Berlin at Epcot’s Garden Rocks on 4/30/22 By Jesse Striewski/Photos By Brooke Striewski

I really didn’t have intentions of going to yet another Garden Rocks concert at Epcot this past Saturday, April 30. But my wife/photographer Brooke insisted we each meet there after our schedules aligned, and I’m glad we did (ironically, I ended up seeing the whole show while she missed a good portion of it!). And truth be told, I didn’t even know much of Berlin’s material until I first met said lovely wife of mine roughly a decade ago.

The band took the stage right at 8:00pm (for the sixth and final time of the weekend according to singer Terri Nunn) opening their short set with “Masquerade.” More fan favorites like “No More Words,” “The Metro,” and the newer “Animal” continued the show before Nunn slowed things down a bit to tell a brief but teary-eyed story about meeting Walt Disney in person when she was a child.

This tender moment segued into the group’s most well-known hit, the synth-pop ballad “Take My Breath Away” from the 1986 Tom Cruise blockbuster Top Gun, which of course the crowd ate up with more than just a little bit of delight (and on a side note, I often point to said film as the movie that really “awakened” me to rock music with its soundtrack, so on a personal level it was great seeing another band that performed on it live, with Cheap Trick and Loverboy being the other two).

But it didn’t end there; a high octane cover of The Cult’s “She Sells Sanctuary” gave Nunn an excuse to run from the stage into the audience and continue singing among a stunned, ecstatic crowd. For the finale, bassist John Crawford put down his four-string to duet with Nunn on a PG-rated version of “Sex (I’m A…),” which if I’m not mistaken, contained some alternate, Disney-inspired lyrics to better suite the atmosphere.

After this, all of the band members gathered arm-in-arm on stage to take a gracious bow. It was a fitting, classy goodbye to an already appreciative audience, and a night few in attendance are likely to forget anytime soon. The only downfall of the entire evening? The lone young lady thrashing herself next to us and hitting us with her hair the entire time. A word of advice in the off-chance she’s reading this; when at a concert, have some courtesy for those near you, because you never know if those people next to are actually there to get coverage (like this) of the show for you.

Berlin taking a bow after their final set at Epcot’s Garden Rocks on Saturday, April 30, 2022 (Photo by Brooke Striewski).

Retrospective: 20 Years Since the Last Great ‘Wet Hot American Summer’ By Jesse Striewski

In the summer of 2001, an ensemble cast of young comedians and actors unleashed the mother of all summer camp romps on an unsuspecting world, Wet Hot American Summer. Directed by David Wain, the film was given an extremely limited theatrical release after premiering in New York on July 27, 2001 (and six months before that at Sundance), and went largely unnoticed at first (I myself didn’t catch it personally until years after its release when I came across it on cable TV).

Set in the summer of 1981, it follows a group of counselers and kids (the majority purposely played by actors far too old for their parts) at Camp Firewood in Maine. Janeane Garofalo leads the group as Camp Director Beth, who does her best to hold together her group of misfits – each focused on wrapping up their own indivdual pursuits and/or love triangles – on the last day of camp, often with over-the-top results.

Frasier’s David Hyde Pierce plays a professor in a role seemingly tailored for him, while several members of the MTV show The State, including Ken Marino, Michael Ian Black, Joe Lo Truglio, and Michael Showalter, turn in some showstopping moments. Paul Rudd also plays one of the best/worst bad guys on screen to date, while a young Elizabeth Banks slinks across each and every scene as the stereotypical ‘loose’ girl.

But the most unforgettable performance has got to go to Law & Order‘s Christopher Meloni, who cranks out the crazy as a cook/Vietnam vet who talks to a can of mixed vegetables, and helps the kids with their ‘woes’ (the montage with him and Showalter is without a doubt the standout moment of the entire film). This was not the only time Meloni would let the guard to his more serious side down (having since appeared in two Harold and Kumur films as well), but certainly one of his most memorable moments doing so.

Of course the music reflects the time it’s set in as well; tracks by Foreigner, Jefferson Starship, and Quarterflash make their way throughout the picture. Several of the bands featured I have since personally seen live, including KISS (the solo from “Beth” can be heard at one point), Rick Springfield (“Love is Alright Tonite”), and Loverboy, who have not one, but two tracks on the soundtrack with “Turn Me Loose” and “When It’s Over” (hearing the latter two songs used in the film may have actually been the moment I realized Loverboy wasn’t half bad, and might have even helped convince me to go see the band in concert with my wife in 2014, see attached flyer below). Unfortunately, I have very few usable photos of Loverboy, thanks to it being a last minute show, and our not having a SLR camera with us at the time (anyone out there with pics from the show, I would love to see them!).

The characters have since been brought back twice via two Neflix shows; First Day of Camp in 2015, and Ten Years Later in 2017. But I digress; if you have never seen Wet Hot American Summer, now would surely be the perfect time to give it a chance. After all, you still have a few weeks left until the ‘last day of camp!’

Flyer from Loverboy show in Orlando, FL on 5/17/14, from the author’s personal collection.