Retrospective: Forty Years since John Hughes held us all in detention with ‘The Breakfast Club’ By Jesse Striewski

A brain, an athlete, a basket case, a princess, and a criminal, each students at the same Illinois high school that couldn’t be from more opposite sides of the spectrum if they tried, forced to spend a Saturday in detention together for their own unique offenses.

Originally released on February 15, 1985 (but taking place on March 24, 1984), The Breakfast Club was Director/Producer/Writer John Hughes’ magnum opus, portraying the American teenager at the time so accurately that it struck a cord so deep within audiences (grossing over $51 million domestically) its fabrics have remained a staple within pop culture (and our lives) in the ensuing years since, often quoted, imitated, or parodied.

Anthony Michael Hall played the “Brain” with a penchant for good grades and computers, Emilio Estevez was the “Athlete” pushed to the breaking point by a controlling father, Ally Sheedy was the “Basket Case” outcast ignored by the world, Molly Ringwald was the preppy “Princess” with everything seemingly handed to her in life, while Judd Nelson was the “Criminal” that no parents wanted to see their daughters bringing home.

Photo of actress Molly Ringwald as Claire in The Breakfast Club spotted at a local clothing store (Revolve) on 8/2/23 (from the author’s personal collection).

These unique characters – as well as the actors playing them – were each relatable enough in their own ways that nearly any teen could find at least some part of themselves in them, even more so once the nickname the “Brat Pack” was coined to define the young cast and several of their contemporaries (Andrew McCarthy, Demi Moore, and Rob Lowe were a few more to fit in this club, among others). And who could forget the Simple Minds hit and the film’s theme song, “Don’t You Forget About Me?”

At the time of its initial release and ’80s prime, I was still just a kid grade school. But with four older brothers and sisters in either middle or high school, I was very much aware of the influence of The Breakfast Club, and I can distinctly remember going to one of said siblings’ schools at the time (namely Overbrook High School in New Jersey, coincidentally where I also attended preschool) and feeling as though I was in a John Hughes movie myself with the students we would come across there.

Today, the legacy of The Breakfast Club is just as strong as ever; one year while doing some back-to-school shopping with my own teenager at a local resale clothing shop, various images from the film were scattered about different areas (see above), and not even a week ago I was picking up a Funko Pop! figure of Nelson’s John Bender character (see below). The film has clearly endured for decades, and no doubt will for decades more to come; in the words of Hall’s own Brian character…”Sincerely yours, the Breakfast Club.”

John Bender Funko Pop! recently spotted on a store shelf on 3/21/25 (courtesy of the author’s collection).

Retrospective: 35 Years Since The Griswold’s ‘Christmas Vacation’ By Jesse Striewski

Few writers have ever truly nailed the essence of the American family quite like the late John Hughes did, and I’d wager an even smaller percentage have managed to capture the sheer chaos of spending the holidays with said family then when Hughes penned National Lampoon’s Christmas Vacation, the third chapter in the Chevy Chase Vacation series that first began in 1983.

World’s above its 1985 predecessor European Vacation, this entry again finds the Griswold family (again lead by Chase and Beverly D’Angelo as his wife, Helen) just wanting to spend a “quiet” Christmas at home with family. But with the addition of each new relative appearing in the household (including Randy Quaid, reprising his role as the dimwitted Cousin Eddie from the first film), more and more madness ensues.

From chopping down the perfect Christmas tree, to dodging yuppie neighbors (including Julia-Louis Dreyfus in one of her earliest roles) and chasing after every animal known to man from dogs (“Snot!”), cats, and yes, even squirrels, there’s no shortage of characters to add to the charades.

It’s been three and a half decades now since the film’s initial release on December 1, 1989, and in that span of time the movie has become a beloved annual classic for families across the globe, often quoted at nearly any and every Christmas function imaginable. And each year department stores seem to push more and more Christmas Vacation-related merchandise for shoppers far and wide with everything from games, apparel, mugs, and much more.

By now the film has no doubt been overplayed to death with annual showings on cable TV and elsewhere. But despite this, it’s still an enjoyable enough seasonal must-watch every year (please excuse me while I go watch it for the 809th time). Happy holidays!

Retrospective: 30 Years of ‘Home Alone’ By Jesse Striewski

I can remember it like it was yesterday; I was a typical 9-year-old kid growing up in New Jersey (and if memory serves me correct, there was even snow on the ground at the time) when my big sister took me one cold winter night to see this new film everyone was raving about, Home Alone. As soon as the opening credits rolled, I could tell (even then at my young age) I was watching something uniquely special. And being around the same age as Kevin McCallister (played by Macaulay Culkin), it felt as though my own childhood fantasies were coming to life and jumping onto the big screen right before me. It was no doubt an event unlike any other, and by the next Monday morning at school, every kid was talking about and quoting Kevin’s lines.

Writer/Producer John Hughes, the mastermind behind such ’80s classics as Ferris Bueller’s Day Off, Pretty in Pink, and Uncle Buck, came up with the idea for Home Alone almost by accident, when, while packing for a family vacation, imagined what it might be like if he were to suddenly leave his ten year old son behind. In doing so, he manged to capture exactly what every red-blooded American kid has dreamed of since the dawn of time.

Rather than direct the film himself, Hughes gave the duties to Chris Columbus, who already had a couple of film credits under his belt, and was even originally slated to direct another Hughes-holiday production the previous year, National Lampoon’s Christmas Vacation (before tensions with that film’s lead, Chevy Chase, lead to him dropping out of the project). But Columbus proved to be the right fit for Hughes’ new project, bringing his own sleek, youthful spin to the finished product.

The adult cast quickly included a number of veteran stars; the roles of bumbling crooks Harry and Marv were respectively given to Joe Pesci, who was hot off the tails of the hit blockbusters, Goodfellas and Lethal Weapon 2, and a young Daniel Stern, who was already gaining momentum with roles such as Little Monsters. Meanwhile the duties of Kevin’s parents were given to Catherine O’Hara (Beetlejuice) and John Heard (C.H.U.D.). John Hughes alumni, the late John Candy (Uncle Buck) also appeared in a bit part. But when it came to casting the film’s young star, Kevin, Hughes eventually turned to another Uncle Buck star, the young Macaulay Culkin, after a long audition process.

The story itself of course centered around Kevin being left completely alone at his house just before Christmas, as a series of hectic events leads his family to forget about him while rushing to catch a plane to Paris on time. Kevin is instantly left to his own devices; at first it’s an all-out party, but soon enough Kevin realizes he has to actually take care of himself and learn such mundane choirs (often with humorous results) as grocery shopping and doing laundry, while also dealing with unknown fears that include a creepy basement, and a strange old neighbor.

But it’s when Kevin discovers his house has been targeted by the Wet Bandits, Harry and Marv, that he’s truly forced to step up and defend his home. Using household items that includes everything from paint cans to mirco machines, Kevin constructs an elaborate series of booby traps throughout the house, fighting off Harry and Marv in almost cartoon-like, slapstick fashion. In a recent interview, actor Michael C. Maronna, who portrayed Kevin’s older brother, Jeff (best remembered for uttering the infamous line, “Kevin, you’re such a disease!”) told Rewind It Magazine; “It was a confluence of good factors (script, direction, actors, style) that added up to a good (if violent) family Christmas film.”

The film was an instant success, earning over $476 million worldwide, and becoming the highest-grossing live action comedy film of all time (a title it would hold for over two decades). It also spawned four sequels (with only the first two of them being released theatrically) and countless parodies (Macaulay Culkin somewhat reprised his role as Kevin in a 2018 ad for Google Assistant, and appeared on a Home Alone-themed episode of the webseries The Angry Video Game Nerd around the same time). Today, it is regarded as a classic, and is still played nearly around the clock on various cable stations til this day. As a husband and father now myself, I usually catch the film with my family at least once every Christmas season.

Regarding the film’s legacy, recent Rewind It Magazine interviewee Diana Rein, who appeared in the film as Kevin’s older cousin Sondra, reflected to us; “There’s so many people who watch it multiple times every year, it’s like their holiday tradition! I’m SO grateful it’s still around like it is!” You can check out our full interview with Rein from our Dec. 19 article; and be sure to look out for the rest of our full interview with Maronna, posting later this week!

Interview with Musician/Songwriter Diana Rein By Jesse Striewski

Diana Rein is truly one of those rare, multi-talented threats worth taking note of; not only is she an accomplished singer, songwriter, and guitarist, she’s also a former child actress who you might just remember as Kevin McCallister’s older cousin, Sondra, in 1990’s Home Alone, and it’s 1992 follow up, Home Alone 2: Lost in New York.

But more on that later. Rein’s main focus these days is without a doubt her music (her last professional acting credit was actually in 2011), and when I spoke to her via phone this past week, it was apparent that’s where her passion truly lies.

Of course being a musician in 2020 is no easy feat, so one of the first things I wanted to know was how she’s handled being a musician throughout the pandemic. Rein tells me; “I think I was actually in Virginia when I decided to cancel the rest of my first tour when things started getting really bad earlier this year. Before I went on the tour, my life was at home with my 8-year-old, doing music, social media, and recording from home. So I’m kind of back to doing that again, and that’s okay for me. I can still feel like I can create a reach where not being on tour isn’t like a total detriment though, so that’s nice.”

Rein’s third solo album, Queen of my Castle, has been out since last year. I inquired how she felt it held up compared to her previous work, to which she replied; “It was my first album with the label Gulf Coast Records, who were just starting out, so that kind of gave it a nice little push. A lot of people seem to still love it, but I’m also in a different mind space now because of all that’s happened since then, and I’m writing new music right now, too. It was going so well on my first tour, getting such a good response, so it’s just such an absolute shame that I got cut short of that experience.”

However, Rein does inform me she has been working on new material since then; “I came back and was learning more of the technical stuff of creating music from home for a couple of months. Then I took out my acoustic guitar and starting writing for about two weeks before I took about another week and wrote lyrics to all them (around twenty total). Then I went into the process of recording, mixing, and mastering all of them from beginning to end. So we’ll see what happens with them, maybe they’ll be released as singles, or another album next year.”

I was also curious what some of Rein’s favorite go-to songs were while playing live, and her response was; “Well, there’s two that really come to mind; “Heat” from Queen of my Castle has got a really amazing riff that I love playing, and when the solo comes around its super fun. And my song “Midnight Line” has a really awesome beat, and whenever I see that coming up on my set list I get so excited! A couple of songs that aren’t my own though both happen to be Hendrix songs; “Little Wing,” which I completely get lost in more than any other song. And then “All Along the Watchtower” I usually end my shows with. Something about Hendrix, just the way he wrote, out of all of them, those two just take me to a different place. And he was probably writing from a different realm, too (laughs)!”

As far as when you might be able to catch her live for yourself, Rein explains; “There were actually some shows from this year that got phased into 2021. I think there’s some dates right now for California, Arizona, and Colorado, so there should definitely be a few if things start looking up. I don’t think it’s going to be that busy of a year for me live, but you never know! But I do think I’m going to try to stay more regional next year since things are still not yet certain.”

Of course, I had to ask Diana about her involvement in one of the biggest holiday films of all time, the previously mentioned Home Alone (and it’s first sequel). She tells me; “I cannot believe it’s been thirty years, but it just feels like it’s stood the test of time! I’m on TikTok now, and just did a recent video on there that talked about it being thirty, and showed my scene in the beginning of the first film where I say my lines to Joe Peschi (which are, “Hi,” “Yeah,” and “No!”). The response I’ve been getting has been overwhelming! There’s so many people who watch it multiple times, every year! It’s like their holiday tradition, and that makes me feel SO good that it’s still around like it is! And I didn’t know when I was eleven that it was going to be this, kind of cult-following type of film someday! John Hughes was such an amazing writer and producer (Hughes gave directorial duties at the time to newcomer, Chris Columbus), and I’m just SO grateful to have had a small part in his history.”

And with Christmas being just next week, I wondered what some of Rein’s own traditions might be. She tells me; “Well, I was never one for traditions, but I’m starting a new one this year. My dog Roxy just passed away on November 30, and I’m getting little personalized oranaments made for him, our other dog and cat, and ones for my husband and son. So I’m just going to do new ones that we can add to our tree every year from now on.”

You can keep up with all of Rein’s endeavors at dianarein.com, as well as follow her on all the major social media platforms, including Twitter, Facebook, and Instagram. And be sure to keep an eye out for our upcoming, thirty-year anniversary piece on Home Alone; expect it to drop early this week!