I can vividly remember being a kid in New Jersey and riding in my older sister’s convertible, listening to her Stevie B tape of Party Your Body while riding with the top down. One of the few things I knew about Stevie B at the time was that he was from this mystical place called Florida, so as far as my young mind was concerned, that was what “Florida music” was exactly supposed to sound like.
It’s funny how life works sometimes; not only do I now reside in Florida myself, but I can even watch Stevie B perform in the very state I once thought was so exotic so many years ago. That’s exactly what happened this past Saturday, September 25, when the freestyle legend himself graced the stage at Oasis on the River in Sanford, FL. And between the large pool nearby the stage and bikini-clad bartenders/waitresses, the Miami-vibe was no doubt alive and well, too.
The night started just after 7:00 pm, with live music being provided by a revolving door of DJ’s such as DJ Frank Dee, DJ Daggett, and DJ Mark Sanchez. Now, it’s no secret I’m more of a “rock” guy, so admittedly I don’t know a whole lot about DJ’s (nor quite understand why anyone would want to hear yet another riveting rendition of “This is How We Do It” for the umpteenth time, but that’s just me). But I suppose each DJ possessed their own uniqueness, and the crowd no doubt responded to them with plenty of enthusiasm.
At some point during all of those beats, local newcomer John Skoolyaad was invited onto the stage to sing an obscure Stevie B song in the form of “Running For Miles.” The young performer oozed style and professionalism, and brought a different level of talent to the stage before Stevie B’s own DJ Slice kept the party going for what seemed like an excessive amount of time (even if he was the most talented of all the DJ’s that night – would have definitely preferred a longer set from Stevie B in place of the numerous opening acts).
Finally, the man of the hour himself, Stevie B, took the stage at approximately 11:35 pm (call me an old man, but that’s about two hours later than a desired start time for this guy, considering I’m up no later than 7:00 am seven days a week). But the entire night instantly became worthwhile as he kicked things off with the club anthem “Party Your Body.”
More hits continued, including “Dreamin’ of Love,” “I Wanna Be the One,” and the massive 1990 number one ballad, “Because I Love You (The Postman’s Song).” Another song or two (which the names of escape me at the moment) followed before Stevie took it back to 1988 (his own words) and ended the night with the freestyle/dance classic, “Spring Love.”
Beyond exhausted by the end of his set, my always lovely photographer/assistant (who also happens to be my wife) and I took just a few extra minutes to mingle before exiting. In the process, we ran into not only said singer John Skoolyaad, but also ’90s pop star Rockell (best remembered for her 1997 dance hit “In a Dream”), who was watching Stevie B’s set from the stage the entire time. It was the perfect high-note ending to a very, very long night.
I’ll be completely blunt here; when it comes to tribute and/or cover bands, I can sometimes border on the “snob-ish” side (my attitude has always been, ‘why would I want to see imitators, if I’ve already seen the original?’). But when it’s done right, a tribute/cover act can sometimes come close to being as fun as the real thing. Such was the case with 4’10 singer Lin Doak, otherwise known to the world as Little Ozzy, who along with his band, rocked Oasis on the River in Sanford this past Saturday, June 12.
Over the course of just a few years, Little Ozzy has climbed his way to the top as one of the world’s leading Ozzy Osbourne tribute acts, even appearing on such multiple TV shows including America’s Got Talent and Ozzy and Jack’s World Detour. And while I have already seen the actual Prince of Darkness himself before, both solo and with Black Sabbath (in 1997 and 2004, respectively), I knew there was something special enough about Little Ozzy to get me to put my usual reservations towards tribute bands aside for one night.
My gut instincts quickly proved right, as the band – which also consists of guitarist Johnny Lawrence, bassist Aaron Rowe, and drummer Draven Blaq – took the stage just after 9:00pm, opening with a one-two punch of “I Don’t Know” and “Crazy Train” (really the only appropriate way to introduce a set of Ozzy classics at this point). Adding to the overall decadence of the evening was the atmosphere of the venue Oasis itself; with a pool filled with bathing beauties directly in front of the stage, there was plenty for the eyes to behold.
I was pleasantly surprised when the band followed up with a bit of a deep cut in the form of “Believer,” before segueing into a number of Sabbath staples that included “Iron Man,” “Children of the Grave” (one of my personal favorites), and “Sweet Leaf.” Solos from Blaq and Lawrence sandwiched more hits like “Mama I’m Coming Home,” “War Pigs,” and “Suicide Solution,” before Little Ozzy told a brief story of meeting late Ozzy guitarist Randy Rhoads’ brother, Kelly.
The band then slowed things down a bit for a spot-on version of “Goodbye to Romance” (always a favorite), before finally calling it a night with epic renditions of “Mr. Crowley,” “Shot in the Dark,” and “Fairies Wear Boots.” Although their set was nearly flawless, I found it odd that mega hit “Bark at the Moon” was omitted from the set, and I would personally love to hear more forgotten tracks like “Breaking All the Rules” included as well (but that’s just me).
Still, there really wasn’t all that much to complain about Saturday night’s show. So the next time Little Ozzy comes through your town, be sure to catch him and his band if you can; it’s sure to put an Ozzy-size smile on your face!
Last night, ’90s rapper and longtime Florida resident Vanilla Ice knocked the socks off of Cocoa Beach, celebrating the 30th anniversary of 1991’s Teenage Mutant Ninja Turtles II: The Secret of the Ooze (which he briefly appeared in) with one of the wildest on-stage parties in recent memory…and of course Rewind ItMagazine were there to cover the entire event!
Upon arrival, TMNT screenwriter Todd W. Langen and producer Kim Dawson, who each worked on the first two films, were on stage, revealing trivia and partaking in some Q&A with audience members. Although slightly on the awkward side at times, there were no doubt some interesting facts thrown in throughout, such as Langen’s treatment of the original film’s screenplay being written in just ten days. It was directly at the end of this segment that the crowd caught it’s first glimpse of the Ninja Turtles, as Michelangelo and Donatello then appeared on stage.
After this, the music finally began, as local musicians Zander and Brian Lion unleashed their brand of reggae/surf rock on the crowd. To be honest, I’m not much of a fan of Sublime-type bands, which is what their sound heavily reminded me of. Still, those in attendance did not seem to mind as the guys went through numbers like “I Wanna Rocksteady” and “Ocean Floor.”
DJ Mark Longnecker was next up, and arguably performed the longest set of the evening (perhaps even longer than anyone had originally expected?). Regardless, he mixed in the sounds of many old school rap, hip-hop, and R&B artists that included everyone from TLC, Debbie Deb, Run-DMC, The Fat Boys, Whodini, Grandmaster Flash, Kriss Kross, Beastie Boys, Coolio, MC Hammer, Digital Underground, and Prince. It was equally exhausting as it was entertaining.
Finally, the one and only Vanilla Ice took the stage by storm, opening with a surprisingly ripping version of “Minutes of Power” from his 1994 ‘hardcore’ effort, Mind Blowin’. It didn’t take long for the Ninja Turtles to make it on stage again, as Ice quickly ‘kicked’ into “Ninja Rap,” unleashing pure pandemonium from that point onward.
Covers of Biz Markie’s “Just a Friend” and Snoop Dogg’s “Gin and Juice” followed, before tearing into his hit version of Wild Cherry’s “Play That Funky Music.” By now the Ninja Turtles were joined by other costumed dancers, local beauty pageant winners, and even Ice’s right hand man from The Vanilla Ice Project, Wes Kain himself (who was dressed as Elvis and draped with an American flag). The mega hit “Ice Ice Baby” followed, and predictably received the highest praise of the night.
But it didn’t end there; Ice followed it up with a killer rendition of Kaskade’s “Ice,” before proceeding with more covers of Young MC’s “Bust a Move,” Lil’ Troy’s “Wanna Be a Baller,” Ginuwine’s “Pony,” Bruno Mars’ “24K Magic,” and M.I.A.’s “Paper Planes.” Finally, he ended the night on a bittersweet note, dedicating a version of Bob Marley and The Wailers’ “No Woman No Cry” to the U.S. troops. It was a surreal moment, one where you could feel the genuine appreciation Ice had for every member of the crowd who has been there supporting his long-lasting career more than three decades later.
For many in attendance, last night’s show was pure nostalgia; there was no doubt a touch of that for me as well, having been a fan of both Ice and the Ninja Turtles since I was kid. But being there in the moment, witnessing so many aspects of my childhood alongside my wife and my own teen-aged son (as well as an old friend of the family in tow for good measure) will surely remain a treasured memory of mine for many years to come.
While I’ve said this many times already in the past, allow me to go completely ‘fan boy’ here again for just a second; I cannot stress it enough how Sweden’s Enforcer are the real deal, and possibly the best, true heavy metal band to emerge in the past two decades. It was an absolute blast to finally catch them live and review one of their shows for Rewind It Magazine back in 2019 (see attached photo above), and even more of a thrill meeting frontman Olof Wikstrand (among others) shortly after the show. It was just as much of an honor getting a chance to pick Wikstrand’s brain recently about the band’s latest release, Live By Fire II, which was actually recorded on the same 2019 North American tour in Mexico City.
One of the first things I asked him about was why the band choose Mexico City to record a live album, and he explained; “I think Mexico City is one of the greatest places in the entire world to play traditional metal. It has a great scene for it, and the people are incredibly enthusiastic about music in general, so I’m very grateful to go there as an artist. We also had the full lineup for it – we’ve been touring a little bit with session musicians lately – so this was a good chance to capture a show that we had the entire lineup of the band together for once. We also had good ticket sales for this one, so we knew that it was going to be something special.”
He continued; “Another reason was we had a good venue that we could set up exactly how we wanted, both in terms of sound, as well as stage. And we had a full headline slot to preform, so we could basically do anything we wanted with this show, and it was a great opportunity not to miss. I think we decided that same week that we were going to record the show, and we flew in our Swedish light guy about five days prior, just to do the show. So it was a spontaneous decision, but it worked out really well. When you get so much back from the audience and you really get the energy flowing, it makes you play so much better. I think we did a pretty good show, I think it was the second out of fifty-eight shows that we did in North America in 2019.”
Something about Enforcer’s style, and Wikstrand’s songwriting, has always struck me as uniquely authentic. So I wanted to know just where some of that inspiration came from. He told me; “I’ve been into heavy metal for the majority of my life. I think when I was like three or four I started to get into The Rolling Stones because of my dad. And then a year or two after I was introduced to Metallica by an older cousin, and that must have been around ’91 because it was right around the time of The Black Album. My parents come from a very musical background, so I had the interest for music already, and when that interest met with heavy metal, I thought that that was the coolest thing in the universe; it was like this mixture had set something special on fire.
He explained a bit further; “It started with a little bit of a thrash wave in the beginning (Megadeth, Slayer, etc…), and then I got more into death metal for awhile, and then I wandered out into Scandinavian black metal when I was a mid-teenager, before going back to thrash, heavy metal and classic rock more recently. So it’s been a lot of different phases throughout my entire life, and I’d say that I’m inspired by pretty much everything that’s ever touched me musically.”
I was curious what some of the tracks Wikstrand enjoyed performing live the most were. He stated; “I think the best songs to perform live are the ones where you get the most instant feedback from the crowd. Usually songs like “Destroyer,” “From Beyond,” or “Die For the Devil” create so much movement from the crowd, and you can feel so much energy coming back from them to you on stage.” I was also wondering if there were any forgotten songs in the band’s catalog that the band might consider resurrecting someday. He said; “I used to really liked “Roll the Dice” from our second album – that’s one that I would personally like to get back. But it’s also a little hard to bring them back if the crowd doesn’t want to hear them. So if it’s songs that haven’t really made an impact on people, then it’s hard to play them live because it will kind of kill the vibe. I think the track list that we have right now is the product of years of trial and error to find the right songs that work the best live.”
I couldn’t help but notice how the piano-driven ballad “Regrets” from their last studio album, Zenith, had not made it into said live sets, and inquired why this was. He replied; “We tried to it with the piano backtracked first, but it didn’t really feel genuine. Then we tried to do a guitar version in place of the piano, but it didn’t feel the same, really. So we have not yet been able to find a way to perform that live in a genuine way. We might still play it in the future , but it also depends on the demand of the song. And with a song seemingly so deep, I wanted to know if there was any meaning behind the lyrics. He stated; “The lyrics weren’t really inspired by anything in particular, but the original idea was to make it as dark as possible, with the thought of the love for something being beyond reach.”
With concerts slowly creeping in again, yet still up in the air for nearly any band on the planet, I of course had to ask what the band’s future live agenda looked like. He informed me; “We’ve had a European tour scheduled that has moved forward twice now. I think I’m in a state where I don’t want to book anything right now because it just feels so frustrating to keep having to move it forward and forward. I guess we have to wait this out and keep trying to come up with other creative ways of putting exposure towards the band. I think this year has shown that you don’t necessarily have to be touring on such a high level to create exposure for your band, and you can do that on social media instead. But we’ve had great responses from almost everything we’ve been doing on social media, and the contact with the fans has been the greatest thing. That’s something we’re definitely going to focus on in the future.”
But that has not slowed down Wikstrand’s creativity much. As far as the band’s future goes, he assured me; “I’ve been writing songs, and I think I’ve been more creative these last twelve months than I’ve been in the past twelve years. So it’s been very nice to have all the pressure off of touring/playing live and that whole aspect of the band, and hopefully we can actually get into the studio soon and record the follow up to Zenith. We have focus on growth almost everyday with every step we do as a band, and I hope to be able to keep taking this concept to the next level and get the music out there. That’s the only focus that I have, and it’s always been.”
The last time Rewind It Magazine caught up with ’80s pop sensation Tiffany was just a few short months back last, when she played Buster’s Bistro in Sanford last November. While that show was no doubt a fun night for all those there, Tiffany seemed much more in her element at Dexter’s in Lake Mary, where she performed a longer, and much more interactive set with fans than said last show.
Local musician Rob C (or possibly “Z” – my apologies for not getting a concrete name!) started off the evening with a number of cover tunes that spanned multiple decades. Everything from ’80s staples such as “Karma Chameleon,” “Faith,” “I’ll Be Watching You,” “Shout,” “Blister in the Sun,” and “All Night Long” were included along with older and contemporary classics like “Three Little Birds,” “Proud Mary,” “Sitting on the Dock of the Bay,” “Sex on Fire,” “Say it Ain’t So,” and “Under the Bridge.” By the time Rob had finished his set, the crowd was more than primed for the slightly tardy Tiffany (who, after arriving, explained the power had gone out where she is currently staying).
Despite the late start, Tiffany (once again joined by guitarist Mark Alberici) more than made up for it. After a short Q&A with the audience, and plugging several of her other endeavors that ranged from cooking, mixed drinks, to skin care products, she opened with a new track from her upcoming studio album, Shadows, titled “Hey Baby.” A couple of tracks from her 1987 debut album, including “Spanish Eyes” and the hit “I Saw Him Standing There,” followed before unleashing another semi-new track in the form of “Pieces of Me.”
The Billboard number one hit single “Could’ve Been” followed before a slew of other admirable newer tracks, including “Storm,” “King of Lies,” “Starting Over,” and “Waste of Time” (the latter of which included a small mishap that saw Tiffany briefly singing the lyrics to “King of Lies” again, causing the duo to briefly stop and even laugh at themselves for a minute).
And finally, Tiffany brought down the house once again with her biggest hit to date, “I Think We’re Alone Now,” which even saw her rising from her seat and dancing along with numerous members of the elated audience. But surprisingly, they didn’t stop there, unleashing a rollicking version of Neil Young’s “Rockin’ in the Free World” before finally calling it a night.
Even if you’re not a huge Tiffany fan (which I never claimed to be by any means), it’s still easy to enjoy one of her shows. There’s a sense of familiarity while watching her live, like catching up with an old friend. If the chance to watch her perform ever presents itself, I highly recommend giving it a try.
Last night, heavy metal southern rockers Jackyl raised some much-needed hell at Bruce Rossmeyer’s Destination Daytona in Ormond Beach, the first time the band had shared the stage together in well over half a year according to lead singer/madman Jesse James Dupree. And judging by the size – and enthusiasm – of the rowdy crowd on hand, they were definitely more than welcomed to do so.
Tampa rockers Stonegrey opened the festivities with their ’90s-tinged styles and sounds. As soon as the band took stage, it was apparent everyone in the audience was in for a good time, as the the band’s lead singer almost immediately produced a bull horn. Covers and original tracks (and hopefully I get all of the titles correct here) like Lynyrd Skynyrd’s “Saturday Night Special,” “What Are we Fighting For?,” “Walk Away,” Led Zeppelin’s “Dazed and Confused,” and “Take Me Down” were just some of the notable songs the band had to offer.
The mighty Jackyl (which, in addition to Dupree, also consists of original members/brothers Jeff and Chris Worley on guitar and drums, and former Brother Cane bassist Roman Glick) quickly took stage afterwards (as they have many times before for Bike Week) with relentless energy, opening with “Blast Off” and breaking out such fan favorites as “Down on Me” early on in their set. Not long after, the band brought out and honored a 97-year-old World War II vet on stage, which quickly prompted chants of “USA!” from the patriotic crowd. A couple more tracks in the form of “Push Comes to Shove” (from the extremely underrated album of the same name) and “Just Because I’m Drunk” followed before the music was paused once more for a brief contest that saw a Harley wheeled out on stage, and one lucky contestant walk off the stage with a trip to Sturgis.
Once the band got back to business, it was an onslaught of fan favorites (along with a quick verse of AC/DC’s “Back in Black” thrown in there for good measure) from the band’s 1992 self-titled debut album, including “I Stand Alone” (famously remembered for its music video which saw the group performing in front of a Georgia Kmart), “When Will It Rain,” “Dirty Little Mind,” “Redneck Punk,” and “She Loves My Cock” (the very song that saw said first album removed from Kmart stores nationwide, and caused Jackyl to shoot said video outside of one in response).
And finally, frontman Dupree brought out his trademark chainsaw to do some damage on a wooden stool for their performance of “The Lumberjack.” After thoroughly dismantling it with his saw, Dupree continued to set it on fire, before finally smashing what was left of it on stage. The band then went out with one last literal “bang,” as Dupree picked up a custom built mic stand with a shotgun attached to it, and fired off a round above the audience. At that point, it seemed like the only fitting ending to an already wild show.
I don’t claim to be a huge fan of stand-up comedy by any means, and it’s been well over five years since the last time I willingly went to see a comedian live (and even then, I was there once again for work purposes). But how could my wife/photographer and I not go see the ‘Weasel’ himself, Pauly Shore, where it all began for him so long ago (and on our seventh wedding anniversary, in the same city where it all began for us as well, none the less) in the city of Daytona Beach?!
Presented by Bonkerz Comedy Productions and held at the Grand Ballroom at the Hilton Daytona Beach Oceanfront Resort (which coincidentally, is where my wife and I actually ate dinner right before getting engaged years ago, making the evening all the more special for us on a personal level), it was an extremely welcomed relief to a long year lacking an aubundance of laughter (even Hawaiian Tropic founder Ron Rice made his way into the audience last night).
Central, FL local Lou Pharis warmed up the crowd with (literal) enormous enthusiasm. Although towering at an intimidation-level height, he came off as a harmless gentle giant, there to simply win the audience over with laughs not too far off from your common dad jokes (but in a good way).
Kirk Bonacci, who has appeared on such Disney Channel shows as Game On! and The Avatars, used more of a self-depreciating style of comedy, with a slower approach, albeit perfectly timed punchlines. His ability to handle – shall we say – not the most welcomed audience participation from one particular crowd member, was also priceless.
And at last, the mighty Pauly Shore whisked onto the stage to the tune of David Lee Roth’s “Just Like Paradise,” encouraging the crowd to rise and proclaiming it was time to “party!” Once he began, it was nearly impossible not to laugh at every ridiculous thought that flowed from his brain to the microphone. Even the most simple, monotonous lines (I was dead after he stated, “I have to go grocery shopping when I get home”) were enough to bring the audience to its knees.
A good portion of his jokes relied on his age, and analyzing how much things have changed with him (and the world) since his early ’90s, MTV-fueled heyday. And while politics did make their way into the jokes from time to time, it was refreshing for once to hear something that wasn’t just one-sided and simply for the sake of bashing. Shore no doubt seems to still come from the old-school mentality where it’s okay to poke fun of everyone and anyone, regardless of what side of the fence they happen to land on (something sadly missing way too often in many platforms these days).
And of course, there were plenty of quotes from the vault brought out; classic lines like “Weazing the juice” from Encino Man and “Steven Tyler PJ’s” from Son-in-Law are among many that could be heard uttered throughout his set last night. Chances are if you grew up during Shore’s prime of the late ’80s/early ’90s (like I did), his stand up routine will be right up your alley as well; catch him if and when you get the chance (Shore’s next show will actually be at the Orlando Improv tonight).
The third and final show Rewind It Magazine made an appearance for this past Saturday, November 28, was none other than local cover act, The Beautiful Bastards. It was the only fitting ending to an already epic evening in Sanford that began with a Tiffany show at Buster’s Bistro in downtown, was bridged by an outdoor concert from The Original Wailers at Executive Cigar, before finally finishing things up at The Alley.
As some of you may recall, we have covered shows from The Beautiful Bastards in the past, as well as even interviewed drummer Timothy DiDuro (formerly of Skid Row/Slaughter/the Vince Neil band) earlier this year. On this particular night, the band – which is of course rounded out by the talents of vocalist/bassist Rick Navarro (formerly of the Pat Travers Band) and guitarist Dean Aicher (formerly of ex-Bad Company singer Brian Howe’s solo band), were once again firing on all cylinders.
Upon arrival, the boys were just closing out their first set with a cover of the Queens of Stone Ages’ “No One Knows” before taking a breather. We were able to briefly catch up with a couple of the guys (Tim and Rick) from the band during the intermission, and they both seemed as pumped up as ever to be out playing live again during these strange times. But the absolute icing on the cake came just minutes after when, my wife/photographer, Brooke, pointed out that none other than Tiffany herself was in the bar as well – and seated right behind us! It was an absolute thrill to finally meet her, and for the night to come full circle in such a way.
After the excitement, the band returned to the stage with a mammoth version of Led Zepplin’s “Whole Lotta Love,” before launching into a fury of classic rock numbers that also included Pink Floyd’s “Have a Cigar,” The Who’s Behind Blue Eyes,” Alice in Chains’ “Nutshell,” The Beatles’ “Helter Skeltor,” “I Saw Her Standing There,” and “I Wanna Hold Your Hand,” The Monkees’ “I’m a Believer,” The Clash’s “Should I Stay or Should I Go,” and Violent Femmes’ “Blister in the Sun,” before finally ending things with a raucous version of Wild Cherry’s “Play That Funky Music.”
After eight months since last covering a live event (which was Overkill at the House of Blues in Orlando last March), Saturday’s trio of shows was a much-needed jolt back into the music scene that was without a doubt one for the books. And if you haven’t already caught the ‘Bastards live for yourselves, be sure to check the band’s FB/social media sites for show dates near you!
This past Saturday, November 28, was one of those rare nights full of unpredictable moments and chance encounters. Eight months since Rewind It Magazine covered our last live event (before the world was stopped in its tracks by the pandemic), we were able to amazingly cover three shows in one single night, with reggae legends The Original Wailers sandwiched in the middle.
Along with my wife/photographer Brooke and a close friend (Kurt), I was already in downtown Sanford watching ’80s bombshell Tiffany play when someone mentioned The Original Wailers were also playing nearby for the one year anniversary show at Executive Cigar. I knew I could not pass up the chance to see the band behind such classics as “Could You Be Loved,” “Three Little Birds,” and of course, “No Woman, No Cry,” live (my beloved dog of 15 years, Kaya, was even named after a Bob Marley and the Wailers song). So the minute Tiffany finished her set, we were on our way to catch them play.
The second we arrived, we could instantly hear the chords to the classic Marley/Tosh penned-anthem, “Get Up, Stand Up,” and I knew we had made the right choice to make the short trek to see them. The crowd danced and sang along with joy as they continued with “Buffalo Soldier” before closing the night out with “Exodus.” Immediately after their set, we were even able to briefly meet and converse with frontman Chet Samuel, who seemed ecstatic to be there.
Although their name might be slightly confusing to some (guitarist Al Anderson is actually the only member from Bob Marley and the Wailers here, with his association with them going as far back as 1974), it is still no doubt a thrill hearing these songs, which are nearly as embedded in our minds and culture as the music of The Beatles or The Rolling Stones, performed live in some capacity; catch them for yourselves if you’re ever given the chance.
I was honestly not expecting to write another show review for the remainder of 2020, let alone actually go see not one, not even two, but THREE live shows in one night. But that’s exactly what happened this past Saturday, November 28 in Sanford, FL, starting with the lovely ’80s pop princess, Tiffany.
While she will always be known for her perfection of the ’80s mall tour, a Tiffany show in 2020 looks slightly different than it would have in say, 1987 or 88. Armed with only a microphone and her guitarist, Mark Alberici, by her side on the acoustic, Tiffany’s set was perhaps more akin to a mid-’90s Alanis Morissette set than would be expected from a former ’80s darling. Tracks like “Waste of Time,” “Beautiful,” and “King of Lies” were all actually quite well written and eye-opening, though unfortunately largely ignored by the rest of the crowd at Buster’s Bistro, who it was apparent had only come to drink and hear one song.
Of course, when Tiffany closed out the night with what will always remain her most well-known hit, 1987’s “I Think We’re Alone Now,” the place went wild, with dancing and sing-a-longs as far as the eye could see in every direction. It was a surreal, fun moment for everyone, though the crowd could’ve maintained the same respect throughout the duration of her entire set (though I know that would be asking too much from most people these days).
As previously noted, our evening did not end there; after leaving Buster’s Bistro, we were able to catch both The Original Wailers, and The Beautiful Bastards, who were also playing shows that very same night, all within walking distance from each other (and of course, more reviews will be coming shortly for those as well!). But our time with Tiffany was not over yet; while sitting inside watching the last band of the night play, I turned around to see none other than Tiffany herself sitting behind me watching the show! It was as surreal a moment as ever, getting to briefly meet this pop star, who I can specifically remember looking at on the cover of my older sister’s cassette tape and crushing on when I was just a kid. Thank you for one incredibly unforgettable night, Tiffany.
You can also catch Tiffany live again this week from December 2-4 at the Beach Front Grille in Flagler Beach.