Tag: Carlos Cavazo

Stephen Pearcy and Warren DeMartini Performing Ratt, Trixter, Enuff Z’Nuff and Pretty Boy Floyd at Ferg’s Concert Pavilion in St. Pete, FL on 10/17/25 By Jesse Striewski/Photos By Brooke Striewski

I really hadn’t planned on taking two back-to-back weekend trips to the Tampa/St. Pete area after having just traveled with the fam to the west coast the weekend prior for the Megadeth-spinoff band Kings of Thrash. But literally just two nights prior to the show, the wife and kid surprised me when they said they had won tickets from local rock station WJRR for the Stephen Pearcy/Warren DeMartini of Ratt fame show at the Ferg’s Concert Pavilion in St. Pete, FL on Friday, October 17. And hence, another Rewind It Magazine road show was born.

While initially hesitant about making the drive down there again so soon, it turned out to be a much better experience than the last show, with Pretty Boy Floyd – who Rewind It have covered two shows for now (one as far back as 2018, and another as recent as just two months ago this past August) were the first band we were fully able to catch (we arrived just as the first opening act, Permacrush, were finishing up, and I cannot give an honest assessment of them), and while I’ll try not to dwell on my medical issues here again, but will just say I was beyond relieved to see we had actual seats for the show (and the venue was a noticeable upgrade in comparison to some of the more recent ones we’ve visited as well).

My always reliable (and beautiful) wife/photographer Brooke instantly sprung into action while I hung back with our son (and sometimes secondary photographer) Jacob who, for the first time ever, had his girlfriend Em along for the ride with us this time as well. And with legendary KISS guitarist Ace Frehley having just passed the day prior, there were plenty images of the late musician’s face adorning many a fans’ t-shirts that night (yours truly included), and of course some mentions of him from some of the bands that night, too.

Pretty Boy Floyd performing at the Ferg’s Concert Pavilion in St. Pete, FL on 10-17-25 (Photo by Brooke Striewski).

But I digress, Pretty Boy Floyd took the stage with a fury as always, with “Your Mama Won’t Know” paving way for more classics like their cover of Motley Crue’s “Toast of the Town,” “48 Hours,” and “Rock n’ Roll Outlaws.” At one point frontman Steve Summers – always the showman – teased a cover of Marilyn Manson’s “The Beautiful People” with the rest of the band before announcing “We don’t do that one!,” before ending their set with the one-two punch of “I Wanna Be with You” and “Rock n’ Roll (Is Gonna Set the Night on Fire).”

I’ve known of the next act, Enuff Z’ Nuff, for as long as I can remember, though I cannot say I was ever much of a fan (their sound has always been a bit too “out there” and soft for my taste to be honest). But alas, we watched as Chip Z’Nuff and company went through tracks like “The World is a Gutter,” “Baby Loves You,” “Heavy Metal,” “Jet” (Paul McCartney cover), “Fly High Michelle,” and “New Thing.” After their set, I can say I could at least understand their like-ability a bit more than I had beforehand.

Enuff Z’Nuff performing at the Ferg’s Concert Pavilion in St. Pete, FL on 10-17-25 (Photo by Brooke Striewski).

It was at this point that the story really gets interesting. Thinking we had some time in between acts to make it back before Trixter hit the stage, Brooke and I wandered off for a bit. In our travels we briefly ran into Enuff Z’ Nuff co-founder/bassist/vocalist Chip Z’Nuff, and Pretty Boy Floyd’s Steve Summers and Jake Curtis Allard (always great seeing them!). But it was what came next that really took us both by surprise.

The thought did not even occur to me that local St. Pete rocker Todd La Torre of Queensryche might be on hand that night. But alas, a chance encounter found us briefly chatting with the lead singer/former drummer right then and there, and neither of us could believe it (It should be noted, Brooke and I had previously reviewed/photographed a Queensryche show for Rewind It back in 2019, as well as gone to see them at our first major show together when we were still just starting to date in early 2013, so the history is definitely there for us).

Rewind It’s Jesse Striewski (left) with Queensryche frontman Todd La Torre at Ferg’s in St. Pete, FL on 10-17-25 (Photo by Brooke Striewski).

By the time we got back to our seats, we saw members of Trixter still on stage, which we thought were still just setting up their equipment. It turns out though, they were actually breaking it down – our adventures mingling actually caused us to miss their set entirely. While disappointing at first, in the end, it was worth it to have the experiences that we did in the interim (we were also informed after the fact that Trixter’s set was also apparently cut short, which no doubt contributed to this).

And finally, the band everyone had come to see above all else – which features core Ratt members Stephen Pearcy (vocals) and Warren DeMartini (guitar), as well as alumni Carlos Cavazo (guitar/also former Quiet Riot) and Matt Thorne (early Ratt bassist from ’81-’82 and also former Rough Cutt), and ex-Slaughter drummer Blas Elias rounding things out – finally took the stage (not before some Spinal Tap-esque issues with the sound causing them to be a few minutes late at first), coming out swinging with their signature opener, “Wanted Man.”

A cover of “Walkin’ the Dog” followed before “I Want a Woman,” “Slip of the Lip,” “Body Talk,” “Lovin’ You’s a Dirty Job,” “I’m Insane,” “Nobody Rides For Free,” “Way Cool, Jr.,” “Lack of Communication,” and “Lay It Down” all kept the momentum going.

Stephen Pearcy performing at Ferg’s Concert Pavilion in St. Pete, FL on 10-17-25 (Photo by Brooke Striewski).

Somewhere along the way, Pearcy teased doing “a love song that they don’t play very often,” alluding to their oft-forgotten 1990 minor hit “Givin’ Yourself Away,” which I would’ve loved to have actually heard them perform (the two times I saw Ratt previously they shy-ed away from doing it then as well). But in typical Ratt fashion, the song was nixed, with Pearcy proclaiming “Here’s your love song!” at the start of “You’re In Love.”

By that point, there really was not much left to do other than unleash the big guns with “Back For More” and “”Round and Round,” which of course drew the biggest responses from the crowd. While Pearcy’s chops might not be what they once were, the band on stage that night was undoubtedly tighter than any other lineup of theirs I had seen previously, noticeably improving since the last time the Mrs. and I caught them in Orlando back in 2017. Is it perfect? Of course not…but that’s just rock n’ roll baby!

Retro Review: Quiet Riot – Metal Health (Pasha/CBS)

By: Jesse Striewski

I can vividly remember the first time Quiet Riot’s Metal Health truly hit my senses. I was a freshman in high school, sitting on the steps of my school when my friend Scott handed me a copy of his dad’s tape. I popped it into my walkman, and instantly the whole world (and all my troubles) disappeared, leaving just me and the music. There was no doubt about it; I was falling in love.

The story behind Metal Health – a monumental achievement in metal history – was no small feat; late singer Kevin Dubrow had recently revived the name Quiet Riot in 1982 after the previous band – which had released two Japan-released albums in the late ’70s – had broken up two years prior. Dubrow recruited guitarist Carlos Cavazo, bassist Chuck Wright, and drummer Frankie Banali to complete the lineup and resurrect the name after receiving the blessing from former guitarist Randy Rhoads, who by then had gone on to join Ozzy Osbourne’s solo band.

Recording of the album commenced in North Hollywood, CA, and shortly after, Rhoads died tragically in a plan crash while on tour. At that point, former bassist Rudy Sarzo (who had also joined Osbourne’s solo outfit) was asked to perform on the track “Thunderbird” as tribute to Rhoads. Sarzo quickly took the place of Wright, who had already recorded the tracks “Don’t Wanna Let You Go” and the album’s crushing opener, “Metal Health” prior to leaving.

A cover of Slade’s “Cum on Feel the Noize” would propel the band into superstardom, shooting to number five on the Billboard Hot 100 in November of 1983, eight months after the record’s March 11 release date. The video received around-the-clock rotation on the then-new MTV station at the time. “Slick Black Cadillac” was a re-recording of a track from 1978’s Quiet Riot II, while “Love’s a Bitch,” “Breathless,” and “Run For Cover” keep the momentum going. Cavazo shows off his chops with the instrumental “Battle Axe,” while “Let’s Get Crazy” kicks things up a notch before finally slowing it down with the previously-mentioned “Thunderbird.”

There’s no denying the lasting impact the record has had for generations. And as the first heavy metal album to ever reach number one on the charts, it literally put metal on the map, causing a craze for the music that would last the rest of the decade. When I was finally able to see the band live in October of 2006, I was instantly greeted with the familiar sounds of the guitar solo to “Cum on Feel the Noize” as I arrived fashionably late for their set. Dubrow and company then killed it with “Metal Health” before finally exiting the stage, and I knew I had just witnessed true greatness in the nick of time.