In the late ’80s, I was totally that kid running around pretending to be their “favorite” Ninja Turtle with the rest of the neighborhood kids on the street and at birthday parties. And when the first theatrical film was released in 1990, I was instantly in line to see it on the big screen (and wish I still had the promotional poster that was handed out at the theater at the time!), as well as for The Secret of the Ooze a year later in 1991.
Years later in 2014 I would take my family to see the reboot, my son by then familiar with them thanks to various updated shows and toylines that had come along since the “good old days.” So it seemed only appropriate to once again take my kid – who at the time of this writing is indeed a teenager himself – to the latest feature film featuring the “Heroes in a Halfshell,” Teenage MutantNinja Turtles: Mutant Mayhem.
Despite having Seth Rogen’s (who I have not found humorous in the least bit since his days of Freaks and Geeks) name attached to the project as screenwriter, I went in with as open a mind as possible. The result this time around lands somewhere in between part homage to the source material and it’s original time frame (watch for nods to both Vanilla Ice and Ferris Beuller’s DayOff), and part over-the-top goofyness in an effort to appeal to younger audiences.
The pros; the Turtles themselves are likeable enough (and actually voiced by all teens, most noticeably Brady Noon of Diaryof a Wimpy Kid and MightyDucks fame), albeit their characters are not given much individual identities this time around. John Cena, Ice Cube, and Paul Rudd are among many of the actors that lend their voice talents here as well.
The cons; the numerous liberties taken by the filmmakers are abundant here. Aside from the most obvious drastic changes to characters like Splinter and of course April O’Neil (voiced by Jackie Chan and Ayo Edebiri, respectively), there’s also quite a few updates to the origins of the Turtles that purists may find in poor taste. And speaking of poor taste, some of the jokes come off as just plain crude and/or cringe-worthy (watch for the “Puke Girl” scene – it’s even less funny than it sounds).
All in all, I suppose it wasn’t a total waste of time; as a modern action flick, it does come close in comparison with the latest animated Spider-Man films. But the next time I feel the need for some Ninja Turtles action, I’ll likely turn to one the now-classic entries in the series instead.
It’s taken three attempts and nearly two years, but after numerous false starts, the massive Stadium Tour featuring Def Leppard, Motley Crue, Poison, and Joan Jett and The Blackhearts finally rolled through Orlando via Camping World Stadium this past Sunday, June 19. And as Def Leppard frontman Joe Elliot noted at one point, “Third time’s the charm.”
Rewind It Magazine arrived fashionably late for the event, as Joan Jett was well into the hit “Cherry Bomb” from her Runaways days. The last time I saw Jett perform was actually at the 2006 Warped Tour, and not only had the Blackhearts lineup changed since then (most notably former Billy Idol drummer Thommy Price had been replaced by Bouncing Souls drummer Michael McDermott), but so had her set list, which was apparent when she went into “Light of Day” next from the 1987 film of the same name she co-starred in with Michael J. Fox.
More covers and originals like “Everyday People,” “You Drive Me Wild” (another early Runaways track), “Do You Wanna Touch Me (Oh Yeah)”, “Fake Friends,” “Crimson and Clover,” “I Love Rock n’ Roll,” and “I Hate Myself For Loving You” followed before finally closing things out on a high note with “Bad Reputation,” which some may recall served as the theme song to the late-’90s teen show Freaks andGeeks.
Poison were up next, and were the one and only act on the bill I had never seen prior, although frontman Bret Michaels’ solo shows have played a pivotal roll in the Rewind It family over the years (it was the first concert my wife/photographer Brooke and I ever attended together in 2013 while we were still dating, and a few years later in 2018 we covered one of his Downtown Concert series shows for Rewind It, which you can still read on here).
Bret was on fire on this night, with guitarist C.C. Deville, bassist Bobby Dall, and drummer Rikki Rocket behind him as they launched into “Look What the Cat Dragged In.” “Ride the Wind,” “Talk Dirty to Me,” and “Your Mama Don’t Dance” lead to a guitar solo from Deville, which found him briefly touching on Van Halen’s “Eruption” as a tribute to late guitarist Eddie Van Halen.
More hits including “Fallen Angel,” “Unskinny Bop,” and the epic power ballad “Every Rose Has Its Thorn” were up next before the guys ended it with the ultimate ’80s party anthem, “Nothin’ But a Good Time” (at this point, the only possible way for them to end a set), priming the crowd just right for the rest yet to come.
The first couple of times I saw Motley Crue live (in 2005 and 2012, respectively) were each mind-blowing experiences, and I never tire of seeing one of my all time bass idols – the one and only Nikki Sixx, of course – on stage. Ironically though, I always seem to miss the beginning of their sets. But this time I made sure to be there for the entire thing, as the band ripped through classics like “Wild Side,” “Shout at the Devil,” and “Too Fast For Love” right off the bat.
After the first trio of tracks however, drummer Tommy Lee vacated the stage due to his well-publicized rib injury (no rollercoaster drumsets this time around!), making way for Ozzy Osbourne/Black Sabbath drummer Tommy Clufetos, who quickly picked up the pace on “Don’t Go Away Mad (Just Go Away),” “Saints of Los Angeles,” “Live Wire,” “Looks That Kill,” and only their fourth performance ever of the 2020 track “The Dirt” from the film of the same name (and it definitely showed – frontman Vince Neil’s voice wavered a time or two while trying to reach some notes on it).
The guys then launched into a number of their most well-known covers, including “Rock N’ Roll Part II,” “Smokin’ in the Boys Room,” “White Punks on Dope,” “Helter Skelter,” and “Anarchy in the U.K.,” before going through some more original classics in the form of “Dr. Feelgood,” “Same Ol’ Situation (S.O.S),” and “Girls, Girls, Girls.” Tommy Lee then returned to the stage once more and fans turned on their cell phone lights for the massive power ballad “Home Sweet Home,” before they finally closed things out for the night with “Kickstart my Heart.”
And finally, Def Leppard came on stage…and initially sucked the life out of the room. When I first saw them back in 2003, they opened with a couple of early ’80s tracks in the form of “Let it Go” and “Rock! Rock! (Till You Drop).” There were no such classics like those to be found anywhere in their set this time around, instead opting to start off with a couple newer numbers (which I get they need to promote) in the form of “Take What You Want” and the uber-lame “Fire it Up,” both bad choices in my opinion.
By track number three, the band finally started to treat the crowd with what they really came for, the “classics.” “Animal,” “Foolin’ (tragically one of the very few songs performed from 1983’s Pyromania album, my personal favorite of the band’s along with the two before it), and “Armageddon It.” Another new track, “Kick,” was thrown in before more Hysteria-era tracks “Love Bites” and “Excitable.”
After which, the band stripped things down and went acoustic for a bit, with frontman Joe Elliot performing “This Guitar” solo before being joined by the rest of the guys again on “Have You Ever Needed Someone So Bad” and “Two Steps Behind.” “Rocket,” “Bringin’ on the Heartbreak,” and “Switch 625,” which featured a solo from drummer Rick Allen, got things back on track.
Finally, the band threw it all out there, unleashing “Hysteria,” “Pour Some Sugar on Me” “Rock of Ages,” and “Photograph” on the now-exhausted crowd (yours truly included).
I’ve since been asked who the best band of the evening was, and it’s far from easy to answer. Def Leppard were probably the strongest as far as overall sound is concerned, although their set list was merely “meh” in comparison to the last time I saw them, as previously noted. But I’d have to say Motley Crue were definitely the most exciting to watch as always, with Poison coming in a close second. And I’m pretty sure nearly anyone who was in attendance on Sunday night will agree they indeed got enough bang for their buck.
