Interview with Comedian Jim Florentine By Jesse Striewski

Long before I ever met my wife/Rewind It Magazine Photographer Brooke (or even founding Rewind It itself, for that matter) there was a period of much uncertainty and loneliness for me. For several years I was a single father hustling to keep my head above water, working full time (often overnights) while freelancing as a music journalist on the side and raising my son (thank God for the likes of my parents and certain other friends and family for being there during that time period, too).

But one thing was always a definite; I could always count on the likes of Eddie Trunk, Don Jamieson, and Jim Florentine to be there for me each and every Saturday night via That Metal Show on VH1 Classic. It was a small bright spot that I always looked forward to to help ease the void that was still very much present back in those days.

Needless to say, when the chance to speak to one of the aforementioned hosts of this show that once provided me with so much comic relief way back when, I couldn’t say no. I was able to speak with Jim from his New Jersey home (yet another thing we share in common aside from our love of heavy metal – I too originally hail from the Garden State) this past Monday, February 17, where the subject matter encompassed much of his past and present endeavors.

Knowing Jim would be performing at The Social in Orlando, FL this upcoming Saturday, February 22, one of the first things I asked was how familiar he was with central FL. He told me; “I’ve been to Orlando a bunch of times and recorded two of my comedy albums there. It’s a great market for comedy – Florida just in general is really – there’s always great crowds there. I’ll be in Atlanta the night before on Friday as well, and I’m looking forward to just getting down there and out of the cold!” (Laughs).

Of course I had to inquire about his time on That Metal Show and what originally lead to it. He filled me in; “Eddie Trunk had a radio show in New York, and I became friends with him as well as Don Jamieson. One day he just said ‘I know someone over at VH1 that we’re going to pitch this heavy metal talk show idea to and see if they go for it or not.’ And they pitched it and got it, and it wound up being on for eight years or so. It was great little run we had.”

In the span of those eight years, the three co-hosts were able to interview some of rock’s greatest icons, and I wanted to know if there were any that really stuck out more than others for him. Florentine said; “Almost every episode we did there was someone there I couldn’t believe we were talking to! Whether it was Angus Young of AC/DC, Marilyn Manson, Ted Nugent, the guys from Rush, or even the late, great, Ronnie James Dio. And I didn’t even have to do any research because I’ve been wanting to ask these guys questions for years, which was great!”

As far as the trio’s relationships goes today? Jim stated; “Don and I still tour together sometimes doing stand-up. We’re all still friends, all still in New Jersey, so we still talk and hang out from time to time.” He continued; “If you grow up together liking heavy metal and still like it later in life, you still have those friends. You just bond over that music.”

Many of you may also recall Florentine voiced the characters of Bobby and Special Ed on the Comedy Central show Crank Yankers. I asked what that experience was like doing as well, to which he replied; “Well it was Jimmy Kimmel’s and Adam Carolla’s show, so when I would go in to record in the studio to make the calls, they would always be there as the producers of the show. Either way I couldn’t believe I was there getting paid to make prank phone calls (Laughs). I was just happy I had two characters though.”

As far as what else occupies much of his time now, Jim informed me; “I’ve been doing my podcast, Everybody’s Awful since 2011. I also do a music show on Ozzy’s Boneyard on Sirus XM. So I keep myself busy for sure.” Be sure to check all of these out, as well as Florentine’s Orlando show on Saturday night!

Interview with Actor Roger Rose By Jesse Striewski

Roger Rose is one of those celebrities you’ve just got to love; although he may not be as big of a “name” as such leading stars as say, Steven Segal or even the late John Ritter, he’s got his fair share of stories with the likes of both of them (and many more) from more than four decades of crossing paths and working in the “biz” with them. During a recent phone conversation with Roger, I was able to hear firsthand accounts from many of his encounters over the years, often resulting in uncontrollable, side-splitting laughter (did I mention he’s also extremely quick-witted?), making for one of the most hilarious – yet still enlightening – professional interviews I’ve ever conducted.

Right off the bat, Rose helped give some insight on both how he got started, and what he’s up to now; “I got real lucky! My parents were both broadcasters; my mom was on NPR, and my dad was a radio talk show host in L.A. and San Francisco. So I grew up around voice over, and I’m the voice of a bunch of TV stations around the country (Rose himself has lent his voice to everything from Scooby-Doo to Tiny Toon Adventures). I’m lucky enough to do some work for CBS network and things of that sort. And then I’m also producing a couple of things right now. There’s a couple of movies I’m actually working on too with the guy who made Police Academy and Ski Patrol, Paul Maslansky. He’s 87, and has so many stories about all these movies he’s done over the years. He’s just the best!”

Rose’s first on-screen role came in a 1981 episode of the Sci-Fi show Buck Rogers in the 25th Century. Regarding the experience he told me; “That was my very first SAG job, and I auditioned for the role and got booked, then had to run and give them my membership money because I lied that I was a even member! (Laughs). But the best part about that whole experience was, we shot during Christmas week. I had to cry in my ‘big scene,’ and there were special effects and all that, and they saved everything for the last day of shooting, which was December 24. And on a set, there’s a crew of maybe 150 to 200 people, and they all want to go home because it’s Christmas Eve, and it all comes down to me. My first professional television experience, and everybody is hating me. I could’ve basically not even said my lines and they probably would’ve said, ‘Great, print it, let’s go!’ (Laughs).”

Throughout the ’80s and ’90s, Rose appeared on a number of other notable TV shows, including Knight Rider, Mr. Belvedere, Married…with Children, and Seinfeld. I asked if he would briefly shed some light on what it was like to be a part of all these shows as well, and he explained; “You know, it’s funny. CNN recently did that show, History of the Sitcom, and now I know I’m old because I’ve been on half of those shows (laughs). The one that you don’t know that I’m on that’s probably more historical though is Three’s Company. They were shooting the intro for it, and someone came up to me and said, ‘Hey kid, want to make a grand?!’ And then I’m suddenly in the opening credits. I was the guy dressed as a woman when Richard Kline jumps on the bumper car, not realizing I was actually a guy! I was lucky enough to be on a couple of huge shows, but I have to say that John Ritter, far and away, was the nicest, most professional and wonderful guy I’ve ever worked with in the business, period.”

He continued; “When I guested on Mr. Belvedere, he (the late Christopher Hewett) actually gave me a Saint Christopher’s medal, which was really nice and I was very honored, and still have it to this day. And Bob Uecker was of course great. I also did an episode of Too Close for Comfort with Ted Knight, and the thing about Uecker and Knight was, by that time I was already doing stand up, and someone told them I did impressions of them. And they both basically said the same thing along the lines of, ‘I hear you do impressions of me,’ and then they would each try to do their own impressions. I remember Knight doing Clint Eastwood, and you just had to laugh! Both very nice guys though!” Going back to Married…with Children, he stated; “I was really lucky on that. I did two episodes, and then the last two seasons I did most of the voice work on that show, too. But those people on that show knew they had it good, and they could not be nicer and more excited about being there. Ted McGinley (who played Jefferson) and I were hanging out on the set maybe the year before its final season, and said to me, ‘I’m the luckiest guy in show business!,’ and then they cancelled the show (Laughs).”

He digressed again; “And Seinfeld? Everything you’ve heard or read is true. I was lucky enough to have already met Jerry through my VH1 show, and then a couple of other times after that. I played the George character initially, and they cut a lot of my stuff out because I ad-libbed like crazy at the audition. Anyway, when they hired me they basically said, ‘Just do what you did at the audition.’ And then I realized, what makes these people so great is they actually hire you for you. And it was so great to do, just so much fun. Oh, and Knight Rider I don’t really have a great story about doing it, but I have come across Hoff (David Hasseloff) a couple of times since over the years, and he is exactly what you think he is; just a very nice guy! I actually tested for Baywatch after it went from NBC to syndication, which no shows did at the time! I tested for the role of like, Joey the stand up comedian lifeguard, and Hoff was there at my final audition. One of the things I had to do was a scene from the TV movie Norma Jean, which was about Marilyn Monroe. During my last line – and this was to show I could do drama, mind you – Hoff stands up and just starts signing (the lyrics to the Elton John song), “Goodbye Norma Jean!” And the producers are looking around like, ‘Just let him go with it!’ (Laughs). So then they offered me the job, and my manager at the time convinced me to turn it down, which I did. And the rest is history (Laughs).”

He then offered some unexpected insight on another show; “But I’ll tell you one that was terrible, which was Gimme a Break! with Nell Carter. They hired me, and told me they were probably going to fire me by the end of the week, because they fired everyone on that show! But I was trying to talk to other people on the show, and they wouldn’t talk to me because they were all terrified. She (Carter) was nice to me, but we were in the middle of camera blocking rehearsal, and the assistant director suddenly screams, ‘hit the deck!,’ and everybody, cast and crew, just hit the floor, and she starts throwing props and screaming! And then she walks off, and some guy goes, ‘Okay, lunch!’ (Laughs). And I didn’t make it to they end of the week, just like they told me. That one was actually devastating, and really upset me.”

Another role Rose will forever be remembered for was Steven in 1986’s Friday the 13th Part VI: Jason Lives. As previously discussed in our recent retrospective piece on the film, Roger recalled some of his experiences on the set; “The movie had already been shot, and the phone rings and it’s Paramount calling (Director) Tom McLoughlin, saying there weren’t enough deaths in the film and they needed more, so they were going to go back and kill two more people. Tommy hangs up the phone and says, ‘I always wanted to do this…kid, I want you in my movie!’ And that weekend we shot my scenes. I said to Tommy, “Man I’d love to die brutally on film, that’s something I’ve always wanted to do (Laughs)!”

He then filled me in on how his time as a VH1 VJ came about; “I had a screen test to be a VJ at either MTV or VH1, and I told a much more elaborate story of my audition for Friday the 13th, and that’s what got me the job. About a year after I got the gig, the guy running MTV and VH1 at the time came up to me and said, ‘You know, you were going to be on MTV, but I’m the one who said ‘No.’ And when I asked him why, he said, ‘You wore a sports coat, and no one’s gonna want to eff a guy in a sports coat.’ (Laughs). It was one of the best experiences of my career though.”

Working on VH1 for over two years in the ’80s no doubt awarded Roger with many stories of celebrity encounters, including a three-parter with action superstar Steven Segal. He told me; “He came on my show with his then-wife Kelly LeBrock, and I told her how she was my “free pass” from my wife, and she loved that! So then we took all of these suggestive Polaroids, which Segal loved too – they were both characters! But needless to say, my wife was not pleased (Laughs).”

He continued his story; “So then I’m on some back lot of Warner Bros., having just gotten Ski Patrol – and I hadn’t seen Segal in a couple of years since he was on my show – and I hear him calling my name. He brings me over to some table and he’s with all these women and says to them, ‘You know what I like about this guy?’ And then he looks at me and goes, ‘You popped a chick and had a stain on your pants right before you interviewed me, and I respect that about you.’ My response was of course, ‘Listen dude, I know me, and that was probably just cream cheese from a bagel I was eating at the time!’ (Laughs). And another year or two after that, I did another thing with all these cameos with major movie stars in it, and one of them was Segal. He’s standing there next to the food table, and I say to him, ‘Look man, I don’t know if you remember me,’ and he interrupts me and says, ‘You know, it’s funny, people think I have a really bad memory…but I remember you all the way down to the stain on your pants.’ (Laughs).”

While the previous story might have been enough to end things on, I had to dig a little deeper about his most well-known leading role in the previously mentioned Ski Patrol. He said, “It was three months filming in Alta Park City, and I got to work with the likes of George Lopez (in his first film role) and Leslie Jordan, so how bad could it be? (Laughs). But what’s the weirdest thing that’s happened – and I never thought it really had any hold on anybody (except maybe my mom), because it had been around for awhile – but I was doing the NHL awards a couple of years back, and Anders Holm from Workaholics (another show Rose has guested on) was there, and when he saw me he said, ‘Ski Patrol! You altered my life.'” With praise as high as that, it’s hard to argue with a legacy as vast and influential as Rose’s.

And as far as those ‘projects’ he alluded to co-producing with Paul Maslansky earlier on? He did let me in on one of them; “I can tell you that one of those films will be a remake of Ski Patrol, which I’m very excited about, because I’ll be producing it with Paul!”