Album Review: Ministry – The Squirrely Years Revisited (Cleopatra Records)

By: Jesse Striewski

I can remember it vividly; my hip, older cousin and her girlfriend coming up to me shortly after we both watched Ministry play at the House of Blues in Orlando circa 2008 (on their “C-U-Lay Tour”) and proclaiming, “I hardly even knew any of those songs!” While I may have been privy to a few more tracks than my innocent cos may have been that night, I too was fairly lost via the angry, anti-Bush set list at the time, and longing for the more carefree, agenda-less days of the band.

Thankfully after all these years, Al Jourgensen has finally realized there is still an audience – and a usefulness – for the music he created early on in his career, and has re-recorded many of those early ’80s songs of his (albeit with a heavier/more modern sound) here with The Squirrely Years Revisited.

I knew as soon as I heard fan favorite “Everyday is Halloween” I could finally get into Ministry again. So many brilliant songs are finally unearthed and shown the light of day here once again. Tracks like “All Day,” “Same Old Madness,” and one of my personal favorites, “Revenge,” are all suddenly worthwhile again.

I honestly have not been able to listen to much of the near-communist rhetoric that passes for new music from the band these days, and I don’t foresee having much interest in a so-called “final” upcoming studio album from them, either. You can keep that version of the band for yourself, while I keep mine (to each their own I suppose).

Rating: 3/5 Stars

Album Review: L.A. Guns – Leopard Skin (Cleopatra Records)

By: Jesse Striewski

You’ve got to hand it to a band like L.A. Guns, who unlike many of their fellow contemporaries out there that are still relying on merely their earlier material/hits, have been hustling both on the live circuit, as well as putting out new music on a two-year cycle consistently since 2017.

Right off the bat the cover imagery for Leopard Skin invokes a welcomed, we’ll say “pair” of emotions (even if it may just be an A.I. photo) in true ’80s sleaze fashion. But once one digs a bit deeper, there’s way more to unveil here.

The first two singles, “Taste It” and “Lucky Motherfucker” put the band in some interesting and amusing scenarios in their respective music videos. But the likes of “Runaway Train,” “The Masque,” and “Hit and Run” all easily steal the show.

I won’t sit here and claim L.A. Guns are my favorite ’80s metal band out there by any means. But their continous tenacity is enough to earn them some respect in just about any of rock’s history books.

Rating: 3/5 Stars