Tag: The A-Team

Retrospective: 40 Years Since America first hired ‘The A-Team’ By: Jesse Striewski

THE A-TEAM — Pictured: (clockwise from left) Dirk Benedict as Lt. Templeton “Faceman” Peck #2, Dwight Schultz as Capt. H.M. “Howling Mad” Murdock, Mr. T as Sgt. Bosco “B.A.” Baracus, George Peppard as Col. John “Hannibal” Smith — Photo by: Gary Null/NBCU Photo Bank

I’m far from what one would call much of a “big car guy,” but as a kid in the ’80s, it was all about the vehicles portrayed in pop culture on the small screen. On Saturday mornings, you had shows like Transformers and M.A.S.K. that each had a heavy focus on their automobiles, while the evenings were dominated by the likes of The Dukes of Hazzard, Knight Rider, and of course, The A-Team.

Originally premiering on NBC on January 23, 1983 and created by Stephen J. Cannell and Frank Lupo, The A-Team followed a “crack commando unit” of highly trained “special forces” Vietnam-era soldiers wanted by the military for crimes they did not commit. After they relocate to the urban jungles of Los Angeles, CA, they become “soldiers of fortune,” available for hire to help those ho need them.

The show starred George Peppard as the leader of the group, Colonel John “Hannibal” Smith (whose line “I love it when a plan comes together” quickly became a catch phrase), Dirk Benedict as ladies/con man Lieutenant Templeton “Faceman” Peck, and Dwight Schultz as the unhinged (yet lovable) comic relief, Captain “Howling Mad” Murdock. And of course, the show was best known for spawning the career of Mr. T as the lean, mean Sergeant “B.A.” Baracus (B.A. standing for “Bad Attitude,” naturally). Mr. T had of course already made waves the previous year as Rocky Balboa’s latest foe Clubber Lang in Rocky III, but the series helped launch him into superstardom.

Although it was often criticized for its cartoon-ish violence and lack of bloodshed despite the use of numerous explosives and/or heavy artillery/machine guns, The A-Team was an instant commercial and pop culture success, with everything from action figures, to Hot Wheels toys finding their way into the hands of the kids of the era such as myself (to this day I still have an A-Team Hot Wheel, and in my early twenties I even owned a ’94 GMC Vandura personally, a later model of the same van actually used in the show). If basing the series strictly on merchandise alone, The A-Team was no doubt a goldmine.

Band of brothers; the author (far right w/ cat) in 2004 with his Random Tragedies bandmates at the time (from left, Caleb Page and Jason “Kurt” Potter), doing their best A-Team on the back of a 1994 GMC Vandura, similar to the one used in the show.

During its run it also attempted to incorporate two separate female reporters as leads in the first two seasons – first Melinda Culea, followed by Marla Heasley – though neither would last very long. By its fifth and final season, a fifth member of the team named Frankie Santana (Eddie Velez) was also added to the group, as well as Robert Vaughn portraying the new “boss.” Several notable pop culture figures from the ’80s also guested over the course of its five-year run, including Hulk Hogan, Rick James, Boy George, and even Wheel of Fortune hosts Pat Sajak and Vanna White. Former Rewind It Magazine interviewee Monte Markham also once appeared on a 1984 episode of the show.

But of course, all good things must come to an end. I was just six years old when the show aired its last episode on March 8, 1987, yet I can still vaguely remember its importance at the time, if for no other reason thanks to my dad and older brother. Of course Hollywood would eventually try to give it the movie treatment in 2010, but as in most cases, it lacked the same magic as the original. Yet the heart of the show still lives on with each and every rerun and “I pity the fool” Mr. T reference uttered to this day.

A couple of A-Team collectibles from the author’s personal collection.

Interview with Actor Monte Markham By Jesse Striewski

Late last year I spoke with legendary actor Monte Markham to specifically discuss his role as Clay Hollingsworth on The Golden Girls for an anniversary piece I was working on at the time for Rewind It Magazine. But with so much more material leftover from our over thirty minute long phone conversation, it felt like a waste not to print the rest (better late than never as they say).

After all, aside from his recurring role on The Golden Girls in the late ’80s/early ’90s, Markham’s acting career spans as far back as the ’60s, appearing on such shows as Mission: Impossible, Hawaii Five-0, The A-Team, Murder, She Wrote, and Baywatch, as well as such classic films as Midway and Airport ’77, just to name a few.

One of the questions I had asked him regarding his appearances on The Golden Girls was how he felt it compared to other TV shows he’s done. He replied; “As an actor I’ve done just about every type of performance you can do. But four-camera sitcoms in many ways are the most difficult to do because, one; it’s comedy, and two; it’s rewritten everyday at rehearsals. And the camera is in your face, but it’s about 20 or 30 yards away, so it’s like you feel like you’re on stage, but there’s an intimacy of the lens, so you have to adjust performance.I did several of them (sitcoms); The Mary Tyler Moore Show was really a good playing ground on them.”

I also asked why he felt this shows have endeared so many years later, and he stated; “Even with a movie you’ve seen numerous times before, why do you find yourself still staying with it? Because it’s a good film. It’s like with The Mary Tyler Moore show; I did the second episode after the pilot, and I can tell you, the cast were all very nervous about it because the guy who had directed the pilot wasn’t available. I remember Lou Grant coming up to me and asking, ‘Is this funny?’ (Laughs), and I reassured him, ‘No, no, it’s terrific!’ But it was that damn good, and that’s why they’re still in reruns around the world constantly. The interesting thing is, rather than just being old, a good show plays to a whole new audience.”

He also explained what he has done since many of his most memorable roles; “In ’92 I was still doing Baywatch in syndication and playing the Captain, which was great. I had an opportunity to form a company with my wife and son, and we did documentary production for A&E, which lead to doing the first shows for The History Channel. And I didn’t know from there we’d be producing, writing, and directing these documentaries for the next twenty years. It was a great ride, and I was able to travel all over the world, but I couldn’t act at that time because it was impossible to schedule anything, since we were always on the road.”

He continued; “Then in about 2010, we figured we had done about everything we could with that, and it was time to bring it in. So I went back into acting, which was very interesting…a whole different time with streaming, and the whole world being able to watch anything at any time. It’s a different business, a different world now. We just recently had a 30th anniversary party for Baywatch after they updated and remixed it, and the color and everything is spectacular. It’s a whole new looking show, but they couldn’t use the same music because it was tied up in all various kinds of licensing, so they had to re-record it.”

The last thing I wanted to know was what his thoughts were on the (embarrassing) 2017 Baywatch remake. He told me; “Well, in general the remake of Baywatch is pretty abysmal. Baywatch (the show) was what it was; sure, it was a lot of T&A and beautiful girls running in slow motion, but also had some really family-oriented, life lessons in there as well…just a lot of lightweight stuff, but it caught on. I remember back when we were doing the pilot, and looking at the real LA lifeguards around on set who were like, ‘Give me a break!’ (Laughs), even though the first two girls they cast could actually swim really well, but then they kind of got away from that. But when they do a remake these days, they throw all of what made it successful in the first place out the door, making it absurd, so it’s like just basically making fun of itself.”