In Memoriam: Val Kilmer (1959-2025)

By: Jesse Striewski

Few artists ever achieve the level of greatness that Actor Val Kilmer was able to in his sixty-five years on this planet, but for over four decades, the world was able to witness that greatness firsthand with awe.

As a child of the ’80s, I simply grew up watching Kilmer’s movies. His first role in 1984’s Zucker/Abrahams/Zucker parody flick Top Secret! was a staple on Comedy Central back in the day, while his follow-up to that, 1985’s Real Genius, was another cable TV mainstay on stations like TBS and TNT, and remains one of my personal favorites to this day.

In 1986, Kilmer played bad guy Lt. Tom “Iceman” Kazansky opposite Tom Cruise in the massive blockbuster hit Top Gun. With its stellar aerial shots and rocking soundtrack featuring Kenny Loggins, it was a surefire hit of the time, one that I would often overplay on a dubbed VHS tape much to the chargin of my brothers and sisters.

1988’s Willow directed by Ron Howard and co-starring Warwick Davis of the Star Wars universe, was a fantasy film for the ages, part Masters of the Universe, part Lord of the Rings, and remains another standout role in Kilmer’s flimography.

His follow-up to this, 1989’s oft-forgotten neo-noir piece Kill Me Again, segued him into the role as legendary rock frontman Jim Morrison in 1991’s The Doors. Kilmer’s notority seemed to blossom after this, while also spawning my personal love for the rock biopic sub-genre.

1992’s Thunderheart and 1993’s The Real McCoy may have each paled in comparison, but his portrayal of Doc Holliday in 1993’s Tombstone helped solidify it as one of the greatest modern western films to date. An appearance in the ensemble flick True Romance (his third of 1993), would pave the way for yet another one of his most memorable roles, as Batman/Bruce Wayne in 1995’s Batman Forever (coincidentally the first film of his I would see on the big screen).

Heat (also 1995), The Ghost and the Darkness (1996) and The Saint (1997) were a few more notable appearances prior to a period of more obscure features (although his role as the villain Dieter Von Cunth in 2010’s MacGruber contained its own level of brilliance).

But by 2015, things began to look grim for Kilmer, with rumors of a tumor and eventually throat cancer becoming a reality, and chemotherapy and two tracheotomies taking enormous tolls on his health.

By the time the long overdue Top Gun sequel Maverick appeared in 2022, fans caught a glimpse of what life was really like for the actor by that stage, and there wasn’t a dry eye in the theater by the time Iceman’s funeral is reached.

I didn’t know Val Kilmer on any sort of personal level, but for nearly my entire life, he has simply been there – as both an artist on the screen, and as a figure worth looking up to – much like fellow Actor/film legend Gene Hackman (who unfortunately I was unable to write a similar tribute piece for after his passing last month due to my own recovering at the time from surgery).

But mourn these men not because we knew them, but because they brought a joy to our own lives we would’ve never known without their existence in it. Rest in peace Gene and Val – your legacies will live on for a lifetime in each of our memories.

Book Review: Still Alright: A Memoir By Kenny Loggins with Jason Turbow (Hachette Book Group)

By: Jesse Striewski

Growing up a kid in the ’80s, Kenny Loggins to me was simply “the movie soundtrack guy,” as faceless in my mind as the famous “voiceover guy” for all of the big movie trailers back in the day. Of course it wasn’t until later in life I started realizing these were actual people with lives that I never gave much consideration to, with many other artists such as Loggins eventually becoming more human to me.

Reading his book I discovered even more about him than I ever expected to, perhaps even a bit more than necessary if I’m being honest (Loggins’ memoir is a tad more detailed than many others I’ve read in the past, often teetering on the brink of boredom). In fact, I nearly forgot completely that he experienced his first success prior to being a solo artist with Loggins & Messina, and had even written/co-written such classics as “Your Mama Don’t Dance” and “Danny’s Song.”

Loggins goes over every chapter of his life’s journey without missing a single note, sharing with audiences all of the highs and lows that come along with pop stardom. At times it’s a fascinating ride, while at other moments you want the point to be reached already (and on a side note, I think Loggins and I are complete opposites as far as politics are concerned, not surprising).

But I have to give thanks where it’s due; if not for hearing that opening guitar riff from “Danger Zone” the first time I saw Top Gun all those years ago, I might never have fallen in love with rock music the way I did (okay, maybe that’s a stretch, but it was a definite mind/eye-opening moment for me nonetheless). If you’ve ever felt remotely the same about Loggins’ music, you’ll likely enjoy the ride as well.

Rating: 3/5 Stars

Film Review: Top Gun: Maverick (Paramount Pictures)

By: Jesse Striewski

Tom Cruise returns as Pete “Maverick” Mitchell and director Joseph Kosinski takes over for the late Tony Scott (whom the film is dedicated to) to deliver the long-awaited sequel to the 1986 blockbuster Top Gun. And unless you’ve been living under a rock, you’re probably already well aware of what an all out thrill ride Top Gun: Maverick truly is.

Kenny Loggins’ hit from the original film “Danger Zone” opens the film the only appropriate way possible, as we quickly find our protagonist still working as a test pilot in the U.S. Navy, purposely avoiding promotions all these years in order to continue flying. But he’s quickly whisked away back to Top Gun to train a group of elite pilots for a specialized mission that ultimately only he can pull off.

Initially, my only complaint was the actual establishments of said new pilots – who come off just a tad on the obnoxious side at first – and the quick pace we’re introduced to new characters as though we already know them (the lovely Jennifer Connelly plays a former love interest perfectly, though). But once the awkwardness passes, it’s pure escapist entertainment of the highest level, filled with plenty of action, and unexpected drama (no spoilers, but the scenes with Val Kilmer, who briefly reprises his role as Tom “Iceman” Kazansky from the first film, really got me).

In this entry, Maverick not only faces adversaries in the sky, but several on his own team, having to prove himself not only to an admiral (Jon Hamm) who doesn’t want him there, but the son (Miles Teller) of his former late RIO and best friend from the first film, Goose (Anthony Edwards).

Forget whatever negativity the anti-establishment, blue-haired “critics” out there might want to spew about this being a “recruitment” video (they’re just miserable with their lives anyway); this is a damn good film that brings back the days of when movies were actual “events,” and I felt like that kid in the ’80s again, popping his copy of the first film in the VCR to re-watch it again for the umpteenth time). Cruise is at the top of his game in Top Gun: Maverick, and you’re missing out if you don’t take flight along with him.

Rating: 4.5/5 Stars

Berlin at Epcot’s Garden Rocks on 4/30/22 By Jesse Striewski/Photos By Brooke Striewski

I really didn’t have intentions of going to yet another Garden Rocks concert at Epcot this past Saturday, April 30. But my wife/photographer Brooke insisted we each meet there after our schedules aligned, and I’m glad we did (ironically, I ended up seeing the whole show while she missed a good portion of it!). And truth be told, I didn’t even know much of Berlin’s material until I first met said lovely wife of mine roughly a decade ago.

The band took the stage right at 8:00pm (for the sixth and final time of the weekend according to singer Terri Nunn) opening their short set with “Masquerade.” More fan favorites like “No More Words,” “The Metro,” and the newer “Animal” continued the show before Nunn slowed things down a bit to tell a brief but teary-eyed story about meeting Walt Disney in person when she was a child.

This tender moment segued into the group’s most well-known hit, the synth-pop ballad “Take My Breath Away” from the 1986 Tom Cruise blockbuster Top Gun, which of course the crowd ate up with more than just a little bit of delight (and on a side note, I often point to said film as the movie that really “awakened” me to rock music with its soundtrack, so on a personal level it was great seeing another band that performed on it live, with Cheap Trick and Loverboy being the other two).

But it didn’t end there; a high octane cover of The Cult’s “She Sells Sanctuary” gave Nunn an excuse to run from the stage into the audience and continue singing among a stunned, ecstatic crowd. For the finale, bassist John Crawford put down his four-string to duet with Nunn on a PG-rated version of “Sex (I’m A…),” which if I’m not mistaken, contained some alternate, Disney-inspired lyrics to better suite the atmosphere.

After this, all of the band members gathered arm-in-arm on stage to take a gracious bow. It was a fitting, classy goodbye to an already appreciative audience, and a night few in attendance are likely to forget anytime soon. The only downfall of the entire evening? The lone young lady thrashing herself next to us and hitting us with her hair the entire time. A word of advice in the off-chance she’s reading this; when at a concert, have some courtesy for those near you, because you never know if those people next to are actually there to get coverage (like this) of the show for you.