
I had known for months leading up to this past week that I would be heading to Welcome to Rockville with the family again for the fifth (?) consecutive year in a row (at least “partially” attending anyway), but I had no idea that Rewind It Magazine would get approved the week prior for the Rockville “pregame” hybrid show/fight, aptly titled Blood 4 Blood, at the Ocean Center in Daytona Beach with Black Label Society, Malevolence, Crowbar, and Slaughter to Prevail all in tow.
I also hadn’t expected to be directly in the photo pit tackling the photography duties (usually its either my wife Brooke or son Jacob handling that aspect, but the approval this time was only for one), but there I was for the first time in I have no idea how many years taking on the task myself. (And I’m pretty sure I was the only one doing so that night with a walking boot on at that!)
And speaking of Rockville, I had caught openers Slaughter to Prevail at one of them in the past before, though must admit I don’t know much when it comes to their music. Still, their frenzied live set and masked band members no doubt created enough energy to prime the stage for the rest of the acts of the evening. (Frontman Alex Terrible was also one of the headlining fighters on the bill for the night.)

Slaughter to Prevail’s Alex Terrible primes the Ocean Center crowd last Wednesday, 5/6. (Photo by Jesse Striewski.)
Mighty sludge metal titans Crowbar were next up, and were one of the acts I was looking most forward to seeing to say the least. Although only a casual fan, they’ve been one of those acts over the years worth revisiting every now and then, and hearing tracks like “Repulsive in its Splendid Beauty,” “To Build a Mountain,” and “Planets Collide” was a thrill nonetheless. (Having Saint Vitus/Down bassist Pat Bruders back in the lineup was an added area of interest for me personally as well.)

Crowbar performing at the Ocean Center in Daytona Beach, FL on 5/6/26. (Photo by Jesse Striewski.)
Hardcore veterans Malevolence were up next, and while I recognize they were able to give the audience a surge of adrenaline, their sound has never really been my style. (Nor has the main attraction of bare-knuckle fighting for that matter – I’m more of a WWE kind of guy.) Still, the momentum was indeed there by the time Zakk Wylde and company took the stage.
I had seen Wylde perform live once before, though it would be with Pantera (once again, at Welcome to Rockville) rather than when I saw Ozzy Osbourne back in the ’90s (Oddly enough, both bands were touring together at that time, though Wylde was replaced by former Lizzy Borden guitarist Joe Holmes by then. Even stranger now, Wylde has another Borden-alumni in the current incarnation of BLS, guitarist Dario Lorina.)
But I digress – seeing Wylde in such a setting where he’s afforded more creative ability rather than simply playing a paint-by-numbers set was a sight to behold indeed. “Suicide Messiah” and “Stillborn” were of course some of the highlights, while even just a snip-it of the classic track “Black Sabbath” from Zakk’s guitar was enough to invoke a roar out of the crowd. Definitely an evening full of some of metal’s finest, and some memories I’ll no doubt treasure for many years to come.

Former Ozzy Osbourne guitarist Zakk Wylde lead the charge on stage in Daytona this past Wednesday, 5/6 (Photo by Jesse Striewski.)
As far as the fighting itself goes? Well, to each their own. (More photos from this event to come soon).

