.

2. Die Hard (1988) and Die Hard 2 (1990): Yes, the original Bruce Willis blockbuster Die Hard, which takes place at a high rise holiday party on Christmas Eve, is absolutely a Christmas film. But its first 1990 follow up, which includes terrorists taking over an airport on Christmas Eve, is often overlooked as an equal Christmas film. Of course, nothing will ever top Hans Gruber falling off the Nakatomi Plaza in the original, but each deserves their own holiday viewing.

1. Gremlins (1984): Marketed as a horror/comedy upon its initial release, the original Gremlins has since become a staple Christmas time classic. When teenaged Billy (Zach Galligan) gets a cute and fury, foreign creature as a Christmas present, it turns out to be too good to be true when it multiples, and the rest turn into hideous little monsters who wreak havoc on the small town. From start to finish, Christmas is everywhere in Gremlins, which has been a go-to in my household since I first received it as a gift (for Christmas) on VHS when I was a kid in the ’80s.

Christmas caroling gone wrong in *Gremlins* (1984).

Special Edition: The History of the Holiday Horror Film By Shawn McKee

Charles Dickens’s 1843 novella A Christmas Carol is as familiar as the holiday itself. As a quintessential story of redemption, it’s hard to imagine a world before Ebenezer Scrooge. Roughly a hundred years later, director Frank Capra delivered a similar redemptive tale with the Jimmy Stewart classic It’s a Wonderful Life (1946).

Both stories had elements of darkness within their exploration of humanity, but neither delved into the murder and mayhem of the Christmas slasher films that followed. It was only a matter of time before Santa Clause became a serial killer, which audiences would get their first glimpse of on screen in the brief “And All Through the House” segment in the 1972 film Tales From the Crypt.

The1970s and 80s introduced a decidedly macabre take on the holiday genre. Nonetheless, these films exhibited a certain charm amid their profitable nihilism. It was a special time and place, where young filmmakers thrived in merging horror tropes with the holidays, long before Tim Burton arrived on the scene. One of the earliest examples of this twisted trend began with the aptly titled Black Christmas, a horror film that remains frightening to this day.

Black Christmas (1974)

Director Bob Clark played a pivotal role in launching the slasher genre with this tense, atmospheric film that entirely lives up to its reputation. Initially dismissed by critics, the movie has since gained a deeper appreciation for its artful cinematography, serious themes, and stark horror. Clark helped shape the prototype slasher film with a level of quality not often associated with the genre. There have been two worthless “name only” remakes, largely unrelated to the original plot.

The story involves a group of sorority girls being harassed by an unseen psycho who may or may not be known by them. Olivia Hussey, Margot Kidder, and Kier Dullea round out the talented cast, with some other familiar faces in the mix. As the murders continue unabated, we never learn the identity of the killer, which was something rarely, if ever, seen before. Black Christmas heavily inspired John Carpenter’s Halloween (1978), which led to the slasher boom of the 80s. Not content with one genre, Bob Clark later went on to direct the cherished holiday classic, A Christmas Story (1983).

Ralphie’s childhood quest for a Red Ryder BB gun is quite different than anything seen in Black Christmas, and it’s a testament to Clark’s versatility. Writer Jean Shepherd’s humorous, semi-fictional accounts of growing up in the 1950s is about as far from a slasher film one could get. Both films, in my opinion, can be appreciated on different levels. Clark cemented two equally enjoyable holiday classics for generations to come.

Olivia Hussey is terrorized in a scene from *Black Christmas* (1974).

Silent Night, Deadly Night (Part I-V)

The abundance of slasher films throughout the 80s weren’t without controversy. Bloody, elaborate special effects were often removed, following a merciless MPAA crackdown. In short, fans were left with tedious buildups to off-screen kills, amid other frustrations.

These films were seen as an affront to decency by parents and religious leaders alike, and maybe they were right. But nothing angers gore-loving teenagers more than censorship. I can attest to that. One movie, Silent Night, Deadly Night (1984), earned special derision from critic Roger Ebert, who called the profits from the film “blood money” in his heated review. He may have had a point as well. Horror movies, in general, are driven by profit. Violence sells, especially when it’s holiday themed.

Silent Night, Deadly Night continued the psychological tropes first introduced in Christmas Evil (1980). In both cases, traumatized, disturbed men unleashed their fury on society, dressed as Santa Clause. I’m still amazed that Silent Night, Deadly Night garnered five sequels, rendered unrecognizable by the fifth installment. The first film remains the best one, and the lengths they went to extend the series are a riot.

The initial outing tells the story of Billy Chapman (Robert Brian Wilson), who witnessed his parents’ murder at the hands of a Santa Clause-costumed killer. Chapman’s subsequent attempts at a “normal life” are derailed when he takes a job as a mall Santa and predictably snaps. It’s a straight-forward slasher that contains a certain depth to its portrayal of an orphaned child, doomed to the failures of the system.

The movie was pulled from theaters, following an outrage campaign in response to its commercials portraying an ax-wielding maniac dressed as Santa Clause. Simpler times, indeed. The shameless sequel presents forty minutes of footage from the original film through flashbacks recited by the brother of the original killer.

Ricky Caldwell (Eric Freeman), our demented lead, supposedly remembers everything about his brother’s descent, even though he was an infant at the time. All of this was intentional. Due to the first movie being pulled so quickly from theaters, the producers didn’t think anyone would notice if they “reassembled” the first film into a sequel. In the end, we were given an enjoyably bizarre suburban rampage, containing the brief but immortal “Garbage Day” segment. The movie is trash, but earnestly tries to breathe life into a pointless endeavor.

Silent Night, Deadly Night III: Better Watch Out (1989) is an anemic straight-to-video concoction, featuring a girl with psychic powers inexplicably linked to the killer, ala Friday the 13^th Part VII: The New Blood (1988). Back then, plenty of films shamelessly stole from the Brian De Palma’s masterful Stephen King adaptation Carrie (1976). It’s a movie so dull and boring, that it completely earns Ebert’s ire from the first installment.

The best thing that could be said about Silent Night, Deadly Night 4: Initiation (1990) is that it tries to be something completely different, even while copying Rosemary’s Baby (1969). It’s a cult movie, directed by the talented Brian Yuzna and starring the legendary Clint Howard. A young, ambitious reporter gets intertwined with a deadly witch cult. There’s plenty of mystery and intrigue that’s as enjoyable as a fourth entry can be. I appreciate their attempts to change things up, even if it has nothing to do with the original. It does take place during Christmas, allowing the cynical holiday tie-in to continue.

They weren’t even trying for consistency by the time Silent Night, Deadly Night 5: The Toy Maker (1991) rolled around. This bizarre entry features a deranged toy maker, as promised, portrayed by Mickey Rooney. My explanation of the plot wouldn’t do it justice, but it’s worth seeing out of morbid curiosity. In retrospect, I give it even more credit for shifting away from the source material. It’s the most ridiculous Christmas-themed movie you could see outside of Santa Clause Conquers the Martians (1964). One thing is for certain, Silent Night, Deadly Night films are less disturbing than the 1978 Star Wars Holiday Special, which still ranks as the most traumatic viewing experience of all time.

Since then, there has been an explosion of sorts of modern Christmas horror films, including a loose Silent Night, Deadly Night remake simply titled Silent Night (2012), as well as Krampus (2015), A Christmas Horror Story (2015), and Red Christmas (2016), among others. Each of these tried to put their own unique spins on the holiday horror genre, and all with varying results. But the above-named earlier films will always remain the go-to’s for anyone searching for true fright during the Christmas season.

Retail Icon Sears set to close in Daytona Beach By Jesse Striewski/Photo By Brooke Striewski

7sm_6455edit

Last Friday, Sears Holding Company announced the closing of another 80 Sears and Kmart stores nationwide. Among those to close this upcoming March is the Daytona Beach location at the Volusia Mall. It’s easy to see why many of these stores are closing though, after feeling as though stepping back in time from just one visit.

Originally opened in 1975, the store itself shows noticeable signs of aging. Outdated floor and wall patterns, as well as dingy restrooms are just the tip of the iceberg. The store shelves often are wobbly, and at times scattered with random items and/or empty. There’s also a defunct photo studio, now used as a storage space that’s blocked off by a black curtain. Just one lap around the entire store and it’s not hard to see why this location was put on the chopping block.

Local shopper Jason Potter lent his thoughts on the the Daytona location closing it’s doors; “I used to shop at the DeLand location before they closed that one. Now they’re going to close this store and there won’t be any left in the area. It’s sad.”

Still, even with the dim circumstances and knowledge of imminent death, the store associates themselves all seemed humble and optimistic. And there is still hope that Sears chairman Eddie Lampert might actually be able to keep the Sears brand from dying off completely with his recent bid to save the company. Only time will tell if this once giant retail chain will stand the test of time.