With renewed interest in the decade of decadence continually growing each year, there’s no shortage of various media information on ’80s hard rock (a.k.a. ‘hair’ or ‘glam’ rock) and heavy metal out there these days. But this new book by rock journalists Tom Beaujour and Richard Bienstock (with a brief forward by Slipknot frontman Corey Taylor) is truly the new bible on ’80s hard rock and heavy metal.
Largely tracing it’s roots back to the influence Van Halen had on the movement in the mid to late ’70s, here the two authors put together a collection of interviews that includes numerous musicians, producers, promoters, magazine editors, and the like, to help tell the tale of arguably one of rock’s greatest eras. Various key members of such staple acts as Motley Crue, Ratt, Guns N’ Roses, Quiet Riot, Dokken, L.A. Guns, W.A.S.P., Poison, Cinderella, and Warrant, – as well as numerous Rewind It Magazine interviewees from over the years – including Jay Jay French of Twisted Sister, Jack Russell of Great White, Brian Forsthye of Kix, and Rachel Bolan of Skid Row (among many others), are just some who help recall the foundation of the genre that changed it all in great detail.
The perspective is unique and fresh, despite some of the stories already found in other published works (many of those involved have previously published their own individual biographies). There’s even a brief but brilliant collection of many never-before-seen photos included as well. In short, Nothin’ But a Good Time is a rollercoaster ride of literature from start to finish, and one of the best of it’s kind currently available on the subject. It simply ‘don’t get better than this.’
It’s not a far stretch of the imagination to say that nearly every major band across the globe has felt the effects of 2020 in some way, shape, or form (at the very least financially). But despite the uncertainty of the still-lingering pandemic, bands like ’80s rockers Kix have been waiting on the sidelines to rock audiences again, and – as long as given the green light – are preparing to do just that sooner that you might think. I recently spoke with Kix guitarist and co-founder Brian “Damage” Forsythe from his home in Nashville, TN about what the band has been doing to keep themselves busy, and when we might just see them take the stage again.
While Kix does currently have some upcoming shows listed on their site, I asked Brian how concrete they were, to which he says; “It’s definitely weird. We haven’t played since mid-March, so this is pretty much the longest we’ve gone between gigs I think. And the scary thing is, we don’t even know when our next gig is going to be for sure. There’s still some shows on our calendar right now, but we’ve had so many of them already pushed ahead or postponed completely until next year, so we never really know what’s up…we’re just trying to hang in there though!”
Being one of the very few notable bands to emerge out of the state of Maryland during the ’80s hair metal scene, I asked if any particular moments in the band’s hometown stuck out for Brian; “I remember in ’89 when we were doing our first real big, full-length tour with Ratt. We were usually the openers on that tour, then Britny Fox were after us, and then Ratt were the headliners. But when we got to our hometown gig, we flipped it so that Britny Fox went on first that night, and we went on second, which meant we were able to have a longer set. And I just remember the crowd went crazy when we went out there, I never heard anything like that before! People were holding up their lighters and singing along to every single lyric, and to make it even more special, my parents were there that night!”
I was also curious what made him decide to relocate to Nashville, and if any other members of Kix still resided in Maryland. He informs me; “Most of the guys still live in that area of either Maryland or Virginia, and are pretty much within a 25 mile radius of each other. I’m the only lone wolf living here in Nashville now, and I just moved here about a year ago after being out in L.A. for about 25 years.”
Forsythe was also recently featured in our pal/long time supporter Kenny Wilkerson’s cookbook, Rockin’ Recipes For Autism, so naturally I had to ask him about his selection for the book. Brian says, “I’m a big foodie guy and love to cook. The funny thing is, that recipe (a beet medley over wild rice) is actually a couple years old, and since then I’ve stopped eating it (laughs). I mean, don’t get me wrong, it’s still a good recipe, but since then I’ve sort of changed my diet around, and there’s stuff in it that I don’t eat anymore, so it’s kinda funny how that worked out!”
Kix will perhaps always be best remembered for their 1988 hit power ballad “Don’t Close Your Eyes,” so I wanted to get a little into the song’s backstory, as well as how it is to still perform the cut today. He explains; “The way Kix worked back then was, we’d work on new stuff at our rehearsal space in between tours, and we’d pretty much have it completed before we got into the actual studio to record it. As far as playing it live goes…sometimes people will complain about having to do the same songs every night, but the way I look at it is kind of like someone in a play might, so I try to put everything I have into playing it every single time. The one difference between playing it now versus in the ’80s though is, back in those days, (former Kix bassist) Donnie would play the keyboards on stage, and I would play a Roland synth bass. I had to use that guitar every night, and I hated it (laughs)! But now when we play it live, we have samples of the keyboards instead of having anyone actually playing them on stage, so now I can just play straight guitar through it, and it’s a lot easier for me.”
Staying on the topic of recording and knowing that it’s been several years now since the last studio release from Kix (2014’s Rock Your Face Off), I had to ask Brian if we might see any new material from the band in the near future. He tells me; “We’ve talked about it, and everybody has their own ideas they’ve been working on here and there, so I’m sure something will come together sooner than later. We have had all these other little things released in the meantime though since Rock…, like the Blow My Fuse live set/DVD.”
Knowing that Brian was also a member of Rhino Bucket for many years, I asked if he still had anything other than Kix that he was currently working on, and says; “Well, I was still playing in Rhino Bucket up until we disbanded a couple years ago, and that was a lot of fun. I get a lot of emails from people asking me to play on tracks here and there too that I’ll sometimes do. I did one recently for a band called Streetlight Circus, and also played solo on a song written by Frank Meyer and produced by Bruce Duff about the pandemic called “Flatten the Curve” that had like 30 some odd musicians on it, many of them from the L.A. scene (including Cherie Curry of The Runaways and Mike Watt of the Minutemen, among many others).”
Before we ended our conversation, I was curious to know if Forsythe might throw his hat in the mix of the numerous rock bios becoming more and more frequently released. Brian states; “I used to be in a relationship with Janiss Garza, who was the senior editor of RIP Magazine back in the ’80s (and eventually co-wrote Lemmy Kilmister’s book, White Line Fever), and I actually ran the idea by her a long time ago, but it just never happened. It would’ve been fun to do with her, but I guess it’s never too late to do it in general. The good thing is though, I actually saved all of my calendars that I have notes written on going back to the ’80s, so it shouldn’t be too hard!”