Series Review: The Goldbergs Season 10 (ABC/Sony Pictures Studios)

By: Jesse Striewski

It feels like just yesterday when The Goldbergs first premiered on ABC in 2013. The discovery of this simple nostalgia-based show that takes place in the ’80s was an innocent enough concept, and one I was easily able to relate and dive into with my own family from the start.

I really wanted to get into this season since its start last September, and did my best to give it a chance. For the most part, there were some moments reminiscent of those earlier seasons that reminded me of why the show was so good in the first place. Yet far too many times it still felt as though something was still missing.

But the series had no doubt gone down consistently in quality after the death of late actor George Segal (who played the grandfather, “Pops”) after season eight, and the unceremonious departure of Jeff Garlin (the father, “Murray”), the latter of which was finally shown some mercy this season and at least killed off instead of the weird CGI angle they tried to pull off the last half of said ninth season (which was more laughable itself than most of the jokes at the time).

There were some moments in season ten that did stick out; “DKNY” finds Adam (Sean Giambrone) visiting his once best friend Dave Kim (Kenny Ridwan) in the Big Apple and learning how much they’ve actually outgrown each other (all with a Halloween party as a back drop, where Tim Meadows guests and does a surprisingly funny impression of Prince); “A Flyer’s Path to Victory” is a spot-on ode to the Philadelphia Flyers hockey team (second only to the New Jersey Devils in my own world), and “Love Shack” is somehow now relatable as Erica (Hayley Orrantia) and Geoff (Sam Lerner) struggle to find some grown-up time alone together for romance.

But by the final episode “Bev to the Future,” it feels like they are trying to just wrap up ten years worth of a show in just thirty minutes. And even including flashbacks with former cast members (even ostracized ones), it still feels like a case of too little too late. Whatever Garlin might have said or done behind the scenes to warrant his exit (which, judging by the vague reasoning given for his dismissal, it likely wasn’t much more than a case of weak woke Hollywood needing to control everything yet again), it surely was a mistake that unfortunately proved too costly in the end. Let it be a lesson learned to all those involved.

Rating: 2.5/5 Stars

Leave a Reply