Interview with Crazy Lixx Frontman Danny Rexon By Jesse Striewski/Photo By Nils Sjoholm

There’s a handful of bands around these days that have caught the attention of rock and metal fans the world over (myself included) due to their abilities to not only rock as hard as the groups that came before and influenced them, but also create their own unique styles and sounds. Sweden’s Crazy Lixx are undoubtedly one of those acts, so when the chance to talk to band founder and Vocalist Danny Rexon presented itself, I leapt at it.

With a new album having just recently dropped, naturally one of the first things I had to ask Danny was how he felt the band’s latest effort, appropriately titled Thrill of the Bite, has been received so far. He told me; “It feels really good! We’ve had a lot of really great feedback, and looking at the numbers in both terms of video plays and streams and everything leading up to the release, everything has been very good. So it looks like early indications are that it’s going to be our most successful release that we’ve done in terms of the financial side of it at least.”

And as far as how he fells Thrill… stacks up alongside past releases? “You know, bands always tend to say that their latest release is the best one, so I’m going to leave it up to the fans to decide. I personally think that there’s a lot about this album that is an improvement on earlier works, but of course it’s also a matter of subjective; it’s a subjective thing what kind of songs you like and the production and everything, but for me personally I think it ranks quite high and by the numbers you can also see that the audience tends to agree.”

In terms of how the recording process went down, he filled me in; “We always record separately. We have done that for many years now, so we don’t meet up to do each other’s parts, but rather we record our own things in our own home studios and then as a producer I put it all together and make it into a coherent thing.”

I was also curious how the band found its newest member, drummer Robin Nilsson, to which he filled me in; “So Robin was a person that has figured in our scene as to say for many years, both as a drummer for his other band Cruel Intentions, but also as a session drummer for a lot of bands. So we knew of him and we were acquainted with him, we met him on tours and stuff like that, on festivals, so we knew what kind of guy he was and we knew that he was musically up for the challenge. He was actually the first one that we contacted and tried out, so there were never any real tryouts with other people.”

As a huge fan of the band’s inventive music videos (including their latest ones, “Little Miss Dangerous” and “Hunt For Danger”), I also wanted to know more about their creative processes. He enlightened me; “So, we the band, do a lot of the work when it comes to the music videos. Basically we hire a guy to do the actual filming since we’re in front of the camera, so we have a guy showing up with the gear and doing the actual filming. But other than that, all the concepts, the scripts, most of the sets, a lot of the lighting, the contacts with the different actors or actresses and clothing, everything falls on the band. So it’s very much a DIY thing when it comes to music videos, so there’s a lot of work that we put down to make them look the way they do and then afterwards I do the editing and cut the video into what you finally see. So yeah, we’re very involved in it and do most of it ourselves. They were both filmed in or around my hometown of Malmö, Sweden, and that’s usually the case. We don’t have the budgets to be able to travel far.”

He continued; “I’ve always wanted to do a video with a desert setting that you see a lot of it, especially with the American bands from the ’80s. But the geography around here just doesn’t look like that, so that would have become quite an expensive trip for us to do. But who knows, maybe in the future. But as for now, we usually tend to stay quite close around these parts, southern Sweden.”

I’ve often heard the term “sleaze rock” to describe the sound of Crazy Lixx, but in comparison to many of their contemporaies (who often take things to over the top, crass levels), I never felt this was a fair analogy. I inquired Danny’s thoughts on the matter, and he informed me; “I think for every genre, there are things that just become very stereotypical, and I think for our genre, the stereotype is probably a lot of focus on decadence and partying, and blatant references to sex or something like that. So I tend to stay away from those. The song can still be about those things, but I think it’s better to kind of hide them in metaphors or make it interesting in some way, rather than just being very outspoken about it, because I think that falls flat. And you can see that in a lot of the bands, I would say a lot of the poorer bands around that time, that ultimately the only thing they ever sing about is drinking and doing drugs and girls. The sex, drug and rock and roll myth. So yeah, I try to stay away from those.”

He continued further; “Also, I’d say I try to not be overly political or ideological for that matter, because I think that’s usually just divisive for the audience to be. And maybe if you’re a punk band, that would serve you right, but not for me.”

With Friday the 13th: The Game, recently making news again after its online service shut down at the end of last year, I was also interested in some insight on how the band originally got involved with contributing music to it, and how big of a fan of the series Rexon personally was prior to it. He told me; “When it comes to the movie series, I was actually more into the Nightmare on Elm Street franchise. And of course, the character of Jason is so iconic, so I was very much familiar with them. But in terms of the movies, I wasn’t the biggest fan. But of course, it was very cool to get the opportunity to do that, since it was at the time a official licensed Friday the 13th product.”

He reflected further; “So we are now a part of the whole legacy and a part of the (Friday the 13th) franchise. Even if legal matters have been complicated after that, from what I understand. But yeah, we got involved basically because the team behind The Game, the producers of The Game, they had a programmer on their team that was a fan of our music. And when they started working on The Game, they decided quite early on to make it an ’80s setting. And the initial plan was to license music from that era, like, you know, real music from that era. They were in touch with Alice Cooper about “The Man Behind the Mask” and stuff like that. But they figured very quickly that it was just too expensive. So instead, they started reaching out to contemporary artists, but that had a very retro sounding style. So they had a bunch of synth wave there, I know, some like ’80s flavored pop, and of course, also us doing the rock side of it.”

He concluded; “So it was pure luck, I guess. Someone on the team knew about us and they suggested reaching out to us about it. And I ended up writing three songs with The Game in mind. And it was a bit tough, because I was also told that I couldn’t make any really blatant references to Jason or Friday the 13th, because the license didn’t cover that. So I couldn’t name him, I couldn’t say, you know, Crystal Lake or whatever. I couldn’t do his iconic sound that he does. So I had to kind of beat about the bush and still make it about him. So that’s something I think you can hear in the lyrics as well. It’s pretty obvious what it’s about, but I don’t say it out loud.”

I also inquired with Danny if there were any bands on his bucket list he’d still like to share the stage with, and he filled me in; “Well, one of my dream come true bands that was on my bucket list was Kiss, but I think that maybe that opportunity has now passed. But that’s one of my favorite bands that I would really like to have had the chance to play with. Another one would be Iron Maiden, even if I’m not sure that their audience is like, you know, totally geared towards our music. But as a big fan of the band, that would be awesome as well. We haven’t actually toured a lot with bands, so apart from festival stages, I can’t really say that we’ve had the opportunity to play with any like, you know, dream come true bands yet. But I may be setting the bar quite high, because a lot of my favorite bands are quite big bands. For some reason, I’ve always been very into the ones that were very successful, you know, your Bon Jovi or Def Leppard or you know, Alice Cooper or whatever.”

As far as any upcoming gigs go? “We have a lot of stuff in the pipeline. A lot of stuff is already confirmed, but we can’t reveal it yet, because we’re waiting for the festivals to do that. But we’re looking at coming to the US finally. Well, we’ve been there before, but it was quite a long time ago, and we’ve only played, you know, the Monsters of Rock Cruise, which is not really mainland USA. But now we’re going to do a trip that will incorporate a few gigs on land this time. So that’s looking promising. And as I said, you know, we’ll be announcing a lot of stuff in the coming weeks, I assume. So it’s going to be a good summer.”

And lastly, I asked Danny what the future holds for him and Crazy Lixx. He stated; “I think, you know, I’m happy if we just keep growing and keep getting opportunities to come out and play to more people, visit more countries. And, you know, when you start out as a young person with a band, you have plans of world domination. And at some point, you kind of, you know, take a step back and realize what you can realistically achieve. And for me, it’s always been the goal of having this band or music in general as my, you know, my livelihood. And that has become the case in recent years. So I’m very happy with the situation as it is.”

He ended by saying; “And even if the band would just stay at this level, I’d be happy and content. But of course, I want it to become bigger and achieve more success. So we’ll see what happens. I have a good feeling about this album, and maybe we can build something from it. But you never know.”

Retrospective: 20 Years since ‘Freddy vs. Jason’ By Jesse Striewski

After years of endless rumors and speculation, the concept of pitting horror titans Freddy Kruger (Robert Englund) and Jason Voorhees (this time portrayed by Ken Kirzinger) finally came together for fans on the big screen in 2003. For many a fan of the genre, the waiting finally paid off.

Released on August 15, 2003, fans lined up (yours truly with my girlfriend at the time included of course) to see the latest additions to the A Nightmare on Elm Street (eighth entry) and Friday the 13th (eleventh) franchises, which the crossover idea was initially teased at the end of Jason Goes to Hell: The Final Friday ten years prior in 1993.

The movie starts off promising enough; first audiences are given a brief rundown of the plot (complete with clips from previous entries) before a perky, young skinny dipper (Odessa Munroe) bares all before becoming the film’s first victim via Jason. From then on, it’s one long continuous bloodbath that accumulates in an epic Kong vs. Godzilla type-war.

Monica Keena, Jason Ritter, Kelly Rowland, and Katharine Isabelle help round out the cast, while metal acts like Slipknot, Hatebreed, Ill Nino, and Killswitch Engage add to the film’s youthful appeal via the its soundtrack album (the track “Beginning of the End” from the slightly obscure Spinshank is one of the most underrated tracks found on it).

Looking at it now, the film might be a tad on the cliche and even corny side, but at the time, it was the perfect movie for a 22-year-old to get a buzz on and go see on the big screen with a group of friends. It almost feels as though it was the last of its kind now, as each franchise has since gone on to be rebooted with all new cast and crews (to this day Freddy vs. Jason marks the last time Englund has portrayed Kruger on screen). As the old saying goes, “They sure don’t make ’em like they used to.” I’m glad I was around for at least some of when they actually did, though.

Original Freddy vs. Jason ticket stub from opening night from the author’s personal collection.

Film Review: 13 Fanboy (Voorhees Films)

By: Jesse Striewski

Although I was lucky enough to speak with two of the key factors of 13 Fanboy on behalf of Rewind It Magazine last year – Actress Dee Wallace, and Director/Writer/Actress Deborah Voorhees – I still only had a vague understanding of what to expect from the film. But almost immediately after sitting down to watch it, I completely understood what the filmmakers were trying to achieve with this one, which was to simply bring back the basic, root elements to a horror movie.

Without giving away too many details, 13 Fanboy follows fictional versions of real-life horror film stars (mostly alumni from the Friday the 13th series) such as Kane Hodder, Judie Aronson, Lar Park Lincoln, C.J. Graham, and Tracie Savage (among others) and newcomer Hayley Greenbauer, as they are stalked (and in some cases, slaughtered) by an obsessive fan with plenty of ‘whodunit’ -ness done in perfect fashion (Corey Feldman also makes a notable appearance as a sleazy producer). Extremely meta in its delivery, it’s part Scream, part Wes Craven’s New Nightmare, and for the most part, all fun (something hard to come by in the genre these days).

The gore is there, but it’s not over-the-top/unnecessarily violent. And although it might lack the big budget of such Hollywood blockbusters as the the recent Halloween Kills, it more than makes up for it with heart and atmosphere. And there’s almost no effort to weave in comedy, which can be “okay” if done correctly, but often overused in horror films these days. In short, 13 Fanboy is the perfect late night fright flick to watch in the dark with your significant other (or even by yourself), especially this time of year.

Rating: 3/5 Stars

Retrospective: 35 Years Since ‘Friday the 13th Part VI: Jason Lives’ By Jesse Striewski

As a kid growing up in the ’80s, there was nothing more enticing when visiting the video store than the horror section (well, except maybe when they would have one of those “back rooms” in the shop but that’s another story itself). And in those times when I would wander off into the area reserved for horror films, my eyes would usually hone in on those already established, well-known franchises that included the likes of single name villains such as Freddy, Leatherface, Chucky, and of course, Jason.

Each of these individual films had their own unique covers, and I of course had to see them for this reason alone. As stated in a previous interview with actress Deborah Voorhees, the first entry of the series I would ever see was the Jason-less Friday the 13th Part V: A New Beginning. But I would eventually piece them all together slowly over time, with Friday the 13th Part VI: Jason Lives quickly becoming my favorite of the franchise with it’s classic monster movie feel, campy jokes (starting with its James Bond-esque opening credits), and rocking soundtrack featuring then-new music from a revitalized Alice Cooper. When Jason Lives was originally released in theaters on August 1, 1986, it quickly became the first film since the 1980 original to rightfully receive some critical praise.

After the lukewarm reception the previous year from the new concept introduced in A New Beginning, it was clear that the series was in dire need of getting back to basics. Written and directed by Tom McLoughlin, it saw the return of the character Tommy Jarvis (this time portrayed by The Return of the Living Dead star Thom Mathews) from parts IV and V, who mistakenly resurrects Jason with a friend (played brilliantly by the late Ron Palillo of Welcome Back, Kotter fame) at the start of the film. Tommy does his best to warn the local community, but is railroaded every step of the way by the local sheriff (David Kagen). The sheriff’s daughter Megan (Jennifer Cooke) is the only one who believes Tommy, and teams up with him to stop Jason.

Actor Roger Rose, who played one of Jason’s many victims in the film, Steven Halavex, recently lent some behind-the-scenes insight to Rewind It Magazine; “The movie had already been shot, and the phone rings and it’s Paramount calling (Director) Tom McLoughlin, saying there weren’t enough deaths in the film and they needed more, so they were going to go back and kill two more people. Tommy hangs up the phone and says, ‘I always wanted to do this…kid, I want you in my movie!’ And that weekend we shot my scenes. I said to Tommy, “Man I’d love to die brutally on film, that’s something I’ve always wanted to do (Laughs)!”

Still from *Friday the 13th Part VI* of Steven (Roger Rose) and Cythina (Annette Edwards) shortly before meeting their gruesome demise.

He continued; “Originally Jason was going to shish kabob me and my date, and there was this whole big special effect thing going to happen, but there wasn’t any time left. But it was still a real, rusty old machete that Jason “killed” us with, so that was actual fear you see on our faces in that scene!”

Another thing that stands out about the film is the previously-mentioned music. Aside from one track by hard rock band Felony, the majority of the songs featured were from Alice Cooper’s 1986 album, Constrictor. Most notably remembered is the track “He’s Back (The Man Behind the Mask),” which served as the film’s theme song, and also featured a Jason Voorhees-themed music video to go along with it. I’ve been lucky enough to personally see Cooper in concert three times over the years (see attached photo below), but alas, his material from this particular period in his career has remained long since retired unfortunately.

Jason Lives went on to gross over $19 million at the box office on a $3 million dollar budget, and has since become a fan favorite. Since its release, there have been four more entries to the original Friday the 13th franchise, as well as the 2003 crossover film Freddy vs. Jason, and a 2009 remake. But few have matched the all around heights achieved with Jason Lives, which will likely remain one of the higher points in the series. So if you’re looking to go back to Camp Crystal Lake (or Forrest Green) this Friday the 13th, consider giving Jason Lives a try (and be sure to keep an eye out for our full interview with Rose, coming soon!).

Alice Cooper performing in Orlando, FL on 10/25/13, courtesy of the author’s collection. Cooper provided most of the music for *Jason* *Lives*.

Retrospective: ‘My Bloody Valentine’ at 40 By Jesse Striewski

It’s not hard to find holiday-themed horror movies of one’s choice; Halloween, Christmas, and even New Year’s Eve have a number of options to choose from. But when it comes to Valentine’s Day, My Bloody Valentine has been the no go-to for more than four decades now.

Released by Paramount Pictures at the early stages of the ’80s slasher craze on February 11, 1981, the film takes place in the small fictional mining town called Valentine Bluffs (the film was actually shot in Canada), and centers around the return of the town Valentine’s Day Dance after a twenty-year absent. But former deranged resident and miner Harry Warden vowed revenge if the dance ever took place again, and wields it in grisly fashion with his pickaxe.

Written by John Beaird (with a story originally by Stephen Miller) and directed by George Mihalka, the film may not have featured the most original of concepts (one can even draw several comparisons between Valentine and Friday the 13th, released just one year prior). The film also received trouble from the MPAA, something Director Mihalka attributes to the death of John Lennon shortly before its release. In a 2020 interview with cheatsheet.com, he said; “I could understand the collective cultural despair at the time. Unfortunately, as is always the case, there was backlash, and this time it was against senseless violence.” But the film was still a modest success, grossing over $5 million dollars at the box office on a $2 million budget.

The legacy of My Bloody Valentine lives on to this day. Just two years after the film, a shoegaze band with the same name as the film popped up in Dublin, Ireland. And a remake, My Bloody Valentine 3D, appeared in 2009. There’s even countless screenings of the film worldwide every year. So whether you’re watching with your favorite guy or girl, or solo, grab a heart-shaped box of chocolates (and maybe a glass of wine), and settle in with one of the most essential Valentine’s Day films ever, My Bloody Valentine.

Interview with Actress/Filmmaker Deborah Voorhees By Jesse Striewski

I remember it clearly; it was around Halloween time, and I was no older than ten at best. I sneaked out of the living room into my older brother’s room, where he and a friend were watching a “Jason” flick (something I had only heard of, but had not yet seen). The exact entry they were watching, and my introduction to the series and Jason Voorhees (although technically he does not really appear in it) was Friday the 13th Part V: A New Beginning.

I couldn’t believe what my young eyes were witnessing…the amount of graphic gore and female flesh (I’m almost positive I had seen nudity before, but not that much at once!) was almost overwhelming my senses. One such scene (and young lady) that really stood out and made a huge impression on me was the very naked/grisly demise of Tina, played by the lovely Deborah Voorhees.

After a few more roles in films such as 1985’s Appointment with Fear, and a recurring stint on the widely popular prime time TV drama Dallas, Voorhees stepped away from the spotlight to pursue work in the journalism field, and even took on some teaching jobs before her previous acting career came to light and cancel culture reared it’s ugly head over her involvement in the Friday the 13th series. But Voorhees has since re-emerged victoriously, first appearing in her own 2014 directorial debut, Billy Shakespeare, and now nearing completion of the ultimate meta Jason flick, 13 Fanboy, which she also directed and co-wrote along with Joel Paul Reisig.

One of the first things I wanted to know when I recently caught up with Voorhees from her New Mexico home, was just what it was like working with so much Friday… alumni on 13 Fanboy. She tells me; “It’s an intense thriller/slasher/classic ‘whodunit’ type film, and we have an amazing, talented cast from the series and the horror genre as a whole, including Corey Feldman, C.J. Graham, Kane Hodder, Tracie Savage, and (previous Rewind It Magazine interviewee), Dee Wallace.” She continues; “I directed, co-wrote, produced, and really was involved with every aspect of it, from appearing in it, down to the editing process.”

But even exceptional talent is not immune to the effects of 2020. When asked about a potential release date, Voorhees informs me; “Production has definitely slowed down due to Covid, and with a lot of theaters and things not being open right now, it’s been very problematic. But we’re hoping to have it out by August, which is when the next doable Friday the 13th lands. I think we’ve got a really good shot at that, so that’s what we’re aiming for right now. I feel pretty good about it though, and think everything should be wrapped up by then.”

I was also curious if Voorhees was a fan of the series prior to filming A New Beginning, and how she felt looking back on her appearance in the series today. She explains; “Beforehand I had only seen the first one, so it wasn’t until later on that I saw the other parts in the series. I think I’m most impressed with the fan base. Horror fans in general are just really terrific people, and the fans that love slasher films and Friday the 13th have been really good to me over the years, and I’m very grateful for that.” And although Part V contains a brief cameo by ’80s superstar Corey Feldman, it wasn’t until much later the two would actually meet. She tells me; “I met him before at a horror convention, but this was the first time I actually got to spend time with him during the production of 13 Fanboy.”

And I also wanted to know if there were any actors approached for 13 Fanboy who declined. She says; “Adrienne King was initially excited and wanted to do it, but after reading the script, decided it was too close to her given situation having had a stalker in the past, and just wasn’t comfortable doing it. Lar Park Lincoln (who also appears in 13 Fanboy) had one too, but everybody handles that sort of thing differently.”

Lastly, I asked Voorhees just how her path lead her back to filmmaking, and she says; “After I had finished with journalism (at the time), I had decided I wanted to ‘give back’ a little by teaching. While I enjoyed it very much, I ended up being thrown out of two high schools because a lot of people just had a problem with my past (and especially the nudity I had done), so I just decided I was going to go on my own, and that took me back to flimmaking in general. I did love teaching, but I’m happier doing what I’m doing now. It was a good experience for me, but it feels good to get back to where I belong, which was writing/telling stories, and making movies.”

Interview with Actor/Musician Ari Lehman By Jesse Striewski

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It’s been forty years now since the world was first introduced to the infamous Jason Voorhees via the original Friday The 13th, when it was originally released in May of 1980. Since then, the series has influenced a plethora of related pop culture across various media platforms, one of the latest being the Chicago-based First Jason, lead by none other than the original Jason himself, Ari Lehman, who was the first in a long line of actors to play the notorious killer Jason himself (hence the band name). Lehman was gracious enough to recently answer a few questions about First Jason, as well as his time portraying him on the big screen before anyone else.

In addition to Lehman fronting the band on vocals and heavy metal keytar, First Jason also consists of guitarist Eddie Machete, drummer Prince Fabian Arroyo, and bassist Johnny Danger. The band released their first album, Jason is Watching!, on February 13, 2009 – the same day the F13 remake was actually released. Ari described their sound to me as “A heavy metal band with an eclectic range of styles from upbeat hardcore to thrash-y metal; there are influences of punk, metal, funk, and reggae on every album.”

Lehman explained the band’s sound even further; “Since my main instrument is keytar, it has a profound effect on the writing, giving me the capability to draw upon a wide range of rock motifs. The focus is on a high-energy performance with Jason-themed lyrics that also speak to a wide range of emotions and viewpoints. To paraphrase my musical hero Duke Ellington, ‘limitations enhance creativity.’ Drawing on the dark sources of horror and metal, the possibilities are endless…”

Of course I had to ask Lehman what it’s like looking back now on playing the one and only Jason Voorhees four decades later. He tells me; “I will never take it for granted that I was lucky enough to get cast in a role that fans love so much that they continue to demand more and more Jason and Friday The 13th each and every day worldwide. It is the imagination of the fans that has kept Jason alive these 40 years, and there will be many more decades to come.” He continues; “Not the same as horror films today, but I think it holds up well because of (F13 Director) Sean S. Cunnigham’s attention to not allowing the actors to overdo their roles in an effort to make it as real as possible. Also, Tom Savini’s use of practical effects and the often overlooked camera work of Director of Photography Barry Abrams created an environment that lured the viewer into a sense of safety – and then SHATTERED that completely. Together they transformed a usually bucolic setting – a summer camp – into a place of sheer terror, much like Jaws did the same way for sunny beaches in the summertime. And the fans never forgot!”

I also wanted to know just how much interaction Lehman had with the other actors on the set. He explains; “I did get to meet Adrienne King of course as well as most of the actors on the set including Kevin Bacon and Harry Crosby. It was ironically the actress who played my mom, Betsy Palmer, that I did not get to meet until years later, when we bonded as friends and she took me under her wing as a confidant and advisor. Betsy and my real mom shared the same birth date, November 1st, the day after Halloween! If I could have gotten her into a music video WOW!!! What I did do and you can see it in the “Voorhees is the Name” video is to commemorate what she would say to me when she knew that I had a rock show with First Jason – ‘mama said Knock ’em DEAD, and leave ’em writhing in the aisles!!!’ I love her forever…” Having actually met Palmer myself (at the same convention along with Tom Savini and Kane Hodder as well, albeit briefly) back in 2007, I can attest to Lehman’s sentiments of her kindness firsthand (though regrettably I did not get a photo to mark the occasion).

Lehman also shared with me what he took from working on the film so long ago; “Working with Tom Savini and Taso Stavrakis for four months and creating the FX for the film gave me a sense of camaraderie, and taught me that hard work can be fun and rewarding. Also I learned from being on the set how to make the most out of the resources that are at hand – this has served me well as a leader of a touring band, and when doing independent films like The Barn & Clown Motel.”

I was also curious what Lehman’s thoughts were on the later films of the F13 series. He states; “Honestly, I feel that each Jason actor and every production team brought a new perspective to the mythology. One of my favorites is Friday The 13th Part VII: The New Blood (1988), which was directed by John Buechler and starred Kane Hodder as Jason (for the first time). I feel that this episode does the most to recollect all of the sagas and bring it all together. Plus I enjoy that Jason is opposed by Tina (played by Lar Park Lincoln), a young psychic girl; that provides for great moments, like when she tears his mask off and sets the roof on fire!!!”

“The First Jason INTERSLASHIONAL album is the top priority now. Clown Motel 2 is shooting soon and I will return to play Psycan the deranged clown. The Barn 2 is completing now and my role as Dr. Dock was greatly expanded from the original. I am particularly proud of the work I did in this film and the team that created it for director Justin Seaman. And my weapon of choice to kill zombies in that film is even a KEYTAR!!!”

You can keep track of what’s going on with Lehman and First Jason on YouTube and Spotify, as well as Facebook (at the time of this writing, the band still has some tour dates set, with the first starting next month in Kenosha, WI on Sat., Aug 1).