Film Review: Silent Night, Deadly Night (Wonderwheel Entertainment/New Dimension/Rebel 6 Films/White Bear Films/StudioCanal)

By: Jesse Striewski

I was really hoping for yet another diamond in the rough horror film in the same vain of this year’s Black Phone 2. Unfortunately with this latest update to 1984’s Silent Night, Deadly Night, there’s more “rough” than anything else here.

First the pros; the visuals and atmosphere are fairly spot on, and even some of the eerie music from the original film (see, “Santa’s Watching”) is used, which brings a nice touch to the proceedings. And Rohan Campbell is actually pretty convincing as the disturbed drifter Billy, as is Ruby Modine as his love interest, Pam (for the most part, anyway).

Now the cons; it’s an-over-the top gorefest where any chance at actual art is pushed aside to make way for another stab at shock value. We’re expected to accept an unrealistic and exaggerated reality where anyone religious/bearing a cross is seemingly inherently evil in a fairly insulting manner. Even the gimmick of Billy hearing and responding to an inner voice named Charlie (voiced by Mark Acheson) quickly becomes fairly tiresome here.

Sure, the original film was far from perfect (I won’t even get into the various levels of its sequels right now, either) and you won’t ever hear me claim otherwise. But where part of Billy’s traumas were the result from the abuse he encountered from the head nun at the orphanage he was raised in, there was also the contrast from the younger, decent nun who wanted to actually help Billy and see him thrive in life. Here there’s nothing like that, just another dumbed-down excuse for excess violence.

What starts with a decent concept, quickly gets muddled by excess violence and a predictable ending. The potential was there, but the execution is simply not as clever as the filmmakers had hoped it would be here.

Rating: 2/5 Stars

Film Review: Halloween Ends (Miramax/Blumhouse/Universal Pictures)

By: Jesse Striewski

So, Halloween finally ends, huh? For me, it was over twenty years ago when Michael Myers offed Laurie Strode (Jamie Lee Curtis) in 2002’s Resurrection, but that’s just me. Last year’s atrocious Halloween Kills had to be my least favorite of all the films in the franchise (next to only the Rob Zombie entries), but what can really be said about this latest installment that hasn’t already been said, and without giving away too much?

On the surface, it could just be considered an experiment gone terribly, terribly wrong. But there’s much to unpack here. And in the five days since its release, audiences have almost universally panned the film for the direction it takes. It starts out a basic origin story, highlighting the torment and eventual descent into madness of the bullied Corey Cunnigham (Rohan Campbell). The problem that exists – other than the fact that this takes away from the Michael vs. Laurie showdown that everyone was hoping for – is who is this character, and why in the hell should we even care about him?

The ensuing love story aspect between Cunnigham and Laurie’s adorable granddaughter Allyson (Andi Matichak) actually works in its own weird way, but feels better suited for another film entirely. But that aside, the rest of what is left is a heaping pile of metaphorical mess, clumped together by Director David Gordon Green’s would-be unique vision. Even the “kills” feel forced and largely unnecessary, if one can actually believe that.

Speaking of unnecessary, this entire newer trilogy that began in 2018 could have honestly just never happened and the world would not have missed a single beat. In fact, the best thing to even comes out of these films in my opinion has simply been the well-crafted John and Cody Carpenter (and Daniel Davies) composed music score, which was indeed the highlight of Ends (throwing in the Dead Kennedys’ “Halloween” during a party scene was a nice touch as well).

But you know where the music and storylines were even better? The original films. I’d much rather go back and re-watch Halloween III: Season of the Witch (my personal favorite, and yes that’s right, the one without Michael Myers) any day of the week. With that being said, keep an eye out for an upcoming 40th anniversary piece on the latter, dropping at the end of the week on Rewind It Magazine!

Rating: 1.5/5 Stars