Retrospective: 35 Years Since ‘Friday the 13th Part VI: Jason Lives’ By Jesse Striewski

As a kid growing up in the ’80s, there was nothing more enticing when visiting the video store than the horror section (well, except maybe when they would have one of those “back rooms” in the shop but that’s another story itself). And in those times when I would wander off into the area reserved for horror films, my eyes would usually hone in on those already established, well-known franchises that included the likes of single name villains such as Freddy, Leatherface, Chucky, and of course, Jason.

Each of these individual films had their own unique covers, and I of course had to see them for this reason alone. As stated in a previous interview with actress Deborah Voorhees, the first entry of the series I would ever see was the Jason-less Friday the 13th Part V: A New Beginning. But I would eventually piece them all together slowly over time, with Friday the 13th Part VI: Jason Lives quickly becoming my favorite of the franchise with it’s classic monster movie feel, campy jokes (starting with its James Bond-esque opening credits), and rocking soundtrack featuring then-new music from a revitalized Alice Cooper. When Jason Lives was originally released in theaters on August 1, 1986, it quickly became the first film since the 1980 original to rightfully receive some critical praise.

After the lukewarm reception the previous year from the new concept introduced in A New Beginning, it was clear that the series was in dire need of getting back to basics. Written and directed by Tom McLoughlin, it saw the return of the character Tommy Jarvis (this time portrayed by The Return of the Living Dead star Thom Mathews) from parts IV and V, who mistakenly resurrects Jason with a friend (played brilliantly by the late Ron Palillo of Welcome Back, Kotter fame) at the start of the film. Tommy does his best to warn the local community, but is railroaded every step of the way by the local sheriff (David Kagen). The sheriff’s daughter Megan (Jennifer Cooke) is the only one who believes Tommy, and teams up with him to stop Jason.

Actor Roger Rose, who played one of Jason’s many victims in the film, Steven Halavex, recently lent some behind-the-scenes insight to Rewind It Magazine; “The movie had already been shot, and the phone rings and it’s Paramount calling (Director) Tom McLoughlin, saying there weren’t enough deaths in the film and they needed more, so they were going to go back and kill two more people. Tommy hangs up the phone and says, ‘I always wanted to do this…kid, I want you in my movie!’ And that weekend we shot my scenes. I said to Tommy, “Man I’d love to die brutally on film, that’s something I’ve always wanted to do (Laughs)!”

Still from Friday the 13th Part VI of Steven (Roger Rose) and Cythina (Annette Edwards) shortly before meeting their gruesome demise.

He continued; “Originally Jason was going to shish kabob me and my date, and there was this whole big special effect thing going to happen, but there wasn’t any time left. But it was still a real, rusty old machete that Jason “killed” us with, so that was actual fear you see on our faces in that scene!”

Another thing that stands out about the film is the previously-mentioned music. Aside from one track by hard rock band Felony, the majority of the songs featured were from Alice Cooper’s 1986 album, Constrictor. Most notably remembered is the track “He’s Back (The Man Behind the Mask),” which served as the film’s theme song, and also featured a Jason Voorhees-themed music video to go along with it. I’ve been lucky enough to personally see Cooper in concert three times over the years (see attached photo below), but alas, his material from this particular period in his career has remained long since retired unfortunately.

Jason Lives went on to gross over $19 million at the box office on a $3 million dollar budget, and has since become a fan favorite. Since its release, there have been four more entries to the original Friday the 13th franchise, as well as the 2003 crossover film Freddy vs. Jason, and a 2009 remake. But few have matched the all around heights achieved with Jason Lives, which will likely remain one of the higher points in the series. So if you’re looking to go back to Camp Crystal Lake (or Forrest Green) this Friday the 13th, consider giving Jason Lives a try (and be sure to keep an eye out for our full interview with Rose, coming soon!).

Alice Cooper performing in Orlando, FL on 10/25/13, courtesy of the author’s collection. Cooper provided most of the music for Jason Lives.

Retrospective: 35 Years of ‘The Return of the Living Dead’ By Jesse Striewski

Many will likely always point to such staple George A. Romero films like Night of the Living Dead or even it’s follow up, Dawn of the Dead, as their idea of the definitive zombie flick. But for my money (and I mean no disrespect to Romero, whose films I also hold in high regards), the cream of the crop will always be 1985’s The Return of the Living Dead. Prior to my first time seeing it, the closest thing to a zombie film I can even recall seeing was Michael Jackson’s Thriller video, so to say it holds a special place in my heart would be an understatement.

Originally released on August 16, 1985, the film brilliantly paired veteran actors Clu Gulager, James Karen, and Don Calfa alongside a host of then-young hotshots, including Thom Matthews, Linnea Quigley, Miguel A Nunez, Jr., and Jewel Shepard (among others). And directed by Dan O’Bannon and based on an original story by John Russo (who also co-wrote Romero’s original 1968 opus), the film even rather slyly references it’s own source material, explaining early on the events of Night…to be based on actual facts.

The plot was simple enough; after a gas leaks out of an old military canister stored in a medical supply building, the dead begin to rise at a cemetery across the street from it, where a group of local punks happened to be gathered to party. All hell quickly breaks loose, with plenty of carnage and chaos along the way.

The film introduced several new concepts for the zombie film at the time; not only were they able to move fast as opposed to earlier films that see them just slowly shuffle along, they can also talk. And rather than just eating flesh, they seem particular to one delicacy; brains. This concept would be used in many other films since.

Linnea Quigley, who played the punk rock-stripping Trash in the film, recently lent her thoughts on Return… to Rewind It Magazine; “I think it holds up really well! I’m always surprised, I get new people at conventions and shows all the time that love that movie, like it’s a brand new movie! But it doesn’t age, which I think is really cool. We should’ve known then (late director) Dan O’Bannon was a man to be reckoned with!”

The film sparked it’s first sequel, the very admirable (and nearly equally as fun) Return of the Living Dead Part II in 1988. Like the original, it also boosted a soundtrack of metal and punk bands, and actors Thom Matthews and James Karen also returned in new (albeit very similar) roles as well. Three more less-successful, made for video sequels would eventually follow as well.

In his August 19, 1985 review of the original film, critic Roger Ebert stated, “It’s kind of a sensation machine, made out of the usual ingredients, and the real question is whether it’s done in style. It is.” And how right he was. The film was a modest success, grossing just over $14 million in the U.S. But more than thirty-five years later, it’s still regarded by many as one of the quintessential zombie films ever made; there’s a good chance it will likely stay that way for a long, long time.