By: Jesse Striewski
I was already aware of some prior negativity being thrown out there regarding the latest fourth entry (we’re not going to include that dreaded 2016 reboot here) in the Ghostbusters franchise, and after catching it on the big screen this past opening weekend, for the life of me I just don’t understand why.
The latest chapter finds the Spengler family (McKenna Grace, Finn Wolfhard, and Carrie Coon) and Grooberson (Paul Rudd) now all fully (and rapidly) established Ghostbusters in New York City via Oklahoma after their encounters in 2021’s Afterlife (I never said there weren’t a few plot holes here). Viewers are instantly thrown into their new chaotic lifestyles, and the adventure quickly begins.
Things seem all-too routine until a random slacker (Kumail Nanjiani) sells a strange orb belonging to his recently deceased grandmother to O.G. Ghostbuster Ray Stantz (Dan Aykroyd) in his occult shop, which just so happens to contain a trapped evil entity capable of being the catalyst to the end of the modern world as we know it.
Bill Murray, Ernie Hudson, and Annie Potts all return again from the older films, with even William Atherton reprising his role again as Walter Peck from the 1984 original (which admittedly felt a bit on the “forced” side). Blink and you might even miss the brief cameo of John Rothman as the library administrator from the first film as well. New cast members also include Patton Oswalt, Emily Alyn Lynn, and James Acaster (among others). Curiously however Sigourney Weaver does not show up here even after her quick cameo at the end credits of Afterlife.
There’s moments of nostalgia (the nod to Ray Parker, Jr. on a television set in one scene is a nice touch), but it’s never too overly sentimental. It’s far from a “perfect” film, but I honestly felt like that kid again watching Ghostbusters II up on the big screen in the summer of 1989 (back when life was much more simple). For that, I don’t have all that much to say about Frozen Empire that isn’t positive; the “For Ivan” added on at the ending credits for late Director Ivan Reitman also shows a certain touch of class by new Director Gil Kenan for sure.
Rating: 3.5/5 Stars
